"It's a pretty grim world when I can't even feel superior to a toddler." Welcome to the curious mind of David Sedaris, where dogs outrank children, guitars have breasts, and French toddlers unmask the inadequacies of the American male. Sedaris inhabits this world as a misanthrope chronicling all things petty and small. In Me Talk Pretty One Day
Sedaris is as determined as ever to be nobody's hero--he never triumphs, he never conquers--and somehow, with each failure, he inadvertently becomes everybody's favorite underdog. The world's most eloquent malcontent, Sedaris has turned self-deprecation into a celebrated art form--one that is perhaps best experienced in audio. "Go Carolina," his account of "the first battle of my war against the letter s
" is particularly poignant. Unable to disguise the lisp that has become his trademark, Sedaris highlights (to hilarious extent) the frustration of reading "childish s
-laden texts recounting the adventures of seals or settlers named Sassy or Samuel." Including 23 of the book version's 28 stories, two live performances complete with involuntary laughter, and an uncannily accurate Billie Holiday impersonation, the audio is more than a companion to the text; it stands alone as a performance piece--only without the sock monkeys. (Running time: 5 hours, 4 cassettes) --Daphne Durham
David Sedaris became a star autobiographer on public radio, onstage in New York, and on bestseller lists, mostly on the strength of Santaland Diaries
a scathing, hilarious account of his stint as a Christmas elf at Macy's department store. Sedaris's caustic gift has not deserted him in his fourth book, which mines poignant comedy from his peculiar childhood in North Carolina, his bizarre career path and his move with his lover to France.
Though his anarchic inclination to digress is his glory, Sedaris does have a theme in these reminiscences: the inability of humans to communicate. The title is his rendition in transliterated English of how he and his fellow students of French in Paris mangle the Gallic language. In the essay "Jesus Shaves", he and his classmates from many nations try to convey the concept of Easter to a Moroccan Muslim. "It is a party for the little boy of God", says one. "Then he be die one day on two... morsels of... lumber", says another. Sedaris muses on the disputes between his Protestant mother and his father, a Greek Orthodox man whose Easter fell on a different day. Other essays explicate his deep kinship with his eccentric mother and absurd alienation from his IBM-exec dad: "To me, the greatest mystery of science continues to be that a man could father six children who shared absolutely none of his interests".
Every glimpse we get of Sedaris's family and acquaintances delivers laughs and insights. He thwarts his North Carolina speech therapist ("for whom the word pen had two syllables") by cleverly avoiding all words with "s" sounds, which reveal the lisp she sought to correct. His midget guitar teacher, Mister Mancini, is unaware that Sedaris doesn't share his obsession with breasts, and sings "Light My Fire" all wrong--"as if he were a Webelo scout demanding a match". As a remarkably unqualified teacher at the Art Institute of Chicago, Sedaris had his class watch soap operas and assign "guessays" on what would happen in the next day's episode. It all adds up to the most distinctively skewed autobiography since Spalding Gray's Swimming to Cambodia. --Tim Appelo