- Taschenbuch: 386 Seiten
- Verlag: Forgotten Books (17. August 2012)
- Sprache: Englisch
- ISBN-10: 1440059365
- ISBN-13: 978-1440059360
- Größe und/oder Gewicht: 15,2 x 2,2 x 22,9 cm
- Durchschnittliche Kundenbewertung: 1 Kundenrezension
The Yellow Fairy Book (Classic Reprint) (Englisch) Taschenbuch – 17. August 2012
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Über den Autor und weitere Mitwirkende
Andrew Lang (March, 31, 1844 July 20, 1912) was a Scottish writer and literary critic who is best known as a collector of folk and fairy tales. Lang s academic interests extended beyond the literary and he was a noted contributor to the fields of anthropology, folklore, psychical research, history, and classic scholarship, as well as the inspiration for the University of St. Andrew s Andrew Lang Lectures. A prolific author, Lang published more than 100 works during his career, including twelve fairy books, in which he compiled folk and fairy tales from around the world. Lang s Lilac Fairy and Red Fairy books are credited with influencing J. R. R. Tolkien, who commented on the importance of fairy stories in the modern world in his 1939 Andrew Lang Lecture On Fairy-Stories.
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Some of the stories include: The Six Swans, Story of the Emperor's New Clothes, The Crow, The Cat and the Mouse in Partnership, The Three Brothers, The Magic Ring, How to Tell a True Princes, Thumbelina, and more.
I would suggest reading this book, I love it!
I have not researched these, but I am under the impression that many of these stories were actually "written". I'm not sure how everyone will take that threat to oral folklore, but good fantasy is good fantasy, and I enjoy reading a fairy tale-esque story with extra complexity that still holds the same aura.
The illustrations are gorgeous, as usual, and display intricacies that fit the stories superbly.
Perhaps a more wild collection, but for that I love it all the more.
My inspiration for commenting Lang's series of fairy tale books is for the sheer quantity of tales, the wonderful woodcut illustrations, some few of which may have become almost as popular as the tales (although not quite in the same league as Sir John Tenniel's illustrations for Lewis Carroll's great fantasies), and the fact that I had these when I was young.
With twelve of these books, with between 30 and 36 stories in each book, this gives one about 400 different stories. If I were to recommend anything as standard equipment at a grandparents' house, it would be a complete set of these books.
Needless to say, there are a few `warnings' to accompany books assembled over 100 years ago. You will encounter a fair number of words with which even an adult may be unfamiliar, let alone a five year old. For example, on the second page of The Princess Mayblossom in The Red Fairy Book, a character puts sulfur in a witch's porridge. This requires at least three explanations. What is sulfur, what is porridge, and why is sulfur in porridge such a bad thing. More difficult still is when a prince entered the town on a white horse which `pranced and caracoled to the sound of the trumpets'. In 19th century London, caracoling (making half turns to the right and the left) was probably as common and as well known as `stepping on the gas' is today. But, if you're a grandparent, that's half the fun, explaining new words and ideas to the young-uns.
There is another `danger' which may require just a bit more explanation, although in today's world of crime dramas on TV, I'm not sure that most kids are already totally immune to being shocked by death and dead bodies. In these stories, lots of people and creatures get killed in very unpleasant ways, and lots of very good people and creatures suffer in very unpleasant ways. It's ironic that the critics in Lang's own time felt the stories were 'unreality, brutality, and escapism to be harmful for young readers, while holding that such stories were beneath the serious consideration of those of mature age'. The success of a whole library of Walt Disney feature length cartoons based on these stories is a testament to how well they work with children. But do be warned, Uncle Walt did clean things up a bit. Lang's versions hold back on very little that was ugly and unpleasant in some of these stories.
The down side to the great quantity of stories is that even when some come from very different parts of the world, there is a remarkable amount of overlap in theme, plot, and characters. But by the time you get to another story of a beautiful young girl mistreated by a stepmother, it will have been several month since you read Cinderella or the Little Glass Slipper in The Blue Fairy Book. The other side of the coin is that you can play the game of trying to recall what that other story was with a similar theme.
There is one very big word of caution about buying these books through Amazon or a similar on line outlet. I stopped counting when I got to twelve different editions of The Blue Fairy Book, or a volume including several of these books. Not all of these editions have the original woodcuts and even worse, not all have a table of contents and introduction. The one publisher which has all twelve volumes is by Dover. Other publishers, such as Flying Chipmunk Publishing (yes, that's it's name) also have all the original illustrations, table of contents, and introduction, but I'm not certain that publisher has all twelve volumes. Dover most certainly does, as I just bought all twelve of them from Amazon.
While I suspect these stories may have been `old hat' for quite some time, it may be that with the popularity of Lord of the Rings, the Narnia stories, and the Harry Potter stories, all of which have their share of suffering and death, that these may be in for a revival. Again, the main attraction is that for relatively little money and space, Grammy and Grandad get a great resource for bonding with children.
If you are a fan of fairy tales, this series is for you. The books are wonderfully constructed, and the vibrant dust jackets stand out on your shelf and make for a beautiful collection. I hope they will continue to publish these wonderful books until my collection is complete. Judging by the previous release schedule, there should (emphasis on should) be another two put out at the end of this year or beginning of next year, and they would be the Pink and Grey books. Until then, remember that if you like tangible books and want good books like this to continue to be available in print, then you have to support smaller publishers like Hesperus Press.