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The Yellow Sea [DVD] (18)
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Scorsese and Schrader’s iconic portrait of God’s Lonely Man hangs over this thrilling intense film, an electrifying crime thriller from the director of The Chaser. Gu-nam, a debt-ridden taxi driver, follows his missing wife on the illegal immigrant trail from China to South Korea as he prepares to murder a Seoul businessman.
Gu-nam spends his time drinking and gambling as he attempts to blot out the wreck his life has become. His wife has crept over the border into South Korea and lost contact with him. His gambling debts are spiraling out of control. His self-respect is non-existent. As the pressure mounts Gu-nam’s desperation escalates. Eventually he can see no way out other than to accept the offer of local crime boss Myun to follow his wife to Seoul where he must murder a businessman.
- Newly translated English subtitles
- ‘Making of’ documentary comprising of 8 'behind the scenes' featurettes.
- 3 trailers
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There has been some confusion as to what is the director's cut of this movie since the film originally debuted as a 156 minute movie in Korea while the director's cut is 140 minutes long. The U.S. Dvd being released by Fox only has a runtime of 137 minutes. I have done my research and the shorter, tighter 140 minute version is indeed Na Hong-jin's director's cut. This review is based on this 140 minute version, and honestly, it is so hard to spot the difference between the 140 and 137 minute versions. Perhaps it is because the U.S. NTSC Dvd was converted from the U.K. PAL format? I have no idea.
In the Yanbian province of China, Gu-Nam (Ha Jung-Woo), an ethnic Korean or a Joseonjok, is a disadvantaged cab driver whose evenings are mostly consists of hanging around gambling halls and drinking. He is also neck-deep in debt as he had taken a loan from gambling sharks in order for his wife to be able to legally migrate into Korea. To make matters worst, he has not heard from her since she left and is tormented by nightmares of her extra-marital affair while being hounded by his debt collectors. Gu-Nam sees a way out as a local gangster named Myun Jung-Hak (Kim Yeon-Seok) offers him a deal; all he has to do is to allow himself to be smuggled into Korea to kill a businessman and all his debts will be settled. Gu-Nam agrees and upon his arrival, he scopes out his target while at the same time, he searches for his wife. When the time does come to finish his mission, a string of coincidences and unexpected events occur that leaves him desperately looking for a way out. Now, Gu-Nam is being pursued by the Myun`s gang, the South Korean Mob and the police. What Gu-Nam discovers is something that would shock his being to its core.
"The Yellow Sea" is one tight, exciting and intense thriller, and can be a difficult movie to review without spoilers but I will try. It is marvelously visceral, justly brutal with a simple set up and premise, but yet, the film's structure and the manner it unfolds becomes such a cinematic treat. Na's director's cut have cut off the `fillers', changed some scenes and made the movie much more intense and exciting than the original extended cut. The violence have been kept intact and the film is as sexual as the extended cut. What Na did well, was make for a much more cinematic experience with added flair and impact than what was originally released (the voiceover and the photo of a child in the beginning is one of the director`s cut best changes). The messages in its narrative had been preserved and the shorter version only made for a much more exciting watch.
As with most Korean movies, the film spends some time developing its main character. There is an almost methodical approach with the way Na brought in the details of Gu-Nam's character. It was wise to really move the film in a way that truly justified the cause of his actions, it makes for a character that you can easily feel sympathy for. He is a man at the end of his rope, with a child and only his mother helping him raise her. It was a build-up which was effective that allowed a connection to the Joseonjok situation in Korea and China. This build up makes for a more satisfying experience as soon as the film began to take off, the viewer becomes set to root for his character while at the same time, begins to question the motivations behind each main character as represented by Myun and Kim Tae-Won (Seong -Ha Cho). The direction knew how to play on the screenplay's best strengths, it wasn't that twists and turns were original or stunning, but rather the way it executes the screenplay is set on careful manipulation that keeps one guessing. With its tight editing, good cinematography, interesting characters and careful directorial manipulations, the screenplay would have no problems engaging its viewer.
The film is filled with intense chases, brutal fights and fast-paced action to drive its momentum. The set ups are certainly credible as you see Gu-Nam stumble across Korea in desperation. The film had some pretty wicked fights which were executed with visceral realism. Axes, knives and baseball bats are the weapons of choice, but even a huge Boar bone can fit the bill. The combatants were no fighters with a lot of finesse and style, but rather you could see that they are real people; they are afraid and they are willing to do whatever it takes to live through the struggle. One could easily feel the emotions behind each encounter.
Many may say that Myun is a genre character and he may seem a tad cartoonish with his total awesomeness. Myun played by Kim Yeon-Seok was tough, mean, single-minded and totally relentless. Kim nearly stole the show as he closes in on his objective. Much of the movie is seen through the eyes of Gu-Nam and Ha Jung-Woo certainly delivers as someone who is certainly at the end of his rope. I could certainly feel his desperation and his resolve to redeem himself. The Kim Tae-Won character (played well by Cho) is by no means a special supporting role and he may be bordering on cliché, but he was a necessary one to achieve the film's narrative force. The screenplay may not be perfect since it left one device barely developed, but they were just tiny flaws to even nit-pick.
Director Na Hong-jin truly out did himself with his second film. I liked "The Chaser" a great deal, and I truly cannot say just which of his films is better. It is amazing how a simple story if handled by an unskilled director would no doubt only be bordering on `fair', while in Na's hands, a premise such as this could be this incredible. It is to the director's credit that a screenplay that works around familiar devices could become such a compelling story because of the manner it is told. Na did a fine job because of his editing, timing and good old fashioned know-how. "The Yellow Sea" is dramatic, poignant, intense, powerful, filled with surprises and twists that it thrilled and truly kept me at the edge of my seat up to its final scene.
The 140 minute Director's Cut is the better version.
Highly Recommended! [4 ½ Out of 5 Stars]