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Relationscapes: Movement, Art, Philosophy (Technologies of Lived Abstraction) (English Edition) von [Manning, Erin]
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Relationscapes: Movement, Art, Philosophy (Technologies of Lived Abstraction) (English Edition) Kindle Edition


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Länge: 268 Seiten Sprache: Englisch
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Produktbeschreibungen

Pressestimmen

"A groundbreaking work! There is currently no book I know of like it in the thoroughness, depth, and sweep. Relationscapes offers a unique approach to a central series of issues in both continental philosophy and cultural theory." --Andrew Murphie, School of English, Media, and Performing Arts, University of New South Wales "What commonalities do the Aboriginal paintings by Dorothy Napangardi, Emily Kwyame, and Clifford Possum share with the Western images of McLaren, Leni Riefenstahl, and David Spriggs? Each artist's production, as explored by Manning, unfolds a topology of the mind, an elasticity of movement between feeling and thinking. Manning's writing is itself a bath of sensory experiences as she brings these art pieces to life. Relationscapes creates ephemeral anchors for new journeys."--Barbara Glowczewski, author of the Dream Trackers digital project, senior researcher at the Laboratory of Social Anthropology, College de France -- Barbara Glowcsewski "What commonalities do the Aboriginal paintings by Dorothy Napangardi, Emily Kame Kngwarreye, and Clifford Possum share with the Western images of McLaren, Leni Riefenstahl, and David Spriggs? Each artist's production, as explored by Manning, unfolds a topology of the mind, an elasticity of movement between feeling and thinking. Manning's writing is itself a bath of sensory experiences as she brings these art pieces to life. Relationscapes creates ephemeral anchors for new journeys." Barbara Glowczewski , author of the Dream Trackers digital project, senior researcher at the Laboratory of Social Anthropology, College de France

Kurzbeschreibung

With Relationscapes, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity -- the incipiency at the heart of movement -- Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take form. Discussing her theory of incipient movement in terms of dance and relational movement, Manning describes choreographic practices that work to develop with a body in movement rather than simply stabilizing that body into patterns of displacement. She examines the movement-images of Leni Riefenstahl, Étienne-Jules Marey, and Norman McLaren (drawing on Bergson's idea of duration), and explores the dot-paintings of contemporary Australian Aboriginal artists. Turning to language, Manning proposes a theory of prearticulation claiming that language's affective force depends on a concept of thought in motion. Relationscapes takes a "Whiteheadian perspective," recognizing Whitehead's importance and his influence on process philosophers of the late twentieth century -- Deleuze and Guattari in particular. It will be of special interest to scholars in new media, philosophy, dance studies, film theory, and art history.

Produktinformation

  • Format: Kindle Edition
  • Dateigröße: 4970 KB
  • Seitenzahl der Print-Ausgabe: 280 Seiten
  • Verlag: The MIT Press; Auflage: Reprint (24. August 2012)
  • Verkauf durch: Amazon Media EU S.à r.l.
  • Sprache: Englisch
  • ASIN: B004G8QLVY
  • Text-to-Speech (Vorlesemodus): Aktiviert
  • X-Ray:
  • Word Wise: Nicht aktiviert
  • Verbesserter Schriftsatz: Nicht aktiviert
  • Durchschnittliche Kundenbewertung: Schreiben Sie die erste Bewertung
  • Amazon Bestseller-Rang: #165.141 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)

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Amazon.com: 4.6 von 5 Sternen 3 Rezensionen
0 von 1 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen delightful 14. Februar 2013
Von joanette seiden - Veröffentlicht auf Amazon.com
Format: Gebundene Ausgabe Verifizierter Kauf
The notion of movement is changed forever after reading this analysis. Same goes for Art and Photography.
Book arrived in excellent condition and within the estimated time frame.
4.0 von 5 Sternen To Think through Movement; To Move through Thought... 15. November 2015
Von StreetlightReader - Veröffentlicht auf Amazon.com
Format: Taschenbuch
How does one come to grips with process? How does one capture a movement? Hitch the implacable? A: You move along with it, blend with its forces, enter into a mutual becoming and make of oneself a line in the flux and tapestry of striations. To think not of movement, but with movement. This is the task that Erin Manning’s Relationscapes sets itself, poised as it is at the nexus of dance, art, film, and philosophies of process. Less a book of exposition and analysis, Relationscapes is instead a guide to a certain conduct of thought: not ‘what' to think but ‘how' to think is at stake in this book. Indeed, to see - or rather to feel - the universe though Manning’s touch is to feel a universe in constant composition, suffused with tendencies and articulations-in-the-making that never quite congeal into isolated terms without relations.

Hence: relationscapes. To ‘be' is to be implicated and folded though fields of individuation always in excess of any one identity: to be composed by relations, rather than merely entering into them from without, as it were. And it is to these vital fields of excess, this virtual overhang of actual occasions that Manning so vividly draws our attention to though her discussions - demonstrations, really - of movement and affect in the choreography of Anne Terese De Keersmaeker, the ‘animate sculptures’ of David Spriggs, the chronophotography of Etienne-Jules Marey, and even the cinema of Nazi filmmaker Leni Riefenstahl. This is, after all, just what the book’s subtitle promises: philosophy, art, and movement, imbricated in an intellectual performance - a graphic choreography - performed by Manning herself.

As far as the philosophy goes, Manning does not so much ‘read' the tradition as much as she puts it to work: the concepts of Alfred Whitehead (whom she accidentally calls ‘Albert’ Whitehead at one point!), Gilles Deleuze, Gilbert Simondon and William James are drawn into a singular constellation of Manning’s making, resonating and playing off each other in order to be folded into her already richly composed chronicle. And of course, more than a mere synthesis, Manning’s own originality shines through as well, with her development of a vocabulary of ‘incipiency’, ‘pre-acceleration’ and ‘intervals’, allowing the force of her thought to be felt in its own right, expanding upon and deepening the many insights offered by the intellectual inheritance she draws upon.

It should be said though, that to the degree that Relationscapes is in fact something of a performance, its dazzling ornateness can be as exhausting as it is exhilarating. Manning’s poetics, while playful, constantly turn on flourishes of expression eschew explanation in favour of illustration. This is in line with Manning’s attempt at ‘worlding’ though words, but endless novelty brings with it its own measure of reader’s fatigue. Still, at its best, Relationscapes is a sparkling example of what process philosophy, done well, can achieve. Manning’s treatment of Australian aboriginal art (like the gorgeous Emily Kngwarreye painting that adorns the cover), and her sympathetic engagement with autistic experience are two particularly striking instances of exactly this. This is a philosophy-in-the-making all the more interesting for attending to its own vertiginous becoming.
1 von 10 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Attempting to develop a theory of the incipiency of movement 19. April 2010
Von ROROTOKO - Veröffentlicht auf Amazon.com
Format: Gebundene Ausgabe
"Relationscapes" is on the ROROTOKO list of cutting-edge intellectual nonfiction. Professor Manning's book interview ran here as the cover feature on April 14, 2010.
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