- Taschenbuch: 408 Seiten
- Verlag: New Riders; Auflage: 1 (29. Juli 2010)
- Sprache: Englisch
- ISBN-10: 0321703561
- ISBN-13: 978-0321703569
- Größe und/oder Gewicht: 20,3 x 2 x 25,9 cm
- Durchschnittliche Kundenbewertung: 1 Kundenrezension
- Amazon Bestseller-Rang: Nr. 500.586 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
The Adobe Photoshop CS5 Book for Digital Photographers (Voices That Matter) (Englisch) Taschenbuch – 29. Juli 2010
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Über den Autor und weitere Mitwirkende
Scott Kelby is Editor and Publisher ofPhotoshop User magazine, President of the National Association of Photoshop Professionals, Training Director for the Adobe Photoshop Seminar Tour, and one of the leading seminar instructors in the country today. Scott is the author of the best-selling booksThe Adobe Photoshop Lightroom 3 Book for Digital Photographers, Photoshop Down & Dirty Tricks, and The Digital Photography Book (volumes 1, 2 & 3), among others. His easygoing, plain-English style of teaching makes learning Photoshop fun. He trains thousands in his live seminars each year and knows firsthand which techniques are in hot demand, and now he shares them here in his latest book.
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Then WOW...fast forward to Scott's new book which arrived at my home earlier this week. What an amazing book this is indeed. BANG...just open up to any Chapter and there you have a very straightforward, concise, step-by-step tutorial to guide and fast-track even the most inexperienced user through the process of getting the very best results out of his or her images. Photoshop frustration has been replaced with Photoshop fun. Trust me, using this book is like having Scott looking over you shoulder as you go through his easy-to-follow methodology. Even the complete novice can process some amazing images the very first time through.
Without reservation, I highly recommend you BUY THIS BOOK!!! Thanks, Scott, I'm having an absolute blast.
What make Kelby's writing so effective is that he clearly walks you through each step of the process with photos, menus and directions - including before and after photos. His discussion of Camera Raw both basic and advanced is especially useful. His chapter on B&W is awesome. (I'm a former photojournalist with a predilection for Black & White images). But the chapter I refer to over and over, is the common problems chapter. He covers all of the ways to help you improve common image problems - backlit, removing reflections, group photos, and many more. Also not to be missed is his Photoshop Killer Tips section at the end of each chapter. If you are a photographer and a Photoshop user you won't be disappointed with this book.
- He removed all portrait retouching content that was present in all previous Photoshop books
- The majority of this book is dedicated to editing in Camera RAW, not editing in Photoshop and how to use Photoshop tools and techniques. It took me a very frustrating while to realize why I could not find the workspaces, tools, palettes, etc... that he uses in the book. It's because he spends the majority of the book showing you how to edit photos in Camera RAW and the Camera RAW interface, not Photoshop. He doesn't bother to tell you (unless you dig deeply though the book) that most of what he's instructing you to do is in the ACR workspace, not Photoshop. It's extraordinarily, frustratingly ridiculous.
- By committing the majority of edits (as Kelby tells you to in this book) in Camera Raw before even opening them in PS (with access to layers and PS tools) of of the greatest features of PS-layers- is completely negated. By following Kelby's instruction in this book, there's no way to perform edits on layers and retain the ability to turn them on and off or adjust their intensity.
- Camera RAW is a module that is used in Bridge as a tool for fine tuning images prior to opening them in Photoshop. If Kelby wants to train people how to use the Camera RAW module, he should write a book titled Camera RAW, not Photoshop.
If you use Lightroom before editing your images in Photoshop, this book is virtually useless as it just tells you how to do everything LR does, but in ACR instead.
It really seems like Kelby's trying to thin out the material, to spread what used to be encompassed in one book across multiple books, only to make more money. This is very disappointing, the title of this book is very misleading and I've lost a lot of respect for Kelby with this book.
I started using Kelby's books because I found them to be more accessible, succinct and efficient than Martin Evening's books. After the huge disappointment of what an inefficient mess this book is, I think I'm going back to Evening. At least he's consistent, reliable and straightforward.
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