Am höchsten bewertete positive Rezension
Eine Person fand diese Informationen hilfreich
Interesting, but unsatisfying
am 21. April 2000
First off, the title is a bit misleading - this book is about the history of rave culture (primarily in England), and has very little to do with psychedelic/ecstasy culture and its philosophy.
The historical aspect of the book is a good overview, but extremely biased towards the hardcore and related genres of techno. In particular I was offended by the author's suggestion that 'Intelligent Dance Music' was virtually racist because it avoided the use of black hip hop beats while those beats were getting a lot of play in clubs and at raves. The author presents himself as an outsider at the beginning of the book, but he was clearly part of and influenced by the hardcore scene. That isn't bad in of itself, but in this author's case it means that ever other niche is compared to the original hardcore scene (as well as its closely related genres) in a negative light; the author insinuates that the other genres simply don't get the point. Frankly, I think the author is the one who is unable to get any of the other genres.
All of this aside, I give this book four starts because it is a truly excellent resource for techno music fans, as well as anyone who is interested in learning more about the different genres of techno. Each section of the book presents (biased) descriptions of leading artists in each genre, and there is an excellent list in the appendix of tens of genres of technos with several album recommendations for each genre. This makes it an excellent reference for anyone interested in learning more about the different genres of techno.