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The Psychology of Music (Cognition and Perception) (Englisch) Taschenbuch – 13. November 2012


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Produktinformation

Produktbeschreibungen

Pressestimmen

"Chapter titles show continuing interest in many of the traditional topics--rhythm, melody, scales, musical ability, the nature of sound--and also in newer areas of inquiry, e.g., the neuropsychological study of musical perception. The editor has succeeded admirably in making this edition a valuable and timely resource for musicians and psychologists at the upper-division undergraduate level and above."
--CHOICE, reviewed by W. M. Bigham, Emeritus, Morehead State University, March 1999
"I have on the shelf next to my desk several dozen excellent books about music perception and cognition, but none is more dog-eared or more used than The Psychology of Music, first edition. With that 1982 text, Deutsch accomplished for our field what Neisser did for cognitive psychology in 1967. By her choice of topics and authors, Deutsch made a bold claim to define those problems that ought to interest us (and in fact did). The Second Edition includes five excellent new chapters (worth the price of the book on their own) and substantially updated versions of the remaining 13 chapters. The first edition's influence on the field makes a compelling argument for the purchase of this updated and revised version, certain to be a blueprint for new research and a leading resource for many years to come."
--Daniel J. Levitin, Stanford University and The University of California at Berkeley in MUSIC PERCEPTION, Vol. 16, #4, 1999
"This Second Edition is a significant update of the First Edition and is sure to maintain its position as one of the most useful collections of literature about the psychology of music."
--AUSTRALIAN JOURNAL OF PSYCHIATRY

"The attributes of "The Psychology of Music" are thoroughness, authority and clarity. That one volume can so adeptly select, draw on, arrange, assess, amplify its material and invite the reader to draw meaningful and reliable conclusions relevant to his/her love of music is a huge achievement. That the book does so with apposite and well-adduced illustrations while at the same time blending technical and specialist accuracy with accessibility is remarkable. Thoroughness and interest, a refreshing amalgam of (the authors') enthusiasm with their collective and individual command of the literature and practices in the field(s) of each make it nothing short of superb as a reference (to be consulted) and a narrative (to be read from cover to cover) by lovers of serious music of all types." - Excerpt of review by Mark Sealey for www.classicalnet.com

""The editor has succeeded admirably in making a valuable and timely resource for musicians and psychologists " "CHOICE "

"I have several dozen excellent books about music perception and cognition, but none is more dog-eared or more used than the Psychology of Music The first edition's influence on the field makes a compelling argument for the purchase of this updated and revised version, certain to be a blueprint for new research and a leading resource for many years to come." "MUSIC PERCEPTION "

"The attributes of the book are thoroughness, authority and clarity. That one volume can so adeptly select, draw on, arrange, assess, amplify its material and invite the reader to draw meaningful and reliable conclusions relevant to his/her love of music is a huge achievement. That the book does so with apposite and well-adduced illustrations while at the same time blending technical and specialist accuracy with accessibility is remarkable. Thoroughness and interest, a refreshing amalgam of (the authors') enthusiasm with their collective and individual command of the literature and practices in the field(s) of each make it nothing short of superb as a reference (to be consulted) and a narrative (to be read from cover to cover) by lovers of serious music of all types." " EXCERPT BY MARK SEALEY for www.classicalnet.com "

Über den Autor und weitere Mitwirkende

deutsch is professor of psychology at the university of california, san diego.

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HASH(0x92d02c0c) von 5 Sternen Bought it for Paul Fraisse's contribution 18. Oktober 2014
Von andrei pogorilowski - Veröffentlicht auf Amazon.com
Format: Taschenbuch
I only purchased the book for Paul Fraisse's contribution, but read other authors' articles as well. An excellent read for those interested in cognitive musicology, perceptual psychology and the like.
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Von Samurai #1 - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
Latest version(2013) and volume is 700 pages over. The most precise book I have ever seen!
I recommend this especially for undergraduate students of psychology division.
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