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God Bless You, Mr. Rosewater: A Novel Taschenbuch – 8. September 1998
Englisch Ausgabe
von
Kurt Vonnegut
(Autor)
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Kurt Vonnegut
(Autor)
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Seitenzahl der Print-Ausgabe288 Seiten
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SpracheEnglisch
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HerausgeberDial Press Trade Paperback
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Erscheinungstermin8. September 1998
-
Abmessungen13.23 x 1.42 x 20.24 cm
-
ISBN-100385333471
-
ISBN-13978-0385333474
-
Lexile-Bewertung940L
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Produktinformation
- Herausgeber : Dial Press Trade Paperback (8. September 1998)
- Sprache : Englisch
- Taschenbuch : 288 Seiten
- ISBN-10 : 0385333471
- ISBN-13 : 978-0385333474
- Abmessungen : 13.23 x 1.42 x 20.24 cm
-
Amazon Bestseller-Rang:
Nr. 1,392,504 in Bücher (Siehe Top 100 in Bücher)
- Nr. 3,438 in Satire (Bücher)
- Nr. 12,735 in Humoristisch
- Nr. 123,916 in Literatur (Bücher)
- Kundenrezensionen:
Produktbeschreibungen
Pressestimmen
“[Vonnegut] at his wildest best.”—The New York Times Book Review
“A brilliantly funny satire on almost everything.”—Conrad Aiken
“[Vonnegut was] our finest black humorist. . . . We laugh in self-defense.”—The Atlantic Monthly
“A brilliantly funny satire on almost everything.”—Conrad Aiken
“[Vonnegut was] our finest black humorist. . . . We laugh in self-defense.”—The Atlantic Monthly
Autorenkommentar
A Structual Interpretive Dialogue on Subjectivity
This work's subjective depth is matched only by the realm of interpretive choice into which its reader is instantly and forcefully exposed. The diametrically opposed and paradoxical modes of Rosewater's emotional diatribe leave the reader- as well as all of the characters who encounter Mr. Rosewater- grasping to come to terms with their own conceptual frameworks in which they deplore subjectivity. That being said, this work effectively captures the perpetual conflict of subjective (and objective) frameworks as demonstrated through Rosewater and the self-deprecating subtelties that construct the boundaries (or lack thereof) of his identity. Bye!
This work's subjective depth is matched only by the realm of interpretive choice into which its reader is instantly and forcefully exposed. The diametrically opposed and paradoxical modes of Rosewater's emotional diatribe leave the reader- as well as all of the characters who encounter Mr. Rosewater- grasping to come to terms with their own conceptual frameworks in which they deplore subjectivity. That being said, this work effectively captures the perpetual conflict of subjective (and objective) frameworks as demonstrated through Rosewater and the self-deprecating subtelties that construct the boundaries (or lack thereof) of his identity. Bye!
Buchrückseite
A rich man attempts a noble experiment with human nature. The result is an etched-in-acid portrayal of universal greed, hypocrisy, and follies of the flesh.
Über den Autor und weitere Mitwirkende
Kurt Vonnegut’s black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist” (The New York Times) with Cat’s Cradle in 1963. He was, as Graham Greene declared, “one of the best living American writers.” Mr. Vonnegut passed away in April 2007.
Leseprobe. Abdruck erfolgt mit freundlicher Genehmigung der Rechteinhaber. Alle Rechte vorbehalten.
A sum of money is a leading character in this tale about people, just as a sum of honey might properly be a leading character in a tale about bees.
The sum was $87,472,033.61 on June 1, 1964, to pick a day. That was the day it caught the soft eyes of a boy shyster named Norman Mushari. The income the interesting sum produced was $3,500,000 a year, nearly $10,000 a day--Sundays, too.
The sum was made the core of a charitable and cultural foundation in 1947, when Norman Mushari was only six. Before that, it was the fourteenth largest family fortune in America, the Rosewater fortune. It was stashed into a foundation in order that tax-collectors and other predators not named Rosewater might be prevented from getting their hands on it. And the baroque masterpiece of legal folderol that was the charter of the Rosewater Foundation declared, in effect, that the presidency of the Foundation was to be inherited in the same manner as the British Crown. It was to be handed down throughout all eternity to the closest and oldest heirs of the Foundation's creator, Senator Lister Ames Rosewater of Indiana.
Siblings of the President were to become officers of the Foundation upon reaching the age of twenty-one. All officers were officers for life, unless proved legally insane. They were free to compensate themselves for their services as lavishly as they pleased, but only from the Foundation's income.
As required by law, the charter prohibited the Senator's heirs having anything to do with the management of the Foundation's capital. Caring for the capital became the responsibility of a corporation that was born simultaneously with the Foundation. It was called, straightforwardly enough, The Rosewater Corporation. Like almost all corporations, it was dedicated to prudence and profit, to balance sheets. Its employees were very well paid. They were cunning and happy and energetic on that account. Their main enterprise was the churning of stocks and bonds of other corporations. A minor activity was the management of a saw factory, a bowling alley, a motel, a bank, a brewery, extensive farms in Rosewater County, Indiana, and some coal mines in northern Kentucky.
The Rosewater Corporation occupied two floors at 500 Fifth Avenue, in New York, and maintained small branch offices in London, Tokyo, Buenos Aires and Rosewater County. No member of the Rosewater Foundation could tell the Corporation what to do with the capital. Conversely, the Corporation was powerless to tell the Foundation what to do with the copious profits the Corporation made.
These facts became known to young Norman Mushari when, upon graduating from Cornell Law School at the top of his class, he went to work for the Washington, D.C., law firm that had designed both the Foundation and the Corporation, the firm of McAllister, Robjent, Reed and McGee. He was of Lebanese extraction, the son of a Brooklyn rug merchant. He was five feet and three inches tall. He had an enormous ass, which was luminous when bare.
He was the youngest, the shortest, and by all odds the least Anglo-Saxon male employee in the firm. He was put to work under the most senile partner, Thurmond McAllister, a sweet old poop who was seventy-six. He would never have been hired if the other partners hadn't felt that McAllister's operations could do with just a touch more viciousness.
No one ever went out to lunch with Mushari. He took nourishment alone in cheap cafeterias, and plotted the violent overthrow of the Rosewater Foundation. He knew no Rosewaters. What engaged his emotions was the fact that the Rosewater fortune was the largest single money package represented by McAllister, Robjent, Reed and McGee. He recalled what his favorite professor, Leonard Leech, once told him about getting ahead in law. Leech said that, just as a good airplane pilot should always be looking for places to land, so should a lawyer be looking for situations where large amounts of money were about to change hands.
"In every big transaction," said Leech, "there is a magic moment during which a man has surrendered a treasure, and during which the man who is due to receive it has not yet done so. An alert lawyer will make that moment his own, possessing the treasure for a magic microsecond, taking a little of it, passing it on. If the man who is to receive the treasure is unused to wealth, has an inferiority complex and shapeless feelings of guilt, as most people do, the lawyer can often take as much as half the bundle, and still receive the recipient's blubbering thanks."
The more Mushari rifled the firm's confidential files relative to the Rosewater Foundation, the more excited he became. Especially thrilling to him was that part of the charter which called for the immediate expulsion of any officer adjudged insane. It was common gossip in the office that the very first president of the Foundation, Eliot Rosewater, the Senator's son, was a lunatic. This characterization was a somewhat playful one, but as Mushari knew, playfulness was impossible to explain in a court of law. Eliot was spoken of by Mushari's co-workers variously as "The Nut," "The Saint," "The Holy Roller," "John the Baptist," and so on.
"By all means," Mushari mooned to himself, "we must get this specimen before a judge."
From all reports, the person next in line to be President of the Foundation, a cousin in Rhode Island, was inferior in all respects. When the magic moment came, Mushari would represent him.
Mushari, being tone-deaf, did not know that he himself had an office nickname. It was contained in a tune that someone was generally whistling when he came or went. The tune was "Pop Goes the Weasel."
Eliot Rosewater became President of the Foundation in 1947. When Mushari began to investigate him seventeen years later, Eliot was forty-six. Mushari, who thought of himself as brave little David about to slay Goliath, was exactly half his age. And it was almost as though God Himself wanted little David to win, for confidential document after document proved that Eliot was crazy as a loon.
In a locked file inside the firm's vault, for instance, was an envelope with three seals on it--and it was supposed to be delivered unopened to whomever took over the Foundation when Eliot was dead.
Inside was a letter from Eliot, and this is what it said:
Dear Cousin, or whoever you may be--
Congratulations on your great good fortune. Have fun. It may increase your perspective to know what sorts of manipulators and custodians your unbelievable wealth has had up to now.
Like so many great American fortunes, the Rosewater pile was accumulated in the beginning by a humorless, constipated Christian farm boy turned speculator and briber during and after the Civil War. The farm boy was Noah Rosewater, my great-grandfather, who was born in Rosewater County, Indiana.
Noah and his brother George inherited from their pioneer father six hundred acrees of farmland, land as dark and rich as chocolate cake, and a small saw factory that was nearly bankrupt. War came.
George raised a rifle company, marched away at its head.
Noah hired a village idiot to fight in his place, converted the saw factory to the manufacture of swords and bayonets, converted the farm to the raising of hogs. Abraham Lincoln declared that no amount of money was too much to pay for the restoration of the Union, so Noah priced his merchandise in scale with the national tragedy. And he made this discovery: Government objections to the price or quality of his wares could be vaporized with bribes that were pitifully small.
He married Cleota Herrick, the ugliest woman in Indiana, because she had four hundred thousand dollars. With her money he expanded the factory and bought more farms, all in Rosewater...
The sum was $87,472,033.61 on June 1, 1964, to pick a day. That was the day it caught the soft eyes of a boy shyster named Norman Mushari. The income the interesting sum produced was $3,500,000 a year, nearly $10,000 a day--Sundays, too.
The sum was made the core of a charitable and cultural foundation in 1947, when Norman Mushari was only six. Before that, it was the fourteenth largest family fortune in America, the Rosewater fortune. It was stashed into a foundation in order that tax-collectors and other predators not named Rosewater might be prevented from getting their hands on it. And the baroque masterpiece of legal folderol that was the charter of the Rosewater Foundation declared, in effect, that the presidency of the Foundation was to be inherited in the same manner as the British Crown. It was to be handed down throughout all eternity to the closest and oldest heirs of the Foundation's creator, Senator Lister Ames Rosewater of Indiana.
Siblings of the President were to become officers of the Foundation upon reaching the age of twenty-one. All officers were officers for life, unless proved legally insane. They were free to compensate themselves for their services as lavishly as they pleased, but only from the Foundation's income.
As required by law, the charter prohibited the Senator's heirs having anything to do with the management of the Foundation's capital. Caring for the capital became the responsibility of a corporation that was born simultaneously with the Foundation. It was called, straightforwardly enough, The Rosewater Corporation. Like almost all corporations, it was dedicated to prudence and profit, to balance sheets. Its employees were very well paid. They were cunning and happy and energetic on that account. Their main enterprise was the churning of stocks and bonds of other corporations. A minor activity was the management of a saw factory, a bowling alley, a motel, a bank, a brewery, extensive farms in Rosewater County, Indiana, and some coal mines in northern Kentucky.
The Rosewater Corporation occupied two floors at 500 Fifth Avenue, in New York, and maintained small branch offices in London, Tokyo, Buenos Aires and Rosewater County. No member of the Rosewater Foundation could tell the Corporation what to do with the capital. Conversely, the Corporation was powerless to tell the Foundation what to do with the copious profits the Corporation made.
These facts became known to young Norman Mushari when, upon graduating from Cornell Law School at the top of his class, he went to work for the Washington, D.C., law firm that had designed both the Foundation and the Corporation, the firm of McAllister, Robjent, Reed and McGee. He was of Lebanese extraction, the son of a Brooklyn rug merchant. He was five feet and three inches tall. He had an enormous ass, which was luminous when bare.
He was the youngest, the shortest, and by all odds the least Anglo-Saxon male employee in the firm. He was put to work under the most senile partner, Thurmond McAllister, a sweet old poop who was seventy-six. He would never have been hired if the other partners hadn't felt that McAllister's operations could do with just a touch more viciousness.
No one ever went out to lunch with Mushari. He took nourishment alone in cheap cafeterias, and plotted the violent overthrow of the Rosewater Foundation. He knew no Rosewaters. What engaged his emotions was the fact that the Rosewater fortune was the largest single money package represented by McAllister, Robjent, Reed and McGee. He recalled what his favorite professor, Leonard Leech, once told him about getting ahead in law. Leech said that, just as a good airplane pilot should always be looking for places to land, so should a lawyer be looking for situations where large amounts of money were about to change hands.
"In every big transaction," said Leech, "there is a magic moment during which a man has surrendered a treasure, and during which the man who is due to receive it has not yet done so. An alert lawyer will make that moment his own, possessing the treasure for a magic microsecond, taking a little of it, passing it on. If the man who is to receive the treasure is unused to wealth, has an inferiority complex and shapeless feelings of guilt, as most people do, the lawyer can often take as much as half the bundle, and still receive the recipient's blubbering thanks."
The more Mushari rifled the firm's confidential files relative to the Rosewater Foundation, the more excited he became. Especially thrilling to him was that part of the charter which called for the immediate expulsion of any officer adjudged insane. It was common gossip in the office that the very first president of the Foundation, Eliot Rosewater, the Senator's son, was a lunatic. This characterization was a somewhat playful one, but as Mushari knew, playfulness was impossible to explain in a court of law. Eliot was spoken of by Mushari's co-workers variously as "The Nut," "The Saint," "The Holy Roller," "John the Baptist," and so on.
"By all means," Mushari mooned to himself, "we must get this specimen before a judge."
From all reports, the person next in line to be President of the Foundation, a cousin in Rhode Island, was inferior in all respects. When the magic moment came, Mushari would represent him.
Mushari, being tone-deaf, did not know that he himself had an office nickname. It was contained in a tune that someone was generally whistling when he came or went. The tune was "Pop Goes the Weasel."
Eliot Rosewater became President of the Foundation in 1947. When Mushari began to investigate him seventeen years later, Eliot was forty-six. Mushari, who thought of himself as brave little David about to slay Goliath, was exactly half his age. And it was almost as though God Himself wanted little David to win, for confidential document after document proved that Eliot was crazy as a loon.
In a locked file inside the firm's vault, for instance, was an envelope with three seals on it--and it was supposed to be delivered unopened to whomever took over the Foundation when Eliot was dead.
Inside was a letter from Eliot, and this is what it said:
Dear Cousin, or whoever you may be--
Congratulations on your great good fortune. Have fun. It may increase your perspective to know what sorts of manipulators and custodians your unbelievable wealth has had up to now.
Like so many great American fortunes, the Rosewater pile was accumulated in the beginning by a humorless, constipated Christian farm boy turned speculator and briber during and after the Civil War. The farm boy was Noah Rosewater, my great-grandfather, who was born in Rosewater County, Indiana.
Noah and his brother George inherited from their pioneer father six hundred acrees of farmland, land as dark and rich as chocolate cake, and a small saw factory that was nearly bankrupt. War came.
George raised a rifle company, marched away at its head.
Noah hired a village idiot to fight in his place, converted the saw factory to the manufacture of swords and bayonets, converted the farm to the raising of hogs. Abraham Lincoln declared that no amount of money was too much to pay for the restoration of the Union, so Noah priced his merchandise in scale with the national tragedy. And he made this discovery: Government objections to the price or quality of his wares could be vaporized with bribes that were pitifully small.
He married Cleota Herrick, the ugliest woman in Indiana, because she had four hundred thousand dollars. With her money he expanded the factory and bought more farms, all in Rosewater...
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4,5 von 5 Sternen
4,5 von 5
577 globale Bewertungen
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Rezension aus Deutschland vom 12. Dezember 2014
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This is definitely not Vonnegut's best book. The pace of the book was really slow and nothing much happened in the plot. I missed his interesting writing style as well. Still, I liked the humour and the social criticsm, although it was sometimes not easy to understand.
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Rezensionen auf Deutsch übersetzen
Rezension aus Deutschland vom 28. Februar 2021
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Funny!
Rezension aus Deutschland vom 10. April 2000
"God Bless you, Mr. Rosewater", is one of Kurt Vonnegut's greatest books. It is based around Eliot Rosewater, a warm hearted, eccentric millionare, and presendent of the Rosewater Corporation, a incredibly rich foundation that is passed along from father to son. He abandons the high life in NYC, and moves to Rosewater County in Indiana, his family's home. Eliot begins to help the poor people (which is all of Rosewater County) with their personal problems, and soon becomes the "father" of them all. A lawyer, seeking the Rosewater fortune for himself, sets out prove that Eliot is insane. I won't tell you the ending, but suffice to say that it is excellent. Vonnegut shows us thatmoney isn't everything, and a poor person from Indiana is just as important as a Senator from New York. A matchless book.
Rezension aus Deutschland vom 10. April 2000
"God Bless you, Mr. Rosewater", is one of Kurt Vonnegut's greatest books. It is based around Eliot Rosewater, a warm hearted, eccentric millionare, and presendent of the Rosewater Corporation, a incredibly rich foundation that is passed along from father to son. He abandons the high life in NYC, and moves to Rosewater County in Indiana, his family's home. Eliot begins to help the poor people (which is all of Rosewater County) with their personal problems, and soon becomes the "father" of them all. A lawyer, seeking the Rosewater fortune for himself, sets out prove that Eliot is insane. I won't tell you the ending, but suffice to say that it is excellent. Vonnegut shows us thatmoney isn't everything, and a poor person from Indiana is just as important as a Senator from New York. A matchless book.
Rezension aus Deutschland vom 29. Oktober 1999
What a fantastic book! It is one of the only books that I"ve read were I really wished it would not end. The content came across as light but imbued with deep thought. The writing was weird and fun--it made for an enjoyable read. I can't remember a character study that I've liked more.
Rezension aus Deutschland vom 7. Mai 2000
This book has all the makings of a classic Vonnegut text. However, it lacks depth, and the plot never really thickens. By the end of the novel, I was asking myself, "Wait, how did we get to this point in the story?" The overall idealism which is used to give character development to Rosewater takes away from the reality of the situation. The novel does have rewarding characteristics, but I do not think this should be the first book by Vonnegut that one reads.
Rezension aus Deutschland vom 1. Juni 2000
God Bless You, Mr. Rosewater is the worst book I've ever read by Kurt Vonnegut. Vonnegut's usual rapid-paced prose and intense dialogue is largely absent in this somewhat preachy novel about wealth and charity. Though there are a few interesting scenes which may save the story from total failure, both the plot and main characters remain underdeveloped throughout most of the book. This was the first (and hopefully will remain the only) Vonnegut book I have ever struggled to finish.
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Rezension aus Deutschland vom 3. Dezember 1999
Just as most of Vonnegut's novels follow a single character through a series of semi-plausible episodes, so does 'God Bless You, Mr. Rosewater'. However, unlike the others, this story does not rely on science fiction. Rather, it focuses on one man's struggle to affirm his sense of self against great odds. Seems like an appropriate theme in a society increasingly concerned with style and ignorant of substance.
Spitzenrezensionen aus anderen Ländern
Troy Parfitt
4,0 von 5 Sternen
Capitalist Criticism? Literary Psychedelia? Weird but good.
Rezension aus dem Vereinigten Königreich vom 4. Juli 2015Verifizierter Kauf
I’d been reading rather serious books and needed something humorous, so I got the Kindle edition of Kurt Vonnegut’s God Bless You, Mr. Rosewater. It’d been a while since I’d read Vonnegut. Years ago, I enjoyed Slaughterhouse Five, Breakfast of Champions, and Hocus Pocus. I also read Cat’s Cradle, but didn’t really go in for it. It was a little too sci-fi for me. God Bless You, Mr. Rosewater is good, but pretty out there. The beginning is highly structured and organized, but the narrative soon spins off into myriad tangents. At times the writing is practically psychedelic. Imagine if the album The Worst of Jefferson Airplane were a book. The story is a bit of a magic carpet ride. Consequently, it’s hard to say what Rosewater means: commentary on the oddball nature of capitalistic society? The apparent randomness and unfairness of the universe? Everyone will take away something different. It’s not as funny as Breakfast and, for me, not as deep as Hocus Pocus, but it’s still good – funny in places, nicely written, and – best of all – highly imaginative. And it was nice to read something quirky and relatively light. I hope to read more of Vonnegut in the future.
Troy Parfitt is the author of Why China Will Never Rule the World along with War Torn: Adventures in the Brave New Canada.
Troy Parfitt is the author of Why China Will Never Rule the World along with War Torn: Adventures in the Brave New Canada.
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Tony Hill
4,0 von 5 Sternen
Short, precise and bloody funny
Rezension aus dem Vereinigten Königreich vom 9. Juni 2014Verifizierter Kauf
Another great, satirical romp by the mighty Kurt Vonnegut. If, like me, your starting point for KV was Slaughterhouse 5 and you're on a mission to read as much of his output as possible, this is a must. If this is your starting point, it's still a must.
Its short page count is stuffed full of Vonnegut's typical quirky characters, razor-sharp wit and deft prose. A darkly humorous swipe at High Society and the wealth gap that works just as well today as it did, no doubt, at time of writing.
Its short page count is stuffed full of Vonnegut's typical quirky characters, razor-sharp wit and deft prose. A darkly humorous swipe at High Society and the wealth gap that works just as well today as it did, no doubt, at time of writing.
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drjonty
5,0 von 5 Sternen
Goddammit be kind
Rezension aus dem Vereinigten Königreich vom 6. März 2017Verifizierter Kauf
Vonnegut is a sharp and flamboyant satirist. His imagination is wild, his tone generous and his humor sane. This confident and mature work also has a pitiless eye on grand American hypocrisy.
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Dex
5,0 von 5 Sternen
Excellent
Rezension aus dem Vereinigten Königreich vom 2. März 2020Verifizierter Kauf
Some of his best work..just below S5, Mother Night and cats cradle. Would recommend for anyone who likes Vonnegut. Stellar.
M. G.
5,0 von 5 Sternen
God Bless Kurt Vonnegut
Rezension aus dem Vereinigten Königreich vom 12. August 2013Verifizierter Kauf
If you have never read anything by Kurt Vonnegut you are missing a wonderful and funny writer with great humour and warmth who casts a satirical eye over the achievements of humanity. This book is a very good place to start reading Vonnegut.