- Taschenbuch: 436 Seiten
- Verlag: Da Capo Press; Auflage: Revised. (3. Juni 2005)
- Sprache: Englisch
- ISBN-10: 1560256834
- ISBN-13: 978-1560256830
- Größe und/oder Gewicht: 15,2 x 2,5 x 22,9 cm
- Durchschnittliche Kundenbewertung: 1 Kundenrezension
- Amazon Bestseller-Rang: Nr. 38.259 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Moanin' at Midnight: The Life and Times of Howlin' Wolf (Englisch) Taschenbuch – 3. Juni 2005
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"He was one of a kind. Nobody I heard before him or after him has had that fantastic delivery-that certain something in his voice that seemed like a sword that'd pierce your soul when he'd sing. Wolf was already a great singer and musician when I first met him. To my mind, he's one of the greatest ever. We'll never see another like him." -From the introduction by B. B. King "Talk about best-kept secrets! There are no rumors in this book-not a one. It says everything there is to say about the Wolf. I've been looking for this one for a long, long time." -Taj Mahal "Things folks have done in the dark are going to come out in the light. Nobody else has ever dug up what these guys have found-and it's right." -Hubert Sumlin
One of the greatest artists the blues ever produced, Howlin' Wolf was a musical giant in every way. He stood six foot three, weighed almost three hundred pounds, wore size sixteen shoes, and poured out his darkest sorrows onstage in a voice that captured all the pain of growing up black and poor in Jim Crow Mississippi. Half a century after his first hits, his sound still terrifies and inspires. Wolf began his career singing with the first Delta blues stars, was present at the birth of rock 'n' roll in Memphis, and vied with rival Muddy Waters for the title of king of Chicago blues. This new and revised edition is full of harrowing anecdotes about his early years, entertaining stories about his decades at the top, and never-before-seen photographs of the artist onstage. An essential volume for Wolf's legions of fans, lovers of blues, and anyone interested in the history of American music.Alle Produktbeschreibungen
Das Buch ist nich leicht zu lesen, unter anderem, weil es jede Menge Wiederholungen hat.
Aber: Super ausführliche Infos über HW, seine Mitspieler, seine Aufnahmen und die Blues-Szenen in Mississipi und Chicago.
Und jede Menge Anekdoten über über diesen genialen, schwierigen Menschen mit auch sehr liebenswerten, menschlichen Zügen.
Imponierend sein Werdegang vom Waisen und Analphabeten im Kampf ums Überleben in Missisippi und Entwicklung zum beinharten Blues-Musikmanager in Chicago, der ganz nebenbei noch über den 2. Bildungsweg seine Bildungsdefizite bis ins späte Alter nachholt.
Für Bluesenthusiasten, -Journalisten und -Musikwissenschaftler sehr zu empfehlen !!
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
Hubert grinned, Mark bubbled with appreciation. Crisp new pages and a freshly-pressed sepia close-up of a cigarette-puffing Howlin' Wolf on the cover. Someone set the finished product down on the table; that's when I grabbed it and started leafing through. It was impossible to resist.
Moanin' at Midnight, The Life and Times of Howlin' Wolf, finally gives the blues world back its missing link. When Howlin' Wolf left this earth in January 1976, he took with him his stories, his imposing presence and his immensely powerful voice. Fortunately, he left behind his recordings, which, for a generation now, are all we've had by which to remember him. Fortunately also, Wolf had many friends and associates who refused to let go of his memory, and were willing to share their recollections with co-authors Hoffman and James Segrest.
Throughout the book, Hoffman and Segrest use words like gargantuan, ferocious and primal to describe Wolf's persona. If you ever were lucky enough to see Wolf perform, you know why. But even the surviving videos are enough to get the point across. It was not only the man's size that was intimidating, it was the way he wrapped his huge and startling voice around a song. It was his big hands dwarfing a guitar neck or reducing a harmonica to relative invisibility. As the equally legendary record producer Sam Phillips remarked the first time he heard Wolf on the radio in 1951, "This is where the soul of man never dies."
Moanin' at Midnight is as thorough as a biography can be, but to Hoffman and Segrest the project was clearly a labor of love. A dozen years, hundreds of hours of interviews, cross-country commutes to glean insights into a personal hero, the relentless pursuit of detail...the devotion is unmistakable, and it shows.
What Hoffman and Segrest have accomplished with their book is nothing short of magnificent. What they have given us, at long last, is the big picture of Chester Arthur Burnett, aka Howlin' Wolf . At 6'3" (some say 6'6") and nearly 300 pounds, Burnett demands a big picture. Wolf was not only a bluesman's bluesman, he really was larger than life.
If you have any doubts, ask Hubert Sumlin.
But not this book. The authors have dutifully and truly captured the unique essence of Howlin' Wolf. In short, it is not only the definitive bio of the artist and the man, but it might well rank as one of the best and most loving comprehensive studies of anyone in music.
After decades of listening to Wolf's music, and reading tons o' material about him, I approached this book with no small degree of caution. Would it be tawdry? Would it simply rehash facts? Be another potboiler?
Happily the book is a superlative effort, seemlessly meshing history with artistry.
Do yourself a favor. Read it and enjoy.
It tells the heroic story of a man born in the south in the first decade of the 20th century amid grinding poverty, extreme racial prejudice, and an unhappy childhood, that found his freedom and his place in the world of the traveling blues man. His early life scarred him both physically and emotionally, and it can be heard in his music.
The musical structure of his music could be very simple sometimes, but he put so much heart, so much emotion into it that the music is never boring, never trite. His childhood and life were hard, but his music is not merely a reflection of hard times. It also can reflect the joy he took in his talent and sharing it with people. A totally unique performer and voice in all of music, not just the blues. And a truly unique man.
The book is well written and is easy to read, with many bluesmen telling about their encounters with 'The Wolf'.
From his hardscrabble upbringing, an abusive and hypocritical father, and mother lost in psychological and religious madness, and just obstacle after obstacle, the Wolf endured, but sometimes I feel never achieved the full happiness he wanted. There's no doubt he loved his family, cared for his bandmates and did his best, but you could tell the sadness that the blues often heals might not have been enough.
There's a good examination here of Wolf's music, his influences and how he managed a signature sound as well as a performance style that blew nearly all the others away. All the same, Wolf was very protective of that sound, demanding of his mates and making sure they did it the way he wanted it done. Sometimes he was overbearing and arrogant, as witnessed by the defection of Hubert Sumlin to the Muddy Waters band. But Hubert later did return, and many would come in and out over the years.
The rift between Waters and Wolf is noted here; was there ever really one, beyond the professional rivalry? It does appear that Wolf saw Waters as a company man, in terms of his relationship with the Chess brothers. Wolf was very careful about his money, making sure the brothers paid him what he was due, while Waters was content to allow the brothers to get him a new car or a home now and then, perhaps a bit too trustful.
But in the end, it does seem they cared about each other and made up any differences near the end of their lives.
I do think there's a certain God-worship by the authors of Wolf. Too much in some places I think, where a writer makes the subject the greatest thing ever, and all others are chaff. Just the same, this is a sometimes funny, often sad look at a great musician, writer and performer, who influenced those who followed, such as the Rolling Stones.
When I hear "Smokestack Lightning" now, I don't hear it quite the way I once did. It has a more sorrowful quality now than ever. RIP, Wolf...you deserve it.
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