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Live at the Speakeasy

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Audio-CD, 24. Oktober 2014
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Suzanne Vega-Shop bei Amazon.de


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Produktbeschreibungen

This superb broadcast recording captures Suzanne Vega at an early but pivotal moment in her rapid rise to world renown. The concert, at New York s intimate but influential SpeakEasy club in Greenwich Village, was performed the week her eponymous debut album was released in April 1985. This beautifully rendered show is also of particular note because, unlike at her later gigs, Suzanne appears entirely solo. Although born in Santa Monica, California, in 1959, Suzanne Vega spent almost all of her formative years in the frenetic environs of New York City. She studied at Barnard, a private liberal arts college for women adjacent to NYC s Columbia University campus in Manhattan. Concurrently, in the early 1980 s, she began to perform at Greenwich Village s smaller venues, such as the Cornelia Street Cafe - then a hotbed of aspiring writers, poets and folk performers. It was there she hooked up with Jack Hardy s songwriters co-operative and consequently had some of her earliest recordings released on vinyl albums under the auspices of the small-circulation Fast Folk Musical Magazine . Several of the songs that were first issued on these relatively obscure anthologies between February 1982 and May 1985, are reprised in this evening s set, including Cracking, Gypsy, Knight Moves, The Queen And The Soldier, Some Journey, Tom s Diner and Small Blue Thing. With high quality songwriting like this on display, it is little surprise that Suzanne was soon signed by a major label, A&M Records. Her debut album, produced by Lenny Kaye (of Patti Smith s band) and Steve Addabbo, was recorded during the first months of 1985 at Celestial Sound Studios in New York. With the exception of Tom s Diner - and Gypsy which closes this broadcast - both of which appeared on Suzanne s 1987 album, Solitude - all the above mentioned songs were re-recorded for inclusion on her debut. Tonight s performance includes that outstanding album in its entirety, and thus there are also live versions of Freeze Tag, Marlene On The Wall (the video of which achieved heavy rotation on MTV and VH1), Undertow, Straight Lines and Neighborhood Girls. Suzanne Vega was a critical success in the USA and reached number 91 on the Billboard 200 chart; in the UK it reached number 11 - no mean feat for a debut album by a female solo artist in an era when the charts were dominated by men with risible haircuts playing synthesizers and drum machines. The record eventually achieved platinum status. Suzanne went on to garner huge global success, and when DNA s initially unauthorised remix of Tom s Diner became a major universal hit in 1990, she gained a whole new generation of fans. This delightful recording remains a timely reminder of where it all began, back in the bohemian environs of New York s Greenwich Village.


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Die hilfreichsten Kundenrezensionen auf Amazon.com (beta) (Kann Kundenrezensionen aus dem "Early Reviewer Rewards"-Programm beinhalten)

Amazon.com: 4.8 von 5 Sternen 6 Rezensionen
5.0 von 5 Sternen A gem! 4. Februar 2017
Von Eric English - Veröffentlicht auf Amazon.com
Format: Audio CD Verifizierter Kauf
I have loved Suzanne Vega since I first heard her recording of "Left of Center" in 1986. I have most of her recordings, except for some imports, and I have seen her play live more than any other artist. Since this is a live album, I am over the moon. It is a gorgeous recording from before she became the acclaimed artist she is today..
5.0 von 5 Sternen It is so nice to her her in a guitar and voice performance 6. Mai 2016
Von Brad R. - Veröffentlicht auf Amazon.com
Format: Audio CD Verifizierter Kauf
It is so nice to her her in a guitar and voice performance. I saw Jewel in just such a setting in a small venue, and it was perfect, and this album is the next best thing to being there.
2 von 2 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Fantastic! 29. März 2015
Von M. Maxwell - Veröffentlicht auf Amazon.com
Format: Audio CD Verifizierter Kauf
Fantastic! Great vintage recording. Highly recommended.
6 von 6 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen A good early live album 28. Januar 2015
Von Sid Nuncius - Veröffentlicht auf Amazon.com
Format: Audio CD
This is a good live album. It is a recording of Suzanne Vega playing live in 1984, before the release of Solitude Standing, and before she had achieved anything like the sort of recognition she has today.

There is an endearing and refreshing simplicity, and almost innocence to this recording. It is Vega and her guitar only, which lends songs like Luka and Marlene On The Wall, now familiar in their high-production versions, an immediacy and sincerity which I like very much. There is a nice atmosphere over the whole album, set by Vega's rather shy-sounding introductions and even an endearing moment in Small Blue Thing where she has to clear her throat (which anyone who has ever played and sung to an audience of any kind will empathise with!) It is, in short, a good selection of songs, well performed.

The sound isn't brilliant. It's quite adequate, but there's a slightly muddy quality to it which some people may find troubling. I don't mind it too much, but it does tend to make this more of an interesting historical record than an album I listen to just for pleasure.

I'm glad to have this and to have heard it, but now that we have both the Close Up series and the excellent Live At the Barbican recording from 2012 I'm not really sure how often I will listen to this album. It's good, and an essential for Vega fans like me, but I certainly wouldn't start here and if you don't already have the superb Close Up series Close-Up Series or Live at the Barbican Solitude Standing: Live at the Barbican 2012 I would buy them first.
5.0 von 5 Sternen This is a great concert of a superb performer, Recorded at the outset of Suzanne's career it gives a great illustration of where 3. Januar 2016
Von Anita - Veröffentlicht auf Amazon.com
Format: Audio CD
This is a great concert of a superb performer, Recorded at the outset of Suzanne's career it gives a great illustration of where she was at this juncture,
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