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String Quartet

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Audio-CD, 18. Januar 2008
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Produktinformation

  • Komponist: Morton Feldman
  • Audio CD (18. Januar 2008)
  • SPARS-Code: DDD
  • Anzahl Disks/Tonträger: 1
  • Label: Hat Hut Records (Naxos Deutschland Musik & Video Vertriebs-)
  • ASIN: B000X1L8G6
  • Weitere Ausgaben: Audio CD
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  • Amazon Bestseller-Rang: Nr. 48.191 in Musik-CDs & Vinyl (Siehe Top 100 in Musik-CDs & Vinyl)
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Titelverzeichnis

Disk: 1

  1. (keine Angaben) - Ives Ensemble
  2. (keine Angaben) - Ives Ensemble
  3. (keine Angaben) - Ives Ensemble

Produktbeschreibungen

Morton Feldman (1926 - 1987)
String Quartet (1979)

Josje Ter Haar, violin
Janneke Van Prooijen, violin
Ruben Sanderse, viola
Job Ter Haar, cello
of the
Ives Ensemble

Total Time 76.57

Format: CD, Album, DDD, 24Bit, 1st Edition, Gatefold cardboard sleeve, FOC (aufklappbar)
Label: hat[now]ART
© HAT HUT Records Ltd.
Bestell-Nr./Catalog#: hat[now]ART 167
VÖ/Released: 2007
Land/Country: CH
Komponist/Composer: Morton Feldman
Interpret/Artist: Ives Ensemble
Titel/Title: String Quartet
EAN/UPC: 752156016724

(Hagewitt)

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2 von 2 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Superb new recording of the "100-minute" quartet! 6. April 2011
Von Autonomeus - Veröffentlicht auf Amazon.com
Format: Audio CD
Feldman felt he had created a masterpiece with his first string quartet, which gained the nickname "100 minutes" based on its first performance in NYC, May 4th, 1980, because it lasted well over 90 minutes. In February, 1981 the String Quartet was performed at the CalArts Contemporary Music Festival, and Feldman later said that the audience was so full of tension that it was "like a lynch mob." Throughout the 1970s Feldman had written many works for orchestra, including his outstanding "still life" concerto works (ie, "Cello and Orchestra," "Piano and Orchestra," "Violin and Orchestra, etc). These works grew longer toward the end, but it was the String Quartet that launched Feldman into his late period preoccupation with very long chamber works.

The String Quartet of 1979 is full of variation, small to be sure, but in this sense transitional. The (in)famous second string quartet of 1983 represents the consolidation of Feldman's late "Turkish rug" period, marked by a reduction in variation to tiny changes on repeating patterns. This 1979 work has more in common with PATTERNS IN A CHROMATIC FIELD for cello and piano of 1981 (see my review) in its exploration of a wider range of possibilities, and more abrupt transitions, within the limited sonic terrain it occupies.

The first recording by the Group for Contemporary Music in 1993, (originally released on Koch in 1994), is "only" 78'35 long, and this second recording by the Ives Ensemble in 2005 is just ever-so-slightly faster at 76'57. There is a big difference in sound, though -- the Ives Ensemble is much sharper, indicating close miking of each instrument. The GCM by contrast sounds softer, air-brushed, perhaps recorded with one overhead microphone. At this point I would say the Ives Ensemble recording is definitive.

It took me some time to warm up to the late Feldman, but I came around. I love the 1970s still life works (see my review of the CPO set with Zender conducting), but I have embraced the string quartets, and the VIOLIN AND STRING QUARTET as well (see my review of the hatHUT recording). There is a recording of the second String Quartet by the Ives Ensemble on hatHUT that is "only" 5 hours long, on 4 discs instead of the 5 discs it takes to hold the 6-hour recording by the Flux Quartet for Mode, that has not appeared on this site. It is superb, and available via Cadence Magazine.

See my FELDMAN: A LISTENER'S GUIDE list for more recommendations and reviews of the music of one of the finest late 20th century composers.

(verified purchase from the Jazz Loft)
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