Facebook Twitter Pinterest
Gebraucht:
EUR 8,66
+ EUR 3,00 Versandkosten
Gebraucht: Sehr gut | Details
Verkauft von theyandi
Zustand: Gebraucht: Sehr gut
Kommentar: BITTE LESEN: ANGEBOTEN WIRD HIER DIE VINYL-LP ATLANTIC ATL 50032. ALTERSUEBLICHE GEBRAUCHSSPUREN.
Möchten Sie verkaufen? Bei Amazon verkaufen
Jetzt herunterladen
Kaufen Sie das MP3-Album für EUR 7,99

london underground LP [Vinyl] HERBIE MANN Import

5.0 von 5 Sternen 2 Kundenrezensionen

Alle 4 Formate und Ausgaben anzeigen Andere Formate und Ausgaben ausblenden
Jetzt anhören mit Amazon Music
London Underground
"Bitte wiederholen"
Amazon Music Unlimited
Preis
Neu ab Gebraucht ab
Vinyl, Import
"Bitte wiederholen"
EUR 8,66
Erhältlich bei diesen Anbietern.
5 gebraucht ab EUR 8,66

Hinweise und Aktionen


Herbie Mann-Shop bei Amazon.de

Produktbeschreibungen

Trade Sample ,,Zustand Vinyl:NM,Cover:NM (Goldmine Standards) - Trade Sample - .Label: Atlantic.Published:

Kundenrezensionen

5.0 von 5 Sternen
5 Sterne
2
4 Sterne
0
3 Sterne
0
2 Sterne
0
1 Stern
0
Beide Kundenrezensionen anzeigen
Sagen Sie Ihre Meinung zu diesem Artikel

Top-Kundenrezensionen

Von V-Lee TOP 500 REZENSENT am 10. März 2014
Format: Vinyl
…dann nimmt er schnell ein Album auf. Ob es Ian Anderson war, der Herbie Mann zu diesem Album inspirierte, weiss man nicht, aber der ohnehin nie unter stilistischen Berührungsängsten leidende Jazz-Flötist nahm 1974 in London mit britischen Rockmusikern dieses Album voller Coverversionen auf und es funktioniert hervorragend.

Schon die 8 minütige Version des Stones-Hadern ‚Bitch‘ ist eine Offenbarung (noch dazu mit Mick Taylor an der Gitarre) und zeigt welche Dringlichkeit Mann dem zarten Instrument Querflöte herauszulocken im Stande war. Übrigens auch hier dabei – Ian McDonald am Sax von der ersten King Crimson Besetzung.

Poppig und tanzbar wird’s dann auf dem fluffigen Cover von Thunderclap Newman’s ‚Something In The Air‘, bevor man sich an Derek & The Domino’s ‚Layla‘ versucht – das zieht naturgemäß nicht ganz so an, wie das Original, aber überspringen will man das auch nicht, denn mehr Pepp als Clapton’s weichgespülte unplugged Version hat das auf jeden Fall, es gerät halt nur etwas zu lang. Sixties Pop wird im kurzen ‚Spin Ball‘ gepflegt, bevor man herrlichsten 30er Jahre Schwofer-Jazz mit großartiger Unterstützung von Stephane Grappelli an der Geige in Donavan’s ‚Mellow Yellow‘ serviert bekommt – die wohl mit Abstand originellste Cover Version dieses Klassikers.

Getragen, aber auch sehr stimmungsvoll dann ‚A Whiter Shade Of Pale‘, dem hier ein bisschen der Pathos ausgetrieben wird, was dem song eigentlich sehr gut tut.

Mann’s Eigenkomposition ‚Memphis Spoon Bread & Dover Sole’ referenziert nicht nur (wie auch der LP Titel) namentlich an seinen Klassiker ‘Memphis Underground’ allerdings fällt das hier doch deutlich poppiger aus.
Lesen Sie weiter... ›
8 Kommentare Eine Person fand diese Informationen hilfreich. War diese Rezension für Sie hilfreich? Ja Nein Feedback senden...
Vielen Dank für Ihr Feedback.
Wir konnten Ihre Stimmabgabe leider nicht speichern. Bitte erneut versuchen
Missbrauch melden
Von musicpeterpan TOP 1000 REZENSENTVINE-PRODUKTTESTER am 9. Januar 2009
Format: Audio CD
Ein absoluter Klassiker in der Herbie Mann -Sammlung ist diese CD. Herbie war 1973 für fünf Tage in London und nahm in dieser Zeit mit britischen Musikern dieses Album auf. Dabei waren unter anderem Mick Taylor von den Stones ( zu hören bei ,,Bitch,, ) und Gitarrist Albert Lee ( Mellow Yellow ). Herbie Mann nahm ausnahmslos Coverversionen auf und veredelte sie mit seinem Flötenspiel. Hört nur mal die achtminütige Version des Stones - Klassikers ,, Bitch,, an oder Thunderclap Newmans ,,Something in the Air,, einfach klasse. Hervoragend auch die Version von Donovans ,,Mellow Yellow,, mit Geige, eine Ohrenweide. Es gibt viel zu entdecken. Einfach CD anhören und genießen!
Kommentar 2 Personen fanden diese Informationen hilfreich. War diese Rezension für Sie hilfreich? Ja Nein Feedback senden...
Vielen Dank für Ihr Feedback.
Wir konnten Ihre Stimmabgabe leider nicht speichern. Bitte erneut versuchen
Missbrauch melden

Die hilfreichsten Kundenrezensionen auf Amazon.com (beta) (Kann Kundenrezensionen aus dem "Early Reviewer Rewards"-Programm beinhalten)

Amazon.com: 4.3 von 5 Sternen 6 Rezensionen
5.0 von 5 Sternen Get this 26. Dezember 2010
Von Nick Pusloskie - Veröffentlicht auf Amazon.com
Format: Audio CD Verifizierter Kauf
Before it goes away again. This one was hard to find.

If you like jazz - and you like relaxing music - slip this in, kick back, and go to your happy place! Herbie Mann cannot be beat.
1 von 2 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Herbie Mann Loundon underground 30. Mai 2012
Von William Richardson - Veröffentlicht auf Amazon.com
Verifizierter Kauf
H erbie Mann was longed misunderstood by jazz purest for playing "pop"tunes
what Herbie Mann knew was that "pop"tunes is what brought the people "under the tent" to the show,
you see people wants to participate . in his events Herbie was more "swing" then "BE-BOP"
3 von 3 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Eclectic plus 22. April 2011
Von Don Schmittdiel - Veröffentlicht auf Amazon.com
Format: Audio CD
One wonders who had the most fun putting this album together... was it Herbie Mann, having the opportunity at the peak of his popularity to draw some of the most accomplished musicians from jazz and rock to jam on an eclectic choice of pop and rock songs of the era, or emerging rock luminaries such as then-Rolling Stone Mick Taylor, Albert Lee, and violinist extraordinarie Stephanie Grappelli to back the only musician ever able to employ the flute as the lead instrument on top-selling vinyl discs? I regard 'London Underground', recorded in December of 1973, as the sequel to the astoundingly impressive 1971 release, 'Push Push', where Mann managed to draw Duane Allman into the studio to record covers of another group of well-chosen pop recordings such as 'Never Can Say Goodbye'. 'London Underground' seems to lack the thematic appeal which 'Push Push' possessed, the latter being a soundtrack to make love to, but otherwise further stocks one's music shelf with nine more covers of popular compositions for the flute-lover-in-you to relish.

Regardless of which musicians enjoyed the sessions the most, the collection of tracks will certainly bring a smile to the face of most fans of jazz fusion. Some of the tracks are deserving of a little more oomph! than a flute can be reasonably expected to deliver, even with six-string warriors such as Taylor and Lee in tow. Such is the verdict with 'Bitch' and 'Layla', and to a lesser degree on Traffic's 'Paper Sun', which possessed a definite psychedelic leaning that Mann's flute excursions bring interest to. These three tracks are the longest recordings on the disc, with 'Bitch' and 'Layla' claiming over eight minutes of vinyl, and 'Paper Sun' over six minutes. Of the three Mann probably has the most success with 'Bitch', which translates into several rather torrid improvisations. More suited to Mann's style are Thunderclap Newman's 'Something In the Air', Procol Harum's 'A Whiter Shade of Pale', and Donovan Leitch's 'Mellow Yellow', which features then 66 year old Stephanie Grappelli. The tender tones of a flute simply meld more sympathetically to the smooth feel of these numbers.

The two tracks that stand as unknown quantities are both bouncy pop tunes. 'Spin Ball' is the shortest track on the disc, timing out at slightly under two minutes. It's written by one Paddy Kingsland, who did extensive composing for BBC radio and television programs in the 1960's. 'Spin Ball' was used as the theme for televised UK soccer matches. The only Herbie Mann contribution is the similarly pleasing 'Memphis Spoon Bread and Dover Soul', a track I'm guessing is every bit as tasty as is one of the best baking fillet's when served together with a rich cornmeal pudding. The languishing melody of The Beatles' 'You Never Give Me Your Money' is a sweet choice for the closer, at nearly opposite ends of the continuum from the feel of the opener, 'Bitch'. The mix of genre's between the two could hardly be more diverse.

There are other performers of note on 'London Underground'. Keyboardist Pat Rebillot, a mainstay of Herbie Mann recordings and a one-time member of Average White Band is featured, and one of my favorite bassists, Calvin 'Fuzzy' Samuels, who had just completed a tenure in the rhythm section for Stephen Still's Manassas teams with drummer Aynsley Dunbar, reknown for his work with John Mayall and Frank Zappa. King Crimson saxophone player Ian McDonald appears as well. The mix of sounds, compositions, and performers couldn't be much more eclectic. Although the disc could have been improved with the presence of some token vocals here and there, there is no question about it, four stars for Herbie and company.
9 von 10 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Jammin Jazz Rock 25. Oktober 2002
Von Joan B. Montney - Veröffentlicht auf Amazon.com
Format: Audio CD
As a fan of Herbie Mann,this ranks as one of my all time favorites! Mann is one of those rare jazz musicians who can perform a remake of virtually any style of music out there. Do it well and do it justice. His choice of musicians on this album is the obvious reason its so good. Highlights from some of my favorites are, Track 1.Which is a remake of a classic Rolling Stones song. A great rock n roll jam featuring solos by Mick Taylor on guitar and Herbie Mann on flute who really cuts loose! Ansley Dunbar on drums who entertains us with lots of Funky foot work! Track 3. A remake of Layla by Eric Clapton. Great guitar solos by Mick Taylor and Albert Lee.Once again,kick in the but drumming by Ansley Dunbar and a variety of instrument solos being played at the same time that are all centered around the basic Layla melody. Track 5. Remake of the 70's classic Mellow Yellow. Mann's choice in using a violin for the vocal line along with his flute is what makes the song unique. Also,nice jazz brush work on the snare by Dunbar! Track 6. A winter shade of pale. A nicely done slow ballad with very beautiful orchestral sounding keyboard parts. Mann plays his flute with so much intensity and feeling that it gives me chills just thinking about it. Track 7. Great piano solo on this tune {sounds like it's being played on a classic Fender Rohdes electric piano} Albert Lee on guitar. Dunbar gives us fancy foot work again! Last but not least is track 8. A Beatles classic. Features a very heartfelt performance by Herbie Mann and Albert Lee on acoustic guitar. Nice vibrato effect on the elecric piano. A soothing relaxing tune. Final thought: A Fantastic album by a Fantastic jazz musician! Great re-mixing done for this re-issue. Awesome Sound! Enjoy!
3.0 von 5 Sternen play along with herbie and gang 9. Februar 2000
Von robert johnston - Veröffentlicht auf Amazon.com
Format: Audio CD
I have had the album since about 1977 and still have several songs on tape to practice flute to, together with some Ian Anderson solos, Celtic and renaissance material.
This album features a great lineup of musicians, who play the songs strongly, up-tempo and the recording quality on the original vinyl was excellent. Several songs are great to play along to on flute, such as Mellow Yellow, featuring Stephane Grappelli with Mann, Paper Sun, Spinball, Something in the Air and Memphis Spoon Bread. The rest I couldn't care for although they get a passing grade for performance. This album is a mix of songs I would rate as 5 stars, with those that are 3's.
If you are out for great pure jazz, perhaps avoid this one, but if you play the flute buy it immediately (!), and if you like FUN, then certainly this one feels very light-hearted as well as energetic.
PS - if I remember correctly, Channel 50 in Detroit used to use this version of Mellow Yellow sometimes as the opening theme song to the daily 4pm Three Stooges show! Catch my drift?
Waren diese Rezensionen hilfreich? Wir wollen von Ihnen hören.


Ähnliche Artikel finden