- Taschenbuch: 251 Seiten
- Verlag: Hawthorne Books (21. Januar 2008)
- Sprache: Englisch
- ISBN-10: 0976631172
- ISBN-13: 978-0976631170
- Größe und/oder Gewicht: 22,9 x 14,6 x 1,5 cm
- Durchschnittliche Kundenbewertung: Schreiben Sie die erste Bewertung
- Amazon Bestseller-Rang: Nr. 2.654.872 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
The Well and the Mine (Englisch) Taschenbuch – 21. Januar 2008
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?A quietly bold debut, full of heart.?
?"O, The Oprah Magazine"
?When you close the book, you?ll miss these characters. But "The Well and the Mine" doesn?t just give you characters who?ll stay with you?it gives you a whole world.?
?Fannie Flagg, author of "Fried Green Tomatoes at the Whistle Stop Caf?" and "Daisy Fay and the Miracle Man"
?Gin Phillips has a remarkable ear for dialogue and a tenderhearted eye for detail; you can hear the pecans and hickory nuts falling from the trees and feel the stillness of a hot summer night. A whisper runs through the novel?the ghosts of places and people and luscious peach pies.?
? "Los Angeles Times"
?A tight-knit miner's family struggles against poverty and racism in Phillips's evocative first novel, set in Depression-era Alabama. Throughout, she moves skillfully between the points of view...Phillips fully enters the lives of her honorable characters and brings them vibrantly to the page.?
?"Publishers Weekl -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch.
Über den Autor und weitere Mitwirkende
Gin Phillips lives in Birmingham, Alabama. The Well and the Mine is her first novel. -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
Because Albert Moore owns land, his family will not go hungry; but those coming to this family's door are never sent away empty-handed. There is a strong current of community that serves this town well, the mines swallowing able men before light, spewing them back in the dark, coal-stained, to spend a few precious hours with their families. In a home built on strong values, Leta and Albert treasure their children, the impudent and curious Tess, teen-aged Virgie, navigating her adolescence and Jack, a bit younger than Tess and all boy. This is a family nurtured on respect and hard work, the children basking in their parent's solicitude and moral direction. It is this moral sense that confounds young Tess as she grapples with an unidentified woman's motivation in tossing her child into the back porch well. Told from the various perspectives of family members, an image emerges of life in a mining community faced with the daunting challenges of the times.
Through Albert, the father, we learn of the racial prejudice that seethes beneath the surface in Carbon Hill, the rigid attitudes that circumscribe Albert's efforts to connect with Jonah, a black friend and co-worker. Much as he might hope, a real friendship isn't possible, the ramifications for Albert's children's futures too risky. The back-breaking work of the mines informs this family's daily rituals, the children lovingly tended as they sample the realities of the world they inhabit. While the question of the mother's identity is an underlying theme, so is the simplicity of these lives, the hope for better working conditions through the UMW and the solid values that make such an existence bearable. This is a vivid palette of the experiences that define former generations, stoic in their hardship, their Christian doctrines challenged by racial prejudice, poverty and one mother's desperate action. Luan Gaines/ 2008.
The central plot element of this novel is the search for the woman who threw a baby into the Moores' covered well one dark night. Nine-year-old Tess Moore saw it happen, so she and her older sister, Virgie, set out to discover whether all the newish babies in the community are alive and well. In the process, they introduce us not only to the Moores, but to quite a few of their friends and acquaintances as well.
The technique of changing narrators doesn't feel experimental anymore, but there were times in this book where it did not work particularly well. Some of the change-overs were just awkward, and at first the girls' voices were not quite distinct from one another, despite the difference in their ages. The odd layout of the text at the beginning of each new section also contributed to a disjointed feeling for me. It's hard to describe, but if you use the "Look Inside" feature of this site, and click on "surprise me" once or twice, you'll probably come across an example of what I mean.
I tried very hard not to make comparisons to To Kill a Mockingbird, as others have done, while reading this story. To do so, I think, is to shortchange Gin Phillips. Despite a story line that I found less than compelling, and an anti-climactic ending, Phillips has given us a novel with characters more complicated than Lee's, in a Southern setting profoundly realistic. While this is presented as a reminiscence, it is virtually free of the nostalgia that permeates Scout Finch's look back in time. Finally, I would be very much surprised if this is the only novel Ms. Phillips has in her, and I will look forward to more of her writing.
Taking place in 1931, The Well and the Mine tells the story of Albert and Leta Moore and their family, daughters Virgie and Tess and young son Jack. The Moore's own land, so do not struggle as much as some of their neighbor's during the Depression, but still, like it is for everyone, times are not easy. Albert works in the coal mines, a fate that he doesn't want to have happen to his son. Leta cooks and cleans and takes care of her family, sometimes doing without for herself to make sure her children want for nothing. The children help out with day to day chores, but live a rather sheltered life at home, not knowing how bad it is for some of their own neighbors during this time.
One summer evening, Tess witnesses a woman throw a baby into the family well. No one believes Tess, thinking the event is a result of her overactive imagination, until the next day when a dead baby is pulled from the well. What transpires from this event is an amazing journey for the entire family, as they come to terms with their changing views of their own lives and the changing world around them. The two girls find themselves most at odds with their changing perspectives on the world. Tess comes to terms with the fact that the world is not necessarily always a perfect place. Virgie begins to question her role as a woman, as the event makes her wonder what it would take for a mother to want to kill a child, and whether she wants her 'self' tied down to a child or family.
The story is told from the first-person perspective of each member of the family, with each chapter being broken into segments from each person's point of view. This gives an interesting insight into the growth of not only each character, but in their own interactions with their family. Phillips easily writes in the local dialect without overwriting the accents and local colloquialisms that can so easily happen when an author tries to mimic a speech pattern from an area. She tells her story fluidly, and while some of the aside stories seem to veer a little too far from the main flow of the story, overall, she wraps the book up nicely, not leaving the reader feel like they've missed out on anything in the story.
I am very happy to have read The Well and the Mine. I love how Phillips adds more and more layers to her story, yet never makes it feel like she is adding too much. The story unfolds at a perfect pace, witnessed more through the development and growth of the characters rather than by the actual events in the story. It's a lovely coming of age story, not only for each individual member of the family, but also the family as a whole.