- Taschenbuch: 464 Seiten
- Verlag: Vintage (3. Juli 2014)
- Sprache: Englisch
- ISBN-10: 0099555662
- ISBN-13: 978-0099555667
- Größe und/oder Gewicht: 12,9 x 3,3 x 19,8 cm
- Durchschnittliche Kundenbewertung: Schreiben Sie die erste Bewertung
- Amazon Bestseller-Rang: Nr. 226.235 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Priscilla: The Hidden Life of an Englishwoman in Wartime France (Englisch) Taschenbuch – 3. Juli 2014
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"A pin-sharp biography which unfurls like gripping fiction… wonderful, haunting, thought-provoking" (Melanie Reid The Times)
"I have not read a better portrait of the moral impossibility of that time and place for people, like Priscilla, who found themselves trapped in it... A wonderful book" (Daily Telegraph)
"As Shakespeare acknowledges, his aunt’s is one of millions of wartime stories. But thanks to the extensive paperwork, and his energetic digging, he creates a detailed and vivid narrative. This is a moving, and constantly surprising story" (Matthew Bell Independent on Sunday)
"So gripping it reads like a novel" (Rachel Johnson Evening Standard)
"This mysterious story of the Occupation in France has all the qualities of a fascinating novel, with exquisite social, sexual and moral nuance" (Antony Beevor)
"Shakespeare offers a nuanced and detailed psychological study of the effect of the Second World war on an ordinary woman. The result is just as absorbing as any biography of a war hero" (Sunday Times)
"Nicholas Shakespeare has employed all his superb gifts as a writer to tell the picaresque tale of his aunt in wartime occupied France. Priscilla is a femme fatale worthy of fiction, and the author traces her tangled, troubled, romantic and often tragically unromantic experiences through one of the most dreadful periods of 20th-century history" (Max Hastings)
"Priscilla brilliantly exposes the tangled complexities behind that question so easily asked from the comfort of a peacetime armchair: “What would I have done?"" (Observer)
"Priscilla's descent into hell runs eerily parallel to that of France itself; Faustian, fascinating and in the end extremely sad" (Sebastian Faulks Observer, Books of the Year)
"An account of the author’s aunt’s life in France under the Nazis. Her descent parallels that of France: Grim but fascinating" (Sebastian Faulks Observer)
"A gripping excavation of a woman’s secret past, Priscilla is also a fascinating portrait of France during the Second World War, and of the many shadowy and corrupt deals made by the French with their Nazi occupiers" (Caroline Moorehead)
"In Priscilla, Nicholas Shakespeare captures the soul of a young Englishwoman who, to survive in Nazi-occupied France, is forced to make choices which few in England ever had to face. She remained her own unflinching judge and jury to the end" (Charlotte Rampling)
"Wonderfully readable… Shakespeare, a novelist and biographer of some note, is too good a writer to succumb to sensationalism. Instead, and after some impressive research, he builds a nuanced, sensitive portrait of this sad and glamorous member of his family…. As the life of Priscilla shows, surviving the occupation was too complicated an affair for any black-and-white verdict" (Economist)
"Like the author's biography of Bruce Chatwin, this is, beneath the obvious drama, a subtle, masterfully written work" (Thomas Keneally The Australian, Books of the Year)
"This absorbing book has many of the excitements of a thriller" (Spectator)
"Priscilla's is a remarkable story, teased out with great skill by her nephew, himself one of the best English novelists of our time" (Allan Massie Wall Street Journal)
"Nicholas Shakespeare has employed all his superb gifts as a writer to tell the picaresque tale of his aunt in wartime occupied France. Priscilla is a femme fatale worthy of fiction, and the author traces her tangled, troubled, romantic and often tragically unromantic experiences through one of the most dreadful periods of 20th century history" (Max Hastings)
"A thrilling story… an intimate family memoir, a story of survival and a quest for biographical truth" (Sebastian Shakespeare Tatler)
"[An] extraordinary true story of the author's aunt. A life of dark secrets, glamour, adventure and adversity during wartime." (Fanny Blake Woman & Home)
"A tantalisingly original perspective of the Second World War…Shakespeare shines a moving, intriguing light on the moral quandaries faced by ordinary civilians" (Robert Collins Sunday Times)
"Priscilla is an unusual book, part biography, part family memoir, part detective story, but it reads like a novel and I found it impossible to put down. As an evocation of the period and the moral hypocrisy of the times, it could hardly be bettered (4 stars, Book of the Week)" (Juliet Barker Mail on Sunday)
The astonishing true story of a young woman's adventures, and misadventures, in the dangerous world of Nazi-occupied FranceAlle Produktbeschreibungen
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This wasn't a comfortable book to read. I found myself backing off from Priscilla as much as I found myself identifying with her.The wasted lives, the creativity used up simply to stay alive by so many people makes me sad. Where would our world be if these talents had been freely used rather than needed simply to stay alive? When I began to meander off into contemplating these things abstractly, the search would bring me back to the story once more. When I finished the book, I found myself looking at my relatives from that period differently. What was it like for them in those years, even those safely sheltered in the United States? Every human being has a story; some are more interesting than others and Priscilla's is amazing.
The story is as much about the hunt for the story as it is about Priscilla's story itself. There's drama and love and death and murder and torture and daring escapes. I found myself alternately sympathizing with and despising Priscilla. When times are tough, and living as an enemy national in Vichy France was undeniably tough for Priscilla, you hope you will rise to the occasion and be heroic, or at least be quietly brave. You hope you don't betray your friends or lose your moral compass. But until it happens to you, you can't know. During war time, many were heroic. And those same people might have been less than heroic the very next day. Lots of people refused to talk about the war after it was over and they returned home. Maybe what they saw was too horrific to talk about. Maybe what they did was too difficult to face.
Priscilla is a heck of a story. It does drag a bit at times, and there were a few detours into subjects that I didn't find as gripping as Nicholas Shakespeare did. But overall, this was better than a novel, with all the relationships and drama, and big questions that you'd find in a novel, but as far as we can know, it really happened.
It all began with the discovery of a box of diaries and correspondence Priscilla Mais kept hidden all of her adult life... And those papers told the story that Priscilla didn't want revealed in her lifetime.
Priscilla Mais was a gorgeous blue-eyed blonde whose pre-war dancing career was cut short by a severe attack of osteomyelitis. Her father was the famous SBP Mais famous for his work on the BBC and author of 200 books. He and her mother split, but did not divorce. Priscilla went to Paris with her mother and "step-father." (The parents didn't divorce for many reasons -- one of which being that the BBC would have fired SPB.) The adults in Priscilla's life made unethical choices every day; and Priscilla followed in their footsteps. Her best friend Gillian had been having an affair with the artist Vertes since she was sixteen; but there were lines she would not cross.
By the time Priscilla was twenty-one, she'd had an illegal French abortion and married an older, impotent Vicoomte. And then, the Nazis came...
I enjoyed this book until it became clear that Priscilla preferred couture and food over being ethical. She slept with and was kept and helped by numerous married men -- taking the identity of one of her lover's wives for the duration! She lived with a Nazi black marketeer. She stayed in the same building that the actress Arletty did. Priscilla moved in the same circles with well-connected Nazi sympathizers. At the very least, Priscilla was a *tondue* -- a woman who consorted with the Nazis -- and at worst, she just didn't *care.* The extent of Priscilla's collaboration is unknown, but what has come to light ultimately turned her friend Gillian against her memory. Mais was lucky that she was able to return to England and disappear into the anonymous life of a mushroom farmer's wife.
In the end, I didn't like the *woman* who is the subject of this social biography. I believe that Shakespeare means for this story of his enigmatic aunt to be one of redemption lost and found. He came to accept the life she chose to live on her terms. I cannot accept those terms. There are lines that, once crossed, cannot be uncrossed. Some choices we make are so defining that they show the world who we really are.
PS: There are French phrases throughout the book that Shakespeare doesn't translate -- or translates to suit his picture of his aunt. I speak and read French, so this isn't a problem for me. Others might be bothered.
A personal book as Priscilla is the sister of Nicholas' mother, an aunt that had captivated the family. Married to a mushroom farmer named Raymond in the Church Farm located in the Sussex coast. Priscilla was known for her beauty but also her sadness.
A painting of Priscilla by artist Marcel Vertes in pre-war Paris hung at the farm, a painting from 1939. But all he knew of his mysterious aunt was that she grew up in Paris, was a ballerina, worked as a model in pre-war Paris and lived in France during the occupation and spent time in a concentration camp.
Also, from his mother, all she knew was that she was captured and tortured by the Germans, couldn't have children because she was raped and caught an infection.
It's also important to mention that Priscilla was the daughter of Stuart Petre Brodie (S.P.B.) Mais, an author but better known for his work with the Oxford Times and BBC broadcaster.
Her past was never disclosed to her current husband nor her children, very little was known by her family. A lot was kept secret about Priscilla's past.
Writer Nicholas Shakespeare one day asked Priscilla's step-daughter Tracey about the mother and hidden away for many years were collected scrapbooks and letters owned by Priscilla that would reveal intimate stories and the shocking life of his Aunt Priscilla.
Nicholas Shakespeare's latest book uncovers his aunt's past, perhaps skeletons that his aunt may have wanted to keep in the closet but also letters and information regarding a dysfunctional family, affairs, sexual trysts and even a personal side that others did not know about.
But what he was able to extract from surviving family members at the time, his research from Priscilla's scrapbook and letters would offer a lot of information.
From Stuart Petre Brodie (S.P.B.) Mais and his relationship with his daughter and how badly he was in debt after his career did not make the transition from radio to television, nor any of his many books raking in a profit.
Actor Robert Donat ("The 39 Steps", "Goodbye, Mr. Chips", The Citadel") and his affair and letters to Priscilla are now unveiled.
It also revealed how Priscilla's mother Doris, who had a relationship with screenwriter D.B.Wyndham-Lewis, screenwriter of Alfred Hitchcock's "The Man Who Knew Too Much" and what he tried to do to Priscilla which would make him one of the most hated men in her life.
But perhaps the person that would offer a lot of clues and information to the life of Priscilla was her best friend and confidant, the late Gillian Sutro (wife of British film producer John Sutro, "Cheer the Brave", "49th Parallel", "Carnival"), both who met at a young age and for decades would remain close friends.
But it's Gillian's letters that would offer the most damning information of what happened to Priscilla during the occupation. And it's possibly one of the most hurtful things about Priscilla's past that she did not want her husband to know about and it was the one thing that hurt the late Gillian Sutro later in life.
The life of Priscilla, as others have wrote, would make a fascinating film. But for the book itself, I wonder how Nicholas Shakespeare felt about uncovering these skeletons in Priscilla's closet.
When Shakespeare began his research, beforehand, he thought of Priscilla like Grace Kelly. Beautiful but quite a few things that concerned him about her life, a sadness but also living like a prisoner.
But what he learned about her was a life that was troubled. A life damaged at a young age by parents who seem to not care enough and similar to her mother, had sexual trysts with other men. Many men... married men and also men should not have had anything to do with, as of loyalty to her friends.
The fact that Nicholas Shakespeare was able to uncover so much information and how far he went to attain all the information he can, especially regarding Priscilla and the men she was well-researched.
Priscilla was a woman that had her own personal demons. Behind the photos of a beautiful woman, lies a tormented soul.
"Priscilla: The Hidden Life of an Englishwoman in Wartime France" was a captivating book. The life of Priscilla, especially her association with some well-known people in the entertainment industry and artists are noted in the book. But as Nicholas Shakespeare unpeels layers of Priscilla's childhood, her life during the occupation and then looking into her life later in life and until her death, there is no doubt that despite the darkness or troubles she had faced in life, she also made an impact on people's lives.
Overall, "Priscilla: The Hidden Life of an Englishwoman in Wartime France" is recommended!
Once he gets going the focus alternates back and forth between her life and how he found the documentation for the next part.
What makes his discovery process interesting is a tale of the leads and dead ends that had to be retraced in order to get a sense of truth revealed. The woman herself would not be quite so interesting without the backstory. Certainly she had a difficult life. Certainly she was attractive and took advantage of her appearance. Certainly she had a string of lovers. She was also resilient and probably somewhat damaged by her experiences but managed to struggle on.
It's also very interesting to read a sort of personal account of what it meant to survive wartime (WW II) France. The Vichy government and collaboration and conflicts with the various forms of German security. The nepotistic and enabling behavior of both these parties at the expense of the French people.
I'd call this a really interesting read for history buffs because of the research aspect but not as exciting a rendition as good historical fiction.
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