"By turns "On the Run" is heartbreaking and clear-eyed, sad and entangled. With rich ethnographic detail, Alice Goffman reveals the emotional arc of deceptively complex young lives that are criminalized daily in one Black neighborhood in Philadelphia. A triumphant achievement!"--Carol Stack, author of All Our Kin
"A remarkable feat of reporting."--Alex Kotlowitz "New York Times Book Review "
"An exceptional book. . . . Devastating."--Malcolm Gladwell "New Yorker "
A remarkable feat of reporting. --Alex Kotlowitz "New York Times Book Review ""
"Alice Goffman's"On the Run"is the best treatment I know of the wretched underside of neo-liberal capitalist America. Despite the social misery and fragmented relations, she gives us a subtle analysis and poignant portrait of our fellow citizens who struggle to preserve their sanity and dignity."--Cornel West"
""On the Run" is riveting--a clear-headed and sobering account of the 'way it is' for too many of the nation's young black men who live in the killing fields called American cities. It reveals how the everyday lives of these men--their loved ones--are closely monitored and mined for evidence that is then used against them, exacerbating their alienation and fueling the prison-industrial complex. This brilliant book should be required reading for everyone, including President Obama, Congress, and public officials throughout the nation."--Elijah Anderson, author of Code of the Street"
""On the Run" tells, in gripping, hard-won detail, what it s like to be trapped on the wrong side of the law with no way out--the situation of so many young Black Americans today. A brilliant fieldworker and a smart analyst of what she saw and heard, Goffman has made a lasting contribution to our understanding of the administration of the law, urban life and race relations, in a book you will never forget reading."--Howard Becker, author of Writing for Social Scientists"
Alice Goffman spent six years living in one such neighborhood in Philadelphia, and her close observations and often harrowing stories reveal the pernicious effects of this pervasive policing. Goffman introduces us to an unforgettable cast of young African American men who are caught up in this web of warrants and surveillance—some of them small-time drug dealers, others just ordinary guys dealing with limited choices. All find the web of presumed criminality, built as it is on the very associations and friendships that make up a life, nearly impossible to escape. We watch as the pleasures of summer-evening stoop-sitting are shattered by the arrival of a carful of cops looking to serve a warrant; we watch—and can’t help but be shocked—as teenagers teach their younger siblings and cousins how to run from the police (and, crucially, to keep away from friends and family so they can stay hidden); and we see, over and over, the relentless toll that the presumption of criminality takes on families—and futures.
While not denying the problems of the drug trade, and the violence that often accompanies it, through her gripping accounts of daily life in the forgotten neighborhoods of America's cities, Goffman makes it impossible for us to ignore the very real human costs of our failed response—the blighting of entire neighborhoods, and the needless sacrifice of whole generations.