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Call It Sleep Paperback – 1 July 2005
- Print length480 pages
- LanguageEnglish
- PublisherPicador
- Publication date1 July 2005
- Dimensions13.97 x 2.7 x 20.83 cm
- ISBN-109780312424121
- ISBN-13978-0312424121
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Product description
Review
"One of the few genuinely distinguished novels written by a twentieth-century American." --Irving Howe, The New York Times Book Review
"Arguably the most distinguished work of fiction ever written about immigrant life...Surely the most lyrically authentic novel in American literature about a young boy's coming to consciousness." --Lis Harris, The New Yorker
"Roth has done for the East Side Jew what James T. Farrell is doing for the Chicago Irish in the Studs Lonigan trilogy.... When his characters are speaking pure Yiddish, Roth translates it into great beauty....The final chapters in the book have been compared to the Nighttown episodes of Joyce's Ulysses; the comparison is apt." --John Chamberlain, The New York Times
From the Back Cover
"One of the few genuinely distinguished novels written by a twentieth-century American."---Irving Howe, The New York Times Book Review (front page)
When Henry Roth published his debut novel Call It Sleep in 1934, it was greeted with considerable critical acclaim, though, in those troubled times, lackluster sales. Only with its paperback publication thirty years later did this novel receive the recognition it deserves---and still enjoys. Having sold to date millions of copies worldwide, Call It Sleep is the magnificent story of David Schearl, the "dangerously imaginative" child coming of age in the slums of New York.
"Arguably the most distinguished work of fiction ever written about immigrant life...Surely the most lyrically authentic novel in American literature about a young boy's coming to consciousness "---Lis Harris, The New Yorker
"Roth has done for the East Side Jew what James T. Farrell is doing for the Chicago Irish in the Studs Lonigan trilogy.... When his characters are speaking pure Yiddish, Roth translates it into great beauty.... The final chapters in the book have been compared to the Nighttown episodes of Joyce's Ulysses; the comparison is apt."---John Chamberlain, The New York Times
"There has appeared in America no novel to rival the veracity of this childhood. It is as honest as Dreiser's Dawn, but far more sensitive and ably written. It is as brilliant as Joyce's Portrait of the Artist, but with a wider scope, a richer emotion, a deeper realism."---Alfred Hayes, author of All Thy Conquests
"For sheer virtuosity, Call It Sleep is hard to beat; no one has ever distilled such poetry and wit from the counterpoint between the maimed English and the subtle Yiddish of the immigrant. No one has reproduced so sensitively the terror of family life in the imagination of a child caught between two cultures."---Leslie A. Fiedler, author of The Life and Death of the Great American Novel
Henry Roth (1906--1995) was born in the Austro-Hungarian province of Galitzia. He probably landed on Ellis Island in 1909, and began his life in New York on the Lower East Side in the slums where Call It Sleep is set. He is the author as well of Shifting Landscapes, a collection of essays, and the Mercy of a Rude Stream tetralogy.
About the Author
Henry Roth (1906-1995) was born in the Austro- Hungarian province of Galitzia. He probably landed on Ellis Island in 1909 and began his life in New York on the Lower East Side, in the slums where Call It Sleep is set. He is the author as well of Shifting Landscapes, a collection of essays, and the Mercy of a Rude Stream tetralogy.
Excerpt. © Reprinted by permission. All rights reserved.
Call It Sleep
By Henry RothPicador USA
Copyright ©2005 Henry RothAll right reserved.
ISBN: 9780312424121
Chapter One
STANDING before the kitchen sink and regarding the bright brass faucets that gleamed so far away, each with a bead of water at its nose, slowly swelling, falling, David again became aware that this world had been created without thought of him. He was thirsty, but the iron hip of the sink rested on legs tall almost as his own body, and by no stretch of arm, no leap, could he ever reach the distant tap. Where did the water come from that lurked so secretly in the curve of the brass? Where did it go, gurgling in the drain? What a strange world must be hidden behind the walls of a house! But he was thirsty."Mama!" he called, his voice rising above the hiss of sweeping in the frontroom. "Mama, I want a drink."
The unseen broom stopped to listen. "I'll be there in a moment," his mother answered. A chair squealed on its castors; a window chuckled down; his mother's approaching tread.
Standing in the doorway on the top step (two steps led up into the frontroom) his mother smilingly surveyed him. She looked as tall as a tower. The old grey dress she wore rose straight from strong bare ankle to waist, curved round the deep bosom and over the wide shoulders, and set her full throat in a frame of frayed lace. Her smooth, sloping face was flushed now with her work, but faintly so, diffused, the color of a hand beneath wax. She had mild, full lips, brown hair. A vague, fugitive darkness blurred the hollow above her cheekbone, giving to her face and to her large brown eyes, set in their white ovals, a reserved and almost mournful air.
"I want a drink, mama," he repeated.
"I know," she answered, coming down the stairs. "I heard you." And casting a quick, sidelong glance at him, she went over to the sink and turned the tap. The water spouted noisily down. She stood there a moment, stuffing obscurely, one finger parting the turbulent jet, waiting for the water to cool. Then filling a glass, she handed it down to him.
"When am I going to be big enough?" he asked resentfully as he took the glass in both hands.
"There will come a time," she answered, smiling. She rarely smiled broadly; instead the thin furrow along her upper lip would deepen. "Have little fear."
With eyes still fixed on his mother, he drank the water in breathless, uneven gulps, then returned the glass to her, surprised to see its contents scarcely diminished.
"Why can't I talk with my mouth in the water?"
"No one would hear you. Have you had your fill?"
He nodded, murmuring contentedly.
"And is that all?" she asked. Her voice held a faint challenge.
"Yes," he said hesitantly, meanwhile scanning her face for some clue.
"I thought so," she drew her head back in droll disappointment.
"What?"
"It is summer," she pointed to the window, "the weather grows warm. Whom will you refresh with the icy lips the water lent you?"
"Oh!" he lifted his smiling face.
"You remember nothing," she reproached him, and with a throaty chuckle, lifted him in her arms.
Sinking his fingers in her hair, David kissed her brow. The faint familiar warmth and odor of her skin and hair.
"There!" she laughed, nuzzling his cheek, "but you've waited too long; the sweet chill has dulled. Lips for me," she reminded him, "must always be cool as the water that wet them." She put him down.
"Sometime I'm going to eat some ice," he said warningly, "then you'll Like it."
She laughed. And then soberly, "Aren't you ever going down into the street? The morning grows old."
"Aaa!"
"You'd better go. Just for a little while. I'm going to sweep here, you know."
"I want my calendar first," he pouted, invoking his privilege against the evil hour.
"Get it then. But you've got to go down afterwards."
He dragged a chair over beneath the calendar on the wall, clambered up, plucked off the outworn leaf, and fingered the remaining ones to see how far off the next red day was. Red days were Sundays, days his father was home. It always gave David a little qualm of dread to watch them draw near.
"Now you have your leaf," his mother reminded him. "Come." She stretched out her arms.
He held back. "Show me where my birthday is."
"Woe is me!" She exclaimed with an impatient chuckle. "I've shown it to you every day for weeks now."
"Show me again."
She rumpled the pad, lifted a thin plaque of leaves. "July-" she murmured, "July 12th ... There!" She found it. "July 12th, 1911. You'll be six then."
David regarded the strange figures gravely. "Lots of pages still," he informed her.
"Yes."
"And a black day too."
"On the calendar," she laughed, "only on the calendar. Now do come down!"
Grasping her arm, he jumped down from the chair. "I must hide it now." He explained.
"So you must. I see I'll never finish my work today."
Too absorbed in his own affairs to pay much heed to hers, he went over to the pantry beneath the cupboard, opened the door and drew out a shoe-box, his treasure chest.
"See how many I've got already?" he pointed proudly to the fat sheaf of rumpled leaves inside the box.
"Wonderful!" She glanced at the box in perfunctory admiration. "You peel off the year as one might a cabbage. Are you ready for your journey?"
"Yes." He put away the box without a trace of alacrity.
"Where is your sailor blouse?" she murmured looking about. "With the white strings in it? What have I-?" She found it. "There is still a little wind."
David held up his arms for her to slip the blouse over his head.
"Now, my own," she said, kissing his reemerging face. "Go down and play." She led him toward the door and opened it. "Not too far. And remember if I don't call you, wait until the whistle blows."
He went out into the hallway. Behind him, like an eyelid shutting, the soft closing of the door winked out the light. He assayed the stairs, lapsing below him into darkness, and grasping one by one each slender upright to the banister, went down. David never found himself alone on these stairs, but he wished there were no carpet covering them. How could you hear the sound of your own feet in the dark if a carpet muffled every step you took? And if you couldn't hear the sound of your own feet and couldn't see anything either, how could you be sure you were actually there and not dreaming? A few steps from the bottom landing, he paused and stared rigidly at the cellar door. It bulged with darkness. Would it hold? ... It held! He jumped from the last steps and raced through the narrow hallway to the light of the street. Flying through the doorway was like butting a wave. A dazzling breaker of sunlight burst over his head, swamped him in reeling blur of brilliance, and then receded ... A row of frame houses half in thin shade, a pitted gutter, a yawning ashcan, flotsam on the shore, his street.
Blinking and almost shaken, he waited on the low stoop a moment, until his whiffing vision steadied. Then for the first time, he noticed that seated on the curbstone near the house was a boy, whom an instant later, he recognized. It was Yussie who had just moved into David's house and who lived on the floor above. Yussie had a very red, fat face. His big sister walked with a limp and wore strange iron slats on one of her legs. What was he doing, David wondered, what did he have in his hands? Stepping down from the stoop, he drew near, and totally disregarded, stood beside him.
Yussie had...
Product details
- ASIN : 0312424124
- Publisher : Picador; reprint edition (1 July 2005)
- Language : English
- Paperback : 480 pages
- ISBN-10 : 9780312424121
- ISBN-13 : 978-0312424121
- Dimensions : 13.97 x 2.7 x 20.83 cm
- Best Sellers Rank: 1,692,154 in Books (See Top 100 in Books)
- 943 in Jewish Fiction
- 12,045 in Coming of Age Fiction (Books)
- 85,417 in Contemporary Fiction (Books)
- Customer reviews:
About the author

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Learn more how customers reviews work on AmazonTop reviews from Germany
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Reviewed in Germany on 5 October 2019Bewegendes Zeitzeugnis eines verstörten Jungen, der sich auf Grund der aggressiven Ablehnung seines Vaters ödipal extrem auf die Mutter fixiert und seine gesamte Umgebung bedrohlich und düster wahrnimmt. Kein Stoff für sensible Gemüter
- Reviewed in Germany on 21 February 2000I read this book many years ago, in college, and remember enjoying it thoroughy. I have recently heard it read (Recorded Books, Inc.) by the incomparable George Guidall, who seems to read books requiring Yiddish phrases/accents particularly well (try Stanley Elkin's "Mrs. Ted Bliss" for a hilarious and compassionate thrill).
I was not disappointed this second time around, having matured myself, both as a reader and a writer. One of the most striking aspects of the novel is Roth's obvious love of women; few novels by men present women in such a truly beloved light. David's aunt - something of a shrew, a harridan, and a slob - is nevertheless incredibly good-hearted - and alive! Now I want to know more about Henry Roth. Does anyone know if there is a biography of this great writer available? Also, I noticed that there is a book of essays about "Call It Sleep." I plan to get it.
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Reviewed in Germany on 7 December 2001"Call it sleep" ist eines der traurigsten, ehrlichsten, und leisesten Bücher über jüdische Einwanderer am Anfang des 20. Jahrhunderts. Es erzählt aus der Sicht des kleinen David, wie schwer und unverständlich die neue Welt ist. Leider ist nicht alles Gold was glänzt, und der Amerikanische Traum ist oft weit entfernt...
David muss sich mit den Widrigkeiten seines neuen Lebens auseinandersetzten, seinem Vater gegenübertreten, und den Weg zwischen Neuer Welt und europäischer Tradition suchen. Dazu kommt seine ganz speziellen Beziehung zu seiner Mutter...
aber wie die Geschichte von David gegen Goliath, ist auch hier eine spannende Wendung zu erwarten.
Ein Buch das Freude macht, ein Buch das man nicht mehr aus der Hand legt, ein authentisches Buch!
vielleicht das authentischste seiner Art!
- Reviewed in Germany on 14 April 1998I discovered Henry Roth serendipidiously--by purchasing a used copy of "Call It Sleep" from a street merchant on West 4th Street in New York while I was a student at NYU. His writing completely and utterly captivated me--the beautiful (yet simple) lyricism of his prose, and his ability to capture and preserve an era gone by..."Call It Sleep" is truly one of the great American novels of all time--brilliant in every respect, it deserves its rightful place in the Western Canon as one of the greatest 20th century literary works. I continually re-read "Call it Sleep"--as well as his recent "Mercy of A Rude Stream" cycle of works. Roth's passing in 1995 was a truly sad time for me and for contemporary American literature.
- Reviewed in Germany on 30 October 1998I read this novel some 8 years ago, but the memory of it still lingers. I remember it being a brilliant evocation of childhood. I remember the very real terror I felt when the child-protagonist was beaten by his father. I remember coming to the conclusion then that this is one great novels ever written. Eight years on and many great novels later, I still stand by that conclusion. I'm only sorry I haven't read it a second time, a situation which I shall soon rectify.
- Reviewed in Germany on 13 June 1998Call It Sleep is a complex dynamic novel that succeeds on many different levels. It presents a fascinating description of immigrant life in early 20th Century New York and it is one of the finest Bildungsroman ever written. Roth is also able to write in hilarious dialect better than anybody (even Twain). Roth is an excellent anthropologist, a brilliant psychologist and a master stylist. This is truly an American classic.
Top reviews from other countries
Mary A LalleyReviewed in the United States on 12 July 20245.0 out of 5 stars Excellent book!
I love this book! It got good reviews when it was first written years ago and I it will always be one of my favorites. It is told from the view of a small boy. It is called "Call It Sleep" since he is a child and is waking up to the world around him.
Amazon CustomerReviewed in Canada on 20 February 20215.0 out of 5 stars A lost treasure
Roth's riveting novel of growing up in a tenement on New York City's lower east side in the beginning of the 20th century has an authenticity and a nuanced understanding of a child's universe. It deals with issues that are as current today as they would have been when Roth wrote the novel in the 1930s -- poverty, discrimination, domestic violence, sexual assault. It is, in fact, difficult to believe that this novel was written in that period, as it transcends other literature of that time. The book was out of print for 30 years and then rediscovered, luckily for us.
GAJANANA R SReviewed in India on 30 June 20215.0 out of 5 stars Good Service
....... very good addition to my library
Jacopo M.G.Reviewed in Italy on 20 January 20205.0 out of 5 stars Hard to find somewhere else: well done, though! Pas de problems: superb!
Rien à dire, super! La distribution a été vite. Just a feedback: deliver was fast (happy to have found it a paperback copy) and I am thriving to read it whenever I can now.
george ridgeReviewed in the United Kingdom on 21 May 20155.0 out of 5 stars A Great American Novel
It is among the greatest American novels. Told through the consciousness of a young boy, the characters are first generation immigrants, European Jews who speak only Yiddish on arrival, but learning New York street patois and rubbing shoulders with the other immigrant nationalities are spiritually in the melting pot of American culture. It is strong stuff which will make you cry, and occasionally laugh. Much of the dialogue is cleverly done in English language which sounds foreign, like Yiddish or in dense street patois, which is occasionally impenetrable.