- Taschenbuch: 420 Seiten
- Verlag: TC-Helicon (6. Januar 2014)
- Sprache: Englisch
- ISBN-10: 099203440X
- ISBN-13: 978-0992034405
- Größe und/oder Gewicht: 20,3 x 2,4 x 25,4 cm
- Durchschnittliche Kundenbewertung: 2 Kundenrezensionen
- Amazon Bestseller-Rang: Nr. 226.803 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
The Ultimate Guide to Singing: Gigs, Sound, Money and Health (Englisch) Taschenbuch – 6. Januar 2014
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Über den Autor und weitere Mitwirkende
TC-Helicon The company is known worldwide for its team of musicians and developers who spend every moment of their working lives listening, talking, singing and interacting with vocalists and those who share the passion for the most beautiful instrument in the world. TC-Helicon is the only pro audio company that is 100% dedicated to the performance needs of singers.
Gregory A. Barker, PhD is the Commissioning Editor of VoiceCouncil Magazine, the leading on-line publication for emerging vocal artists. He is also a published author with Oxford University Press and an educational and business consultant.
Kathy Alexander is a staff writer at VoiceCouncil Magazine. Kathy is also a singer, vocal coach and choir director. She has appeared in Vision TV, The Sooke Philharmonic Orchestra and the Victoria International Jazz Festival.
Die hilfreichsten Kundenrezensionen auf Amazon.com
Another reason I like it is because of all the contributers. Beardyman, Schlomo, Reggie Watts and others talk very matter-of-factly about doing what works and doing what doesn't. There's a real sense that you're talking shop with great performers.
So far, the best part for me is the user-friendly discussion about the use of equipment; I have a voice coach who is wonderful, but we work on singing, not using a mic, using loopers, how to gauge use of things like gain and delay effects. I still don't know what the difference between gain and level is, but this books talks about how to use it to the best of your advantage.
I could go on but I will just end with strongly recommend this book if you want a solid, practical source of instruction on everything about singing and performing, all in one spot. It will not, however, replace a voice coach. But it actually says that in the book.
Having worked closely with musicians, vocalists, and studios, I can say that this book hits the mark in a number of areas . . . but, it should be known that a lot of the written material has been posted elsewhere (my reason for 4 and not 5 stars). However, it's great to have all the relative material in one convenient place. Most of all, it can help you (and maybe even me) to become a better singer.
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