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Klaviertranskriptionen,Vol.10: Saint-Saëns/+

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Audio-CD, 14. Oktober 2011
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Nadejda Vlaeva-Shop bei Amazon.de

Wird oft zusammen gekauft

  • Klaviertranskriptionen,Vol.10: Saint-Saëns/+
  • +
  • Bach Klaviertranskriptionen 8
  • +
  • Johann Sebastian Bach: Klaviertranskriptionen, Vol.5 - Goedicke, Kabalewsky, Catoire & Siloti
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  • Komponist: Bach, Saint-Saëns, Philipp
  • Audio CD (14. Oktober 2011)
  • Anzahl Disks/Tonträger: 1
  • Label: Hyperion Records (Note 1 Musikvertrieb)
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen 1 Kundenrezension
  • Amazon Bestseller-Rang: Nr. 228.757 in Musik-CDs & Vinyl (Siehe Top 100 in Musik-CDs & Vinyl)
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Disk: 1

  1. Ouverture from Cantata No 29
  2. Adagio from Cantata No 3
  3. Andantino from Cantata No 8
  4. Bourrée from Partita No 1 in B minor, BWV1002
  5. Andante from Sonata No 2 in A minor, BWV1003
  6. Presto from Cantata No 35
  7. Concerto in A minor RV522 BWV593
  8. Introduction et Air from Cantata No 15
  9. Fugue from Sonata No 3 in C major, BWV1005
  10. Largo from Sonata No 3 in C major, BWV1005
  11. Récitatif et Air from Cantata No 30
  12. Gavotte from Partita No 3 in E major, BWV1006
  13. Air from Cantata No 36
  14. Choeur from Cantata No 30
  15. Concerto in D minor RV565 BWV596



Hyperion's Bach Transcriptions series shows Bach through the fascinating prism of the Romantic musical mind. This latest volume presents the complete transcriptions by Saint-Saëns, and the programme is interspersed with transcriptions by the elder composers friend and disciple, Isidore Philipp. Saint-Saëns was one of the many composers inspired by the continuing publications from the Bach-Gesellschaft, which made many of Bachs works available in print for the first time, particularly the extraordinary church cantatas. His transcriptions are of particular interest due to his choice of unfamiliar music that was not originally conceived for a keyboard instrument, and the care with which he has made the transcriptions. These are superbly effective piano realizations achieved with the minimum of intervention. Hyperion is thrilled to present the young Bulgarian pianist Nadejda Vlaeva in her label debut. She performs with a palpable energy and impressive technical assurance.


All in all,this is notably spontaneous sounding recording.Viaeva pushes all the right buttons and takes this significantl Hyperion project a step closer to its apothesis. --IRR,Nov'11

This young pianist's terrific CD bodes well for the future.Vlaeva handles them with clarity,unflappable virtuosity and relish. Performance ***** Recording ***** BBC MUSIC INSTRUMENTAL CHOICE --BBC Magazine,Christmas'11

This young pianist sits worthily alongside the clutch of fine players who have illuminated this brilliant literature of Bachiana. What else has Hyperion up its sleeve? --Gramophone,June'12


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Von I. Faderl am 22. Februar 2014
Format: Audio CD
really an extraordinary repertoire. If you like Bach, you will surely appreciate these transcriptions from Saint-Saens and Isidor Philipp. I also like the touch and expression of the pianist.
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Amazon.com: 5.0 von 5 Sternen 5 Rezensionen
1 von 1 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Another winner by Nadejda Vlaeva 21. März 2016
Von James Jones - Veröffentlicht auf Amazon.com
Format: Audio CD Verifizierter Kauf
Another winner! I discovered this wonderful pianist with the recent release also on Hyperion of Bortkiewicz piano music. I was so impressed not only by the music but also with the pianist that I followed up with a purchase of these Bach Transcriptions. As with the Bortkiewicz, Nadejda Vlaeva's technique and musicianship is astounding. She makes one listen, a quality that only the greatest artists possess. I heartily recommend this release and I look forward to future albums by this great pianist.
6 von 6 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Stunning performances 4. September 2013
Von Pieter Uys - Veröffentlicht auf Amazon.com
Format: Audio CD Verifizierter Kauf
Nadejda performance here of the Sinfonia BWV 29 is the best I have heard by a long way. This disc is an essential item in the piano lovers collection.
5 von 7 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen wow 12. August 2012
Von tseng - Veröffentlicht auf Amazon.com
Format: Audio CD Verifizierter Kauf
I had to stop my usual gaming and just LISTEN, it was so good !
You made a so-so bottle of Loire memorable. I have recordings of some
of the transcriptions played by angela hewitt and helen grimaud, yours
rock. I already ordered two more cd from the same series, tell hyperion
about this. By the way, I absolutely agree with prior remark about recent
dinnerstein release; after two listenings, it's already on my "gift" rack.
8 von 13 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen another triumph 8. Januar 2012
Von rosemary swift - Veröffentlicht auf Amazon.com
Format: Audio CD Verifizierter Kauf
Nadejda Vlaeva goes from strength to strength. This new CD is wonderful. Interesting repertoire, beautifully played. I await her next disk with anticipation.
21 von 24 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen A throwback to the old school! (And I mean that in the best possible way) 20. Februar 2012
Von The Man in the Hathaway Shirt - Veröffentlicht auf Amazon.com
Format: Audio CD
I really do wonder sometimes if critics have ears or they just listen to the obvious things put in front of them, the marquee names, and write glowing prose accordingly. If I ran a review site or publication, my rule would be that everything is reviewed on plain, unlabeled CDs. Of course some items would give themselves away, but still, with this system the difference between a Yael Weiss and a Nadejda Vlaeva would become obvious.

If you've never heard Ms. Vlaeva play, you should. Color, line, tone, touch, all of that is in abundance here. She makes the piano *sing,* something many of today's virtuosi have forgotten how to do because they're all interested in seeing who can play the Liszt Sonata the fastest and loudest. On one of her other albums, which I recommend highly, http://www.amazon.com/Nadejda-Vlaeva-plays-Liszt-Franz/dp/B00005M995/ref=sr_1_1?s=music&ie=UTF8&qid=1329773444&sr=1-1, she performs Liszt, but it's not the sonata, and much as I love that piece, I am glad it is not, because we already have enough recordings of it. Instead she focuses on Liszt works that don't get recorded so much and show a different side of a very stereotyped composer, and which rarely get played with such tone and feeling and intellectual depth.

Likewise, in the present CD, she finds pieces that will have you saying "Why don't we hear this more often?" Vlaeva concentrates on line and textures more than dazzling fingerwork, and the result is a CD that you return to repeatedly to find new delights. The Vivaldi/Bacg Concerto In A Minor, BWV 593 particularly stands out. This work captivates more every time it is heard. The Saint=Saens should be better known and of course the Bach Wir Danken Dir, Gott, Wir Danken Dir, BWV 29 is a blast, but she somehow makes it sound like a whole orchestra is having a conversation from her piano.

Hearing a pianist like her, I can't understand why a Simone Dinnerstein get a Sony recording contract. Listening to Dinnerstein's Bach and Schubert album recently, I literally zoned out, and wondered why people complain that classical music is "dull" and then buy faceless albums like that. This CD and others by Vlaeva are the antidote for the bland, sound-alike releases we've been getting from Sony and other big name labels recently. But since smaller labels don't engage in the hype that the bigger labels can, many people may bypass this recording, and will miss performances that are intelligent and which highlight the music and not the performer. Pity.
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