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Machine Beauty: Elegance And The Heart Of Technology (Repr Ed) (Masterminds) Taschenbuch – 22. Dezember 1998

3,8 3,8 von 5 Sternen 6 Sternebewertungen

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Kaufoptionen und Plus-Produkte

When something works well, you can feel it; there is a sense of rightness to it. We call that rightness beauty, and it ought to be the single most important component of design.This recognition is at the heart of David Gelernter's witty argued essay, Machine Beauty, which defines beauty as an inspired mating of simplicity and power. You can see it in a Bauhaus chair, the Hoover Dam, or an Emerson radio circa 1930. In contrast, too many contemporary technologists run out of ideas and resort to gimmicks and features; they are rarely capable of real, structural ingenuity.Nowhere is this more evident than in the world of computers. You don't have to look far to see how oblivious most computer technologists are to the idea of beauty. Just look at how ugly your computer cabinet is, how unwieldy and out of sync it feels with the manner and speed with which you process thought.The best designers, however, are obsessed with beauty. Both hardware and software should afford us the greatest opportunity to achieve deep beauty, the kind of beauty that happens when many types of loveliness reinforce one another, when design expresses an underlying technology, a machine logic. Program software ought to be transparent; it should engage what Gelernter calls ”a thought-amplifying feedback loop,” a creative symbiosis with its user. These principles, beautiful in themselves, will set the stage for the next technological revolution, in which the pursuit of elegance will lead to extraordinary innovations.Machine Beauty will delight Gelernter's growing audience, fans of his provocative and biting journalism. Anyone who manufactures, designs, or uses computers will be galvanized by his cogent arguments and tantalizing glimpse of a bright future, where beautiful technology abounds.
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Produktbeschreibungen

Über den Autor und weitere Mitwirkende

David Gelernter is a professor of computer science at Yale University. His books include The Muse in the Machine, Mirror Worlds, and 1939. His ideas on computers and technology nearly cost him his life when he was letterbombed by the Unabomber.

Produktinformation

  • Herausgeber ‏ : ‎ Basic Books; Reprint Edition (22. Dezember 1998)
  • Sprache ‏ : ‎ Englisch
  • Taschenbuch ‏ : ‎ 180 Seiten
  • ISBN-10 ‏ : ‎ 046504316X
  • ISBN-13 ‏ : ‎ 978-0465043163
  • Abmessungen ‏ : ‎ 12.7 x 1.04 x 20.32 cm
  • Kundenrezensionen:
    3,8 3,8 von 5 Sternen 6 Sternebewertungen

Über die Autoren

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3,8 von 5 Sternen
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Spitzenrezensionen aus Deutschland

  • Bewertet in Deutschland am 20. April 2000
    Gelernter who, incidentally, was one of the people the Unabomber sent a bomb to, is an engineer who writes with curlicues enough to please a poet from the 18th Century. He loves beauty in design and thinks that much of our modern artifacts or machines are needlessly ugly. He likes his old 1938 Emerson radio as a work of art. He likes the MacIntosh desktop as a thing of beauty, contrasted with the ugliness of DOS. He will not go further than to once mention Microsoft's Windows. He thinks that really good software is beautiful; in fact it is good because it is beautiful. He has an idea for what he calls "Streamlines," a way of interfacing with computer and the Internet that he finds elegant. He puts a high value on elegance in technology.
    Gelernter also has a sharp and incisive mind. Consider this quote on the nature of consciousness found on page 23. He is talking about computers and brains, debunking the notion that a brain is an "information processor" like a computer. He writes: "...the brain is no mere information processor, it is a meaning creator-and meaning creation is a trick no computer can accomplish. The brain is a lump of hardware artfully arranged so as to produce an I-to create the illusion that some entity inside you is observing the world that your senses conjure up. That rose over there merely triggered, when you saw it, a barrage of neuron firings in your brain. But you have the sensation that some entity-namely, you, not to put too fine a point on it-actually saw the rose. Computers, so far as we can tell, are capable of no such trick." Nicely put!
    This is an original and delightful book that might be compared favorably to the work of Henry Petroski who wrote the much admired The Pencil: a History of Design and Circumstance (1990).
  • Bewertet in Deutschland am 5. Juli 2000
    I'm not familiar with Gelernter's other works or his place in computing history. I picked up this book because I was interested in the exploration of art in science. I didn't buy this book to indulge the personal ponderings of one man, however illustrious his past may be. But that's what I got.
    Gelernter knows computer programming. But I found his knowledge of art to be too shallow for a book with such a deep topic. He makes an effort in the beginning to define "beauty", which is obviously important to the theme of his book. He doesn't make a convincing argument. For example, when he tries to argue that beauty is not just a matter of ephemeral fashions and trends, his main argument is that gothic architecture was considered beautiful 150 years ago, so it can't be a matter of trends (although, earlier, he admits that gothic architecture was abhorred in the 18th century). He flippantly suggests that "150 years on the best seller list ain't bad!", or something to that effect, and that's the end of that argument.
    Some people make analogies that are so obvious that they clarify a point that is already clear. Gelernter's analogies, however, are just plain wrong: e.g., "When you contemplate the evils of technology, my advice is to think liquor...Liquor brings out the worst in us. TV does too, and so do computers. Used wisely, on the other hand, liquor produces a modicum of pleasure and makes life somewhat better, and the same holds for computers and TV." Pretty weak, Gelernter.
    The rest of the book seems like his own personal contemplations on what constitutes a beautiful code or hardware. One chapter, entitled "Beyond the Desktop", is exclusively focused on one of his pet projects at Yale. For such a broad chapter title, the writing itself was a disappointment and not at all what the title sugested. That pretty much describes the whole book.
  • Bewertet in Deutschland am 10. September 1999
    I've just read this book (at least I think I've just read it -- the book I just read by David Gelernter was called "The Aesthetics of Computing" and was bought in the UK). I found the book a fascinating read. There is a lot of "energy" and there are many interesting ideas on every page. I think it has parallels with Christopher Alexander's work on patterns.
    I don't think the book deserves such strong negative comments given in other Customer Reviews. I think it is well worth the $$$!

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  • Ilya Grigorik
    4,0 von 5 Sternen Marriage of simplicity and power
    Bewertet in den USA am10. März 2007
    As David Gelertner points out, most of us implicitly hold that scientists and artists are radically different by craft and by the very nature of their work. In fact, the scientific and artistic personalities seem to overlap more than they differ. Beauty and simplicity are the ultimate defense against complexity, and all the greatest discoveries are usually both simple and powerful - they are beautiful. Whether it is software, or product design, or even theoretical physics, best solutions have an aura of elegance and beauty that is often overlooked by our schools and colleges; as David Gelernter points out, our sole focus on analytical reasoning is leading us down the wrong path, and we need to address this issue on an emergency basis.