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Styles of Radical Will (Englisch) Taschenbuch – 6. März 2002

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  • Styles of Radical Will
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Produktinformation

Produktbeschreibungen

Pressestimmen

"Susan Sontag's essays are great interpretations and even fulfillments of what is really going on."--Carlos Fuentes
"[Susan Sontag] is one of the most interesting and valuable critics we possess, a writer from whom it's continually possible to learn."--Richard Gilman, "The New Republic "
"She has come to symbolize the writer and thinker in many variations: as analyst, rhapsodist, and roving eye, as public scold and portable conscience."--"Time" magazine
"Miss Sontag emerges from"Styles of Radical Will" . . . as an open and vulnerable intellect, a consciousness in process of transformation . . . Her first essay, 'The Aesthetics of Silence' is a brilliant and important account of Western tradition of artistic revolt against language, against thinking, against consciousness."--Robert Sklar, "The Nation"
"It should be remembered""that Miss Sontag has now written four of the most valuable intellectual documents of the past ten years: 'Against Interpretation, ' 'Notes on Camp, ' The Aesthetics of Silence, ' and 'Trip to Hanoi.' In the world in which she's chosen to live, she continues to be the best there is."--"The New York Times Book Review"


Susan Sontag's essays are great interpretations and even fulfillments of what is really going on. "Carlos Fuentes"

[Susan Sontag] is one of the most interesting and valuable critics we possess, a writer from whom it's continually possible to learn. "Richard Gilman, The New Republic"

She has come to symbolize the writer and thinker in many variations: as analyst, rhapsodist, and roving eye, as public scold and portable conscience. "Time magazine"

Miss Sontag emerges from "Styles of Radical Will" . . . as an open and vulnerable intellect, a consciousness in process of transformation . . . Her first essay, 'The Aesthetics of Silence' is a brilliant and important account of Western tradition of artistic revolt against language, against thinking, against consciousness. "Robert Sklar, The Nation"

It should be remembered that Miss Sontag has now written four of the most valuable intellectual documents of the past ten years: 'Against Interpretation, ' 'Notes on Camp, ' The Aesthetics of Silence, ' and 'Trip to Hanoi.' In the world in which she's chosen to live, she continues to be the best there is. "The New York Times Book Review""

Synopsis

Susan Sontag's second collection of essays extends the investigations she undertook in "Against Interpretation", with essays on film, literature and politics, and a study of pornography. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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Format: Taschenbuch
Long before she entered her current middlebrow-novelist phase, Susan Sontag was one of America's most important critics. A tireless crusader for the idea that the distinction between "high" and "low" culture is best forgotten, and that creating a "new sensibility" which is able to take in everything from pop music to avant-garde art, is essential, Sontag had an incredibly learned, original sensibility that was nevertheless makes for an enjoyable, engaging read.
Styles of Radical Will (originally published in 1969) is, perhaps, Sontag's most triumphantly expansive collection of essays, covering film (Bergman, Godard), politics (the famous "Trip to Hanoi" essay) and philosophy ("'Thinking Against Oneself:' Reflections on Cioran"). Sontag explores each of her subjects in a nuanced, objective, often opinionated, and always lively way.
Nearly all of the essays in Styles of Radical Will stand the test of time because Sontag's approach is irreproachably modern (she is certainly America's mother of modernism/postmodernism) in its absolute refusal to look at her subjects in any easy or expected way; Sontag is not afraid to criticize the banalities of some of our most celebrated culture-heroes, while propounding not what is "...embalmed, immortal, unequivocally (and merely) 'beautiful'," but work that retains its "...youthful power to offend, to appear 'ugly,' irresponsible, frivolous, pretentious, empty." In other words, Sontag looks beyond the immediate, easy, "acceptable" perception.
Styles of Radical Will is a treasure and a touchstone for any reader looking for a deep, invigorating, and unconventional exploration of culture through modern eyes.
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