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Fear and Loathing in Las Vegas and Other American Stories (Modern Library)
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am 28. Juni 2013
After the success of Hell’s Angels in 1967, Hunter wrote this incredible tale of a drug-crazed journey to Las Vegas (1971) which was first published in Rolling Stone in 1971. The book was his masterpiece, perfect in a way that few books are and the time had come to take him seriously as a literary artist who - however outlandish a stylist he was - creatively spans the line between journalism and fiction. Just before the book was published he had written several pieces about the Mexican tensions and conflicts in East Los Angeles, based in part on an angry lawyer named Oscar Zeta Acosta, who later in that year became Dr. Gonzo in this book. As the subtitle warns, the book tells of “a savage journey to the heart of the American Dream,” this is the full-monty gonzo approach and is accented by British illustrator Ralph Steadman's fitting drawings.

Essentially, the narrative follows Thompson (writing as Duke) and his three-hundred-pound Samoan attorney, Dr. Gonzo to Vegas, ostensibly to cover the Mint 400 motorcycle race. Over drinks at the Polo Lounge of the Beverly Hills Hotel, the two men agree to rent a red Chevy convertible they christen the Great Red Shark start speeding across the desert. According to Duke, the car’s trunk. “looked like a mobile police narcotics lab. We had two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughters … and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls (…) but the only thing that really worried me was the ether.” However, the race was boring, with all sorts of machinery criss-crossing the desert, there was no way to recognize any kind of race and in the end everything was lost in the sand. So the protagonists spend most of their time in bars and casinos and cruising along the Strip. After the long weekend, Thompson hammered 25,000 words on the race into his typwriter and sent them to Sports Illustrated, which the magazine rejected.

Thompson infused everything with drama, whatever he was doing was always full of energy and crazyness, as exemplified by his attendance at the district attorneys’ conference. This was what he understood to be his dangerous undercover mission, he was going to go right to the edge, of everything. And with every day the madness grows and general paranoia takes over, deep suspicions of the CIA, the FBI, and the Secret Service abound and financial ruin is always lurking. The complex personality of Hunter S. Thompson – the Gonzo journalist cranked up on Chivas Regal, Dunhill cigarettes, and LSD – captured not only the mood that your government is not your friend but showed an acerbic humor with a sharp moral sensibility.

Thompson was fully aware that he was writing something marvelous, manic, and perhaps magic in an exaggerated style for sure but this autopsy of the American Dream places him among the twentieth century’s most iconoclastic writers. Hunter Thompson and Tom Wolfe, Norman Mailer anyone, are probably the two most original voices to come out of journalism in the last century. And Jann Wenner at Rolling Stone should be praised for giving a boost to Thompson as well as Wolfe in a very important phase of American societal development. Douglas Brinkley, the historian and friend of Thompson’s summed it up, “If Hemingway was going to go big-game hunting in Africa, Hunter wanted to use a submachine gun to hunt wild boar in Big Sur, California. He was dangerous, like handling nitroglycerin, and he liked to keep it that way.”
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am 17. November 1999
It was an excellent source of the juice that fuelled that time and the genious humour of "gonzo" journalism that went along with it.
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am 3. August 1998
Hunter Thompson, master of the literary word, proves in this single work, that he is a true genius. This book is not so much a read, as it is a ride. He takes us through a wild, and twisted journey through Las Vegas in search of the American Dream, through the eyes of Raoul Duke, along with his Samoan attorney, Dr. Gonzo. This is a terrific book, and without a doubt, should've been number 1 on the list of the all time greats. Hunter is a master. As Raoul Duke once said, "Buy the ticket, take the ride."
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am 22. Januar 1999
The time is right for a movie of such venture,The book is like a bible for some for others it is a way to keep up with what is going on today and yesterday.I love the good Dr. more should be like him,God bless Hunter S. Thompson.All that he has written is as good as gold.
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am 20. November 1998
When someone mentions Hunter S. Thompson, the almost immediate reponse is "Oh, yeh - the Fear and Loathing guy." To review that piece in 1998 is perhaps too little too late, but a glance at this volume, which matches the original with "Jacket Copy" and "The Kentucky Derby is Decadent and Depraved," is in order because of its complete vision of Thompson's style and purpose. What "Fear and Loathing" delivers is what was promised by "Kentucky Derby," and what it fails to tell you is what is filled-in by "Jacket Copy." For those interested in reading "Fear and Loathing," today, this package will give perspective on the times and reinforce the power of the original work.
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am 13. Dezember 1998
The first time I read this book, I was shocked. The second time I read it, I laughed myself into convulsions. If you like the Marx Brothers, or drugs, you'll like this book.
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