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Introduction to Film Studies (Englisch) Taschenbuch – 26. März 2007


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Introduction to Film Studies
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Pressestimmen

Praise for previous editions: First Edition 'Simply the best introductory volume in the field so far.' - Jesus B Sanchez, Castilla La Mongha University, Ciudad Real, Spain 'Indispensable for the A Level, degree student or lay reader in film, communications or media courses...will indisputably be the standard text for many years to come...close to the perfect film studies textbook you are likely to see.' - John Lough, Senior Lecturer in Media Theory, University of Humberside, UK Second Edition 'I highly recommend this text to any student embarking on the study of film...An admirable synthesis of historical, social and theoretical considerations of cinema, presented in an engaging and accessible manner.' - Alan Burton, De Montfort University, UK 'Probably the clearest, most comprehensive and accessible introduction to film studies available.' - Martin Price, Stratford-upon-Avon College, UK Third Edition 'I know of no other introductory film text that covers so much ground, nor that so readily connects up film theory and discourse with work in mass and popular culture. The revised edition keeps up with changes in technology and the discussions of Hollywood are particularly illuminating...I highly recommend this text.' - Denise Albanese, George Mason University, USA 'The ideal book for anyone starting Film Studies...Illustrations are plentiful and all important concepts and terminology are accessibly explained. I encourage students to make it their top priority reading.' - Jeff Thomas, Coleg Gwent, Pontypool, Wales

Synopsis

Lavishly illustrated with over 123 up-to-date film stills and productions shots, this is the completely revised and updated fourth edition of the comprehensive leading textbook for students of cinema. Guiding students through the key issues and concepts in film studies, "Introduction to Film Studies" traces the historical development of film, and introduces some of the world's key national cinemas. Each chapter is written by a subject specialist, three new authors contribute to the book, a wide range of films are analyzed and discussed, and a broad spectrum of theories and theorists are presented, from formalism to feminism, and from Eisenstein to Deleuze.

Key features of the fourth edition are: full coverage of important topics for introductory level; updated coverage of a wide range of concepts, theories and issues in film studies; in-depth discussion of the contemporary film industry; new chapters on Rediscovering Film, Ethnicity, Race and Cinema, Documentary, Film, Form and Narrative, British Cinema, Approaches to Cinematic Authorship; new case studies on films such as Bamboozled, Wild Strawberries, Run Lola Run, Grey Gardens, Grizzly Man, Boy's Don't Cry, Love Actually, and many others marginal key terms, notes, cross-referencing suggestions for further reading, further viewing and a comprehensive glossary and bibliography website resources including updated popular case studies from previous editions, a chapter on German Cinema and links to supporting sites. Widely reviewed by teachers in the field, and including a foreword by Bill Nichols, it will be essential reading for any introductory student of film, media studies or the visual arts worldwide.

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