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The Human Stain (Englisch) Taschenbuch – 6. Oktober 2016

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Amazon.de

Athena College was snoozing complacently in the Berkshires until Coleman Silk--formerly "Silky Silk", undefeated welterweight pro-boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and irritated so many people for so many decades that now, in 1998, they have all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Place--the gossip, the jealousy, the acrimony, the boredom, the lies".

But shocking, intensely dramatised events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication", and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibility, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble", and a melancholy voluptuousness. "I'm back in the tornado", Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced retirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instead the raw I with all its agility. Self-discovery--that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux is intriguingly (and convincingly) nutty, and any number of minor characters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo

Pressestimmen

"An extraordinary book - bursting with rage, humming with ideas, full of dazzling sleights of hand'" (Sunday Telegraph)

"The Human Stain pulses with the strengths that make Roth a prime contender for the status of the most impressive novelist now writing in and about America" (Sunday Times)

"A novel so furious in its telling, with a plot so intricate in its construction that it is infused with a kind of diabolic joy. A masterpiece" (Mail on Sunday)

"One of his very best... There are passages of such sustained brilliance here that I found myself going over them again and again in gaping disbelief. An extraordinary book - bursting with rage, humming with ideas, full of dazzling sleights of hand" (Sunday Telegraph)

"One of the most beautiful books I've ever read" (Red)

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