- Taschenbuch: 184 Seiten
- Verlag: Marvel; Auflage: 01 (25. März 2014)
- Sprache: Englisch
- ISBN-10: 0785166645
- ISBN-13: 978-0785166641
- Vom Hersteller empfohlenes Alter: Ab 9 Jahren
- Größe und/oder Gewicht: 17,1 x 1,3 x 26 cm
- Durchschnittliche Kundenbewertung: Schreiben Sie die erste Bewertung
- Amazon Bestseller-Rang: Nr. 419.744 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Andere Verkäufer auf Amazon
+ GRATIS Lieferung innerhalb Deutschlands
+ EUR 3,00 Versandkosten
FF - Volume 2: Family Freakout (Marvel Now) (FF: Marvel Now!) (Englisch) Taschenbuch – 25. März 2014
|Neu ab||Gebraucht ab|
Kunden, die diesen Artikel gekauft haben, kauften auch
Es wird kein Kindle Gerät benötigt. Laden Sie eine der kostenlosen Kindle Apps herunter und beginnen Sie, Kindle-Bücher auf Ihrem Smartphone, Tablet und Computer zu lesen.
Geben Sie Ihre Mobiltelefonnummer ein, um die kostenfreie App zu beziehen.
Wenn Sie dieses Produkt verkaufen, möchten Sie über Seller Support Updates vorschlagen?
Über den Autor und weitere Mitwirkende
Writer Matt Fraction established his reputation as an emerging talent with his work on Last of the Independents, which earned an "A" grade from Entertainment Weekly. After contributing to the X-Men Unlimited anthology, Fraction launched Punisher War Journal with artist Ariel Olivetti and Immortal Iron Fist with co-writer Ed Brubaker and artist David Aja - both of which met with critical and fan acclaim. Next came Invincible Iron Man with artist Salvador Larroca, premiering the same month as the blockbuster film; and Uncanny X-Men, written in tandem with Brubaker. Also a talented filmmaker and graphic designer, Fraction remains one of Marvel's most popular writers. His credits include a solo turn on Uncanny X-Men, the post-Siege epic Thor and its successor The Mighty Thor, the 2011 blockbuster Fear Itself, and the relaunched Defenders. In addition to his Marvel work, Fraction writes Casanova, illustrated by Gabriel Bá and Fábio Moon, and Five Fists of Science, pitting Mark Twain and Nikola Tesla against Thomas Edison and J.P. Morgan.
Artist Michael Allred debuted in late 1989 with Slave Labor Graphics' Dead Air, but the Tundra Publishing debut of Madman immediately established him as a leading creative force in the industry and earned him three Eisner Award nominations and a Harvey Award win for Best New Series. Allred followed the series with Dark Horse's sci-fi/rock'n'roll multi-media project (a film, an album, a comic) Red Rocket 7 and AAA Pop's The Atomics. He came to Marvel in 2001, helping relaunch the pop-inspired and acclaimed X-Force (later X-Statix). He later illustrated The Golden Plates, an adaptation of the book of Mormon, and began on a new Madman series, Madman Atomic Comics, for Image Comics. He and Neil Gaiman created the Metamorpho story in DC Comics' Eisner- and Harvey Award-winning Wednesday Comics. Allred is also an accomplished filmmaker, actor and singer/guitarist for The Gear who will release their third album, The Sane Insane, in 2012. Color blind, he's more than lucky to have the Eisner Award-winning colorist Laura Allred to light up his work and life.
|5 Sterne (0%)|
|4 Sterne (0%)|
|3 Sterne (0%)|
|2 Sterne (0%)|
|1 Stern (0%)|
Die hilfreichsten Kundenrezensionen auf Amazon.com
UPDATE: Mike Allred is the main attraction here, and starting with issue #13, I guess, he's responsible for the writing too, together with his brother Lee. The stories are very quirky and the thing is,IMO, you need to have a deep knowledge of FF to fully appreciate this book.
This series' strength is the fun, pop art of Mike Allred (colored, as always, by his wife Laura; one fill-in issue per volume by Joe Quinones). It looks fun, it sounds like fun, it just isn't fun. It's not fun at all. I found it to be bland and frivolous, but not so silly and off-the-wall to justify its existence. The contrast between how fun it should have been-- and thinks it is-- and how not fun it is in reality was very jarring. The first volume actually worsened my mood as I read it. It made me question my love of comics. I'd already purchased this volume, so I figured I might as well get it over with. Fortunately it's much better, but it still represents so much that I'm discovering I hate about comics.
I didn't care about the characters. It's all very self-indulgent (though, again, not self-indulgent enough to be enjoyable). It's predictable. At least this volume has the series attempting a wrap-up, but the plotlines and mysteries don't pay off. There are all these elements that seem like they should be cool and/or interesting, but the result is just kind of flat and depressing. It's just impossible to figure out what the point of all this is, except that Matt Fraction and Mike Allred wanted to make a comic that was more fun to create than it is to read.