- Taschenbuch: 300 Seiten
- Verlag: Alfred Music Publishing GmbH; Auflage: 1. Auflage (1. Januar 2014)
- Sprache: Englisch
- ISBN-10: 1285198921
- ISBN-13: 978-1285198927
- Größe und/oder Gewicht: 1,9 x 22,2 x 27,9 cm
- Durchschnittliche Kundenbewertung: Schreiben Sie die erste Bewertung
- Amazon Bestseller-Rang: Nr. 631.221 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
- Komplettes Inhaltsverzeichnis ansehen
The Music Producer's Survival Guide | Book (Englisch) Taschenbuch – 1. Januar 2014
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Preface. Introduction. 1. Plot Point on The Space-Time Continuum. 2. Love of Music. 3. What is Your Plan? 4. Master Your Craft. 5. The Social Scene. 6. Producer Tips and Why Are Things the Way They Are? 7. Creative Process. 8. Selecting Your Tools. 9. Lifestyle Tips. 10. Final Thoughts. 11. Resources. Glossary. Index.
Über den Autor und weitere Mitwirkende
Bio: Brian Jackson is a music producer, audio engineer, teacher, and philosopher. He is co-owner and Director of Education at Devotion Gallery, which is also his Ableton Certified Training Center in Brooklyn. Brian's involvement in DIY, independent, and underground music culture started in Detroit more than two decades ago. He has produced various styles of electronic music, played bass in bands, promoted club events, attempted a record label, and deejayed after-hours parties. From award-winning experimental video to TV shows such as 24, his sounds have been heard worldwide. He uses the pseudonym "Infinite Volume" for solo works and remixes, was half of the conceptual retro-future electro synth A/V duo "Memory Systems," and co-founded the genre-bending band "I Am Spoonbender" (1996-2000). He is the author of three tutorial DVDs on Ableton Live and technical editor of books on Live and Pro Tools, among others. He lives and works at his studio, Form Labs, in Williamsburg, Brooklyn, NYC. You can find him online at www.form8.com.
Die hilfreichsten Kundenrezensionen auf Amazon.com
If you live in a world of theory (those above who gave positive reviews) and not practice then you may get something out of it. If you're an actual producer then you'll get nothing out of it. I'm an open minded person and give everything a good try but this book was terrible. The author is not an authority on this subject by any means.
I think what I appreciated most was the author's seemingly encyclopedic knowledge of music and the history of electronic music in the 20th and 21st centuries. He really understands how techniques and processes developed and evolved into the music we hear today. The book really draws a line from early pioneers like Cage to today's artists. I think it's important to understand that and Mr. Jackson clearly knows his stuff in this regard.
The book is well thought out and will inspire the budding producer to think outside the box. This is not your standard "textbook." Rather the information in this book will encourage you to dig deeper as a producer....what inspires you? Where is your music coming from?
As a working musician with little production experience, I this book was helpful in getting the ball rolling for me. I find that when I listen to music now, I pay closer attention to the production. I'm more inquisitive about sounds and how they are created. It's a different way of listening.
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