- Gebundene Ausgabe: 374 Seiten
- Verlag: ECW Press (1. Juni 2011)
- Sprache: Englisch
- ISBN-10: 1550229494
- ISBN-13: 978-1550229493
- Größe und/oder Gewicht: 16 x 3,3 x 23,7 cm
- Durchschnittliche Kundenbewertung: Schreiben Sie die erste Bewertung
- Amazon Bestseller-Rang: Nr. 367.247 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Ticket Masters: The Rise of the Concert Industry and How the Public Got Scalped (Englisch) Gebundene Ausgabe – 1. Juni 2011
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"[A] lively, sprawling chronology of the concert-ticket sales business . . . Budnick and Baron offer information in accessible language fortified with verbatim dialogue from a pantheon of music-industry brass." --"Kirkus Reviews "(April 15, 2011)
"In other hands, this book could have been dull and academic, but it reads like an adventure story, full of colorful characters, shady transactions, and surprising twists and turns. For everyone who has been dumbstruck by the extra fees added to the price of admission, this book is just the ticket. Highly recommended for eventgoers everywhere." --"Library Journal "(May 1, 2011)
"A clear, comprehensive look at a murky business, the book is also an encyclopedia of information about the rise, decline and rebirth of the live music industry." --"Wall Street Journal "(May 28, 2011)
"Fascinating. . . . [The authors] delve deep into every aspect of the tour biz, from the rise of computerized ticketing to the consolidation of concert promoters." --"Rolling Stone "(June 9, 2011)
"A fascinating insider's portrait of the music business once all of the pulsing lights, fog machines and sound equipment have been turned off." --"Maclean's "(June 27, 2011)
"Budnick and Baron did a tremendous job in chronicling the history of the U.S. and Canadian concert business and how the business models have changed. . . . "Ticket Masters" is an excellent book for music historians and business geeks alike." --www.boomerocity.com
""Ticket Masters" covers a lot of terrain, and a lot of terrain in fine and meticulous detail."--Douglas J. Johnston, "Winnipeg Free Press"
"Who turned concert ticketing into a monstrous machine for bleeding music fans dry? Dean Budnick and Josh Baron of Relix chronicle the rise of the Ticketmaster juggernaut -- and hell-spawn like Clear Channel, StubHub, and Live Nation -- by following the money with the dogged persistence of detectives and a knack for turning bottom-line history into engaging narrative . . . If you wonder why you're paying ten times as much for overblown, cross-promoted spectacles that are one-tenth as satisfying as the rock and roll of your youth, you need to read this book." -- Steve Silberman, Editor, "Wired magazine"
Über den Autor und weitere Mitwirkende
Dean Budnick is the executive editor of Relix magazine, the founder of www.jambands.com, and the author of Jam Bands and The Phishing Manual. He holds a Ph.D. from Harvard's History of American Civilization program and a J.D. from Columbia Law School. Josh Baron is the editor in chief of Relix magazine and contributes to a variety of media outlets on music and ticketing. They both live in New York City.Alle Produktbeschreibungen
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I worked in the ticket industry for about 13 years, so I've seen most of the changes the author describes. Stub Hub, the now-ubiqutous ticket marketplace, used to call our office years ago and explain what a great idea they had about a national format - and we laughed, and laughed.
Most importantly, though, the stories Budnick and Baron tell happened the way they tell it. I can speak to their credibility, at least as far as their stories on Stub Hub, Tickets Now, and other ticket brokers.
No question they put in every bit of detail they could get their hands on. That is one of the flaws of the book, that they put in so much that it's sometimes difficult to tell what facts are most important, and where the reader's focus should really be. This book takes some work - it's not a beach read. You have to be prepared to pay attention, read things again, and then re-read. There is a lot of business discussion, and dollar figures, and other small details that require a lot of the reader's attention.
A big flaw is the lack of specific ticket prices. Only a few times do the authors actually say what a concert costs, and since the entire book is on the notion that the public is getting 'scalped,' it's hard to see exactly HOW, without seeing the increase in price.
I know that the Rolling Stones, for example, charged $60 for their best field seats for their 1997 tour - and $450 in 2005. Awful, right? But even though the Rolling Stones are a major part of the book, the authors never use any specific ticket prices - they talk about fan club prices, but not tickets. I wish the authors had used more specific price examples to both horrify and educate the reader about the much higher prices they are now paying. And, the impact of the Internet - where ticket broker prices suddenly became public knowledge - isn't highlighted quite well enough.
But as far as what the author's include, it really shows how distant the idea of concerts has gotten from the "old days" when it was about the music. Now, concerts are just one more product that companies provide as a way to get a captive audience that they can then sell other products too. It will make a reader very cynical. The stories about the Grateful Dead's mail-order ticket system, and Pearl Jam's lawsuit (although they aren't the heroes they presented themselves to be) against Ticketmaster are among the most interesting, well-detailed sections.
So, the book is very detailed and infomative, but often hard to follow and requires very close attention. But I can speak to the credibility of at least some of it, so I think the rest of it is equally accurate.
This book is written in a very "60 Minutes" type investigation manner about Ticketmaster. It breaks down the origins of computerized ticketing from its very beginnings to where it's at today. The book examines the greed, corruption and blatant arrogance that takes place in the concert industry. From agents, promoters and even the artists themselves, this book leaves no stone unturned.
Definitely worth the read.
This book is extremely thoroughly researched, with a 9 page glossary to help you keep track of the 300 hundred or so cast of characters. The authors were able to interview many of the key players in the development of the various legacy companies that merged into what is Ticketmaster today. The quotes from them provide key insight into both what they were thinking at the time of key developments but how accurate they were from the view of hindsight today. They patiently explain the technologies that underlie various changes, the competing companies at each point in time, the bands that try to buck trends, or create their own ones, and more.
Also documented are the congressional investigations into the monopolistic practices which seem to have not been able to stick to this teflon industry.
This meticulous book helps explain how the ticket and promotion industry got to where it is today, with a few large players, and high prices. It is a fascinating ride. Although the details can get heady at times, if you soldier through, an unparalleled view is your reward.