- Taschenbuch: 320 Seiten
- Verlag: Three Rivers Press; Auflage: Rev Upd (13. August 2013)
- Sprache: Englisch
- ISBN-10: 0385346891
- ISBN-13: 978-0385346894
- Größe und/oder Gewicht: 13,2 x 1,8 x 20,3 cm
- Durchschnittliche Kundenbewertung: Schreiben Sie die erste Bewertung
- Amazon Bestseller-Rang: Nr. 38.637 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Sin and Syntax: How to Craft Wicked Good Prose (Englisch) Taschenbuch – 13. August 2013
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“Probably the hippest grammar guide ever written, this book shows how to write for results, wholesome or subversive.” —American Way
“This new grammar book is light-years ahead of what you’d read in eighth-grade English: With vivid, contemporary examples of what to do and what not to do, it’s fun to read.” —Charlotte Observer
“In ‘Sin and Syntax: How to Craft Wickedly Effective Prose,’ Constance Hale provides a plugged-in, cutting-edge alternative to the must prescriptions of Strunk and White. Here you will find an open-minded, exuberant approach to style that is intelligent and refreshing.” —Charles Harrington Elster, in The San Diego Union-Tribune
“Hale has put together a writing/grammar manual that is fresh and fun. The basic rules are here, and they are well explained. The ‘sin’ from the title is partly advice on when and how to break these rules. The other sins are examples of oft-repeated mistakes…..this guide will help [readers] use effective and artful language. The examples range from Dr. Seuss books to John F. Kennedy's speeches to commercials…. Easy to understand and appealing to a broad range of readers, this book is highly recommend for all libraries.” —Alisa J. Cihlar, Monroe P.L., WI, in Library Journal
“This is a wonderful how-to-book about writing stuff people want to read. Those who have studied the subject might think of Hale as a peacemaker between the Strunk and White tribe devoted to precision and the more entertaining descendants of Henry Mencken, full of energy and inventions. Nonwriters who just want advice that won’t put them to sleep will find sentences they can dance to.” —Make Maza in The Dallas Morning News
“Constance Hale, in ‘Sin and Syntax: How to Craft Wickedly Effective Prose,’ is the first grammarian I’ve seen in a long time brave enough to revive diagramming.” —Ed Gray, in the Arkansas Democrat-Gazette
“Hale’s analyses of texts, from Faulkner’s Absalom, Absalom! To the jargon-laden prose of government and corporate documents, are full of insight because she lets the reader in on how language has the power to move us or confuse us.” —Charles K. Bultman, in California Lawyer
“Hale [is] good at explaining rules, and she provides a lot of examples of writing that really is sinfully good. Osmosis alone should help you here.” —Gary Kaufman, in Salon
"Move over, grumpy schoolmarms everywhere. Your time has come. For the writer or wannabe, Sin and Syntax is an urgently needed, updated, and hip guide to modern language and writing. Nobody but Connie Hale could make the elements of 21st-century style so much fun." --Jon Katz, media critic and author of Running to the Mountain and Virtuous Reality
"Sin and Syntax is one of the rare books that recognizes--and even celebrates--the fact that good writing has little to do with 'rules' and much to do with a true understanding of effective prose. Connie Hale provides us an invaluable service by showing us what works and what doesn't in the real world, regardless of what the pedants say."--Jesse Sheidlower, Senior Editor, Random House Dictionaries, and author of "Jesse's Word of the Day" column
Über den Autor und weitere Mitwirkende
Constance Hale (email@example.com) is the author of Wired Style, the one-of-a-kind guide to online English usage and geekspeak that was hailed by Newsweek as "The Chicago Manual of Style for the Millennium." A former editor at Wired, Hale has written for numerous publications including the San Francisco Examiner and The Microsoft Network. She has created maverick writing courses for people of all ages, including a popular seminar called "Grammar for Grownups," and currently teaches at U.C. Berkeley. She lives in Oakland, California.Alle Produktbeschreibungen
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I have a theoretical linguistics degree and the title made me smile. I thought it would be like The Devil's Dictionary by Ambrose Bierce, sort of another satirical reference book for (the seemingly millions of) eager new writers.
I decided if it wasn't a satire, then I wasn't going to read it, since I'm not a fan of handbooks on writing. I'm a bit jaded. Out of the 50 or so I own, I think only a few are written so well I can read them just for the pure pleasure of the words. And this is one. (Another is 'Your First Novel' by Laura Whitcomb, in case anyone is curious.)
This book is a thing of beauty. Just as she quotes Sam Tanenhaus describing Updike's prose as 'lathe-turned' so has every word and phrase in this book been carefully, lovingly chosen. Imminently quotable, unendingly encouraging, I found beauty and truth on every page so far.
The linguist in me is thrilled that she draws a distinction between grammarians and linguists (the former see eight parts of speech and the latter see four 'major word classes') and the writer in me is reveling in her pitch-perfect prose.
My favorite lines at this moment, which are now scribbled on a slip of paper and taped to my monitor:
"After having suffered the hyperactive red pens of the schoolmarms and the hypercorrect rules of the inflexible pedagogues, too many of us have retreated to the realm of the safe, the standard, the unimaginative. We stick to common words- or, worse, pull out a hackneyed phrase. We yield to the conventions of a profession, rather than pushing ourselves to be unconventional. We use jargon rather than coming up with original language.
Hidden in such prefab prose is a fear of going to the edge. But it's romping on the fringes of language that gives writing its frisson. The right word might be snagged off the street, snatched from another language, or hatched in the sand tray of the imagination. Dive into the polyglot English tongue, taking a cue from Walt Whitman, that high priest of the rambunctious..."
Amen, amen! Sin and Syntax is worth the price of entry. Enjoy.
I've read or flipped through about ten grammar books this year and this is the first book that starts with the basics. I have a high school grammar textbook on my nightstand that doesn't even talk about parts of speech until page 150 or so. Each book I've read begins with lessons about being concise, word choice, or commonly misplaced words. Sin and Syntax is the first book I've read this year that starts out with Chapter 1: Nouns.
If I had to change anything about this book, it would be the cleverly worded title. As another reviewer stated, I thought this book would be salacious, but the author misses such easy innuendo set-ups like copulative and transitive verbs. (Side note: I'm still confused on the author's perturbation about the misuse of the word `like'. I'm sure I just misused it, but I'll daringly roll with it.) I would have liked more antidotal asides to help ease the starchy grammar lessons, but alas, no gun-wielding pandas or road-crossing aardvarks were to be found.
The sin in this book's syntax was the formulaic setup of each chapter. To some readers, this may be quite helpful. To me, this moves the book from being an interesting read-through to being a shelf-puller. Meaning, instead of keeping this on the back of the toilet for a quick jab at the expense of some pop star, this book will be kept on the shelf for future reference--and that's a good thing. But again, this goes back to the lustful sounding title giving me false expectations.
While I did appreciate the book's organization, the heavily structured chapters drained the organic voice of the author. This was painfully apparent when the chapter on interjections followed the same outline as the chapter on verbs. If it's not there, it's not there--why force it? On the other hand, I'm tired of seeing other grammar books that read like the author hit "view all entries" on their blog, hit print, and then bound the random blog entries in a book. Sin and Syntax is very organized, almost to a fault.
There is also some confusion about the updates contained in this book. Beside the one bolded line at the top, Amazon's description for this book and the older version are identical. I bought the printed version of the updated book and read it side-by-side with the Kindle version of the original. The new book follows the same hardened structure, but has been vastly updated. The author has done a LOT of work to update this book. I don't recall seeing this many outside samplings in any other writing book. The author has also added exercises at the end of each chapter. What I didn't find is a lot of references. The author does a great job explaining why certain rules are in place, but doesn't always tell us who defined these rules.
For those looking for warm and inspiring writing advice, you may be better served elsewhere. The final chapters have some of that, but mostly this book is a study on the particulars of the craft. Those willing to take the time and study the samples and practice the exercises will be plentifully rewarded. Those looking for a quick read and instant improvement may be disappointed.
On an enjoyment level, I can't offer this book many stars. However, if I put in the time to re-read the chapters and practice the exercises, I have no doubt this book will improve the strength of my writing (but maybe taking away some of the creativity?).
And all that I appreciated. I subtracted one star because the examples given in the text I found to be odd and I couldn't quite put what was stated in the instructional parts of the book with the quality of the examples. So many came from political speech, some from odd sources, and others from books I have no desire to ever read (Hemingway, being a noted exception). So it is hard to blame the author here as the material was subjective and some people may love it. I did not.
The other star I sadly had to deduct due to the price of the book. Yes, I know it is usually not in the author's control, and I might be unfairly judging based on price, but still, the e-book was over $10 (when I purchased) for material that is perhaps worth about $5. At $5, I would wholeheartedly recommend this book.
But, being that this is Amazon, and I wrote the original review on Goodreads, I gave this book four stars here.