Thomas More: Utopia/ Francis Bacon: New Atlantis/Henry Neville: The Isle of Pines With the publication of Utopia (1516), Thomas More introduced into the English language not only a new word, but a new way of thinking about the gulf between what ought to be and what is. His Utopia is at once a scathing analysis of the shortcomings of his own society, a realistic suggestion for an alternative mode of social organization, and a satire on unrealistic idealism. Enormously influential, it remains a challenging as well as a playful text. This edition reprints Ralph Robinson's 1556 translation from More's original Latin together with letters and illustrations that accompanied early editions of Utopia. Utopia was only one of many early modern treatments of other worlds. This edition also includes two other, hitherto less accessible, utopian narratives. New Atlantis (1627) offers a fictional illustration of Francis Bacon's visionary ideal of the role that science should play in the modern society. Henry Neville's The Isle of Pines (1668), a precursor of Defoe's Robinson Crusoe, engages with some of the sexual, racial, and colonialist anxieties of the end of the early modern period.Together these texts illustrate the diversity of the early modern utopian imagination, as well as the different purposes to which it could be put.
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Francis Bacon was born in Dublin, Ireland, in 1909. He emerged as one of the leading painters of the 20th century during the 40s and 50s. Bacon expanded the possibilities of figurative art with a bold, expressionistic style at a time when abstraction was the dominant mode. He was also one of the first artists to depict overtly homosexual themes. He stands as a towering figure in 20th-century art, having established a huge influence on younger generations of painters. He died in 1992.
Susan Bruce is Senior Lecturer in English Literature at Keele University, UK.