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Elementary Harmony: Theory and Practice [With Workbook and CD (Audio)]: Theory and Workbook (Englisch) Taschenbuch – 1. September 2000

3.8 von 5 Sternen 4 Kundenrezensionen

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Taschenbuch, 1. September 2000
EUR 188,15
EUR 188,15
 
-- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe.
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Synopsis

*For introductory-level courses in Music Theory. Also suitable for similar classes, such as in secondary schools, where prerequisites are sufficiently understood. *This thorough introduction to harmony offers step-by-step development of concepts and skills through explanations, illustrations, musical examples, and drills. Each chapter considers the theory and analysis of music under study. This text focuses on the music of the "common practice period," c1600-1900 (e.g., Bach, Beethoven, Chopin, Schubert, Brahms). (The second volume, Advanced Harmony, covers twentieth century techniques.) -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe.

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3.8 von 5 Sternen
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Top-Kundenrezensionen

Format: Gebundene Ausgabe
The fifth edition of Elementary Harmony is a still a good text that stresses fluency in theoretical fundamentals. It moves more slowly than some competing texts, which I consider a plus. It is a text that teaches mastery of theory, not merely a survey of theory. It is much more readable (less pedantic) than old editions of Ottman. This edition is riddled with printing errors. The publisher is aware of this, and I know from personal experience that they are taking more care in the new fifth edition of Advanced Harmony. Elementary Harmony is in need of a new printing, but the publisher is seeking input to improve the accuracy of any reprint. To summarize, the concepts and sequence of the text presentation are very good, especially for students needing thorough grounding in fundamentals. The excessive errors will confuse students, but a reprint of the edition can easily correct the errors.
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Wir konnten Ihre Stimmabgabe leider nicht speichern. Bitte erneut versuchen
Missbrauch melden
Format: Gebundene Ausgabe
My class used this book for the first time this year. It was a Music Theory class, and everyday, in almost every assignment, we found mistakes. The book itself is great, but the publisher's should have spent more time working out the mistakes. If you know what you're doing and you can easily catch the mistakes, then this book is great. But, if you are at the point where you KNOW if it's a mistake or not, you don't need this book to begin with.
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Missbrauch melden
Von Ein Kunde am 17. Juli 1999
Format: Gebundene Ausgabe
This and its companion, the author's "Advanced Harmony", are probably the most practical English-language part-writing texts still available, though a bit plodding. (But consider that I am familiar only with an earlier edition.)
Also recommended: PENTATONIC SCALES FOR THE JAZZ-ROCK KEYBOARDIST by JEFF BURNS.
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Von Tim am 21. März 2000
Format: Gebundene Ausgabe
A good book, better than many others I have used, but as otherreviews describe, it contains many blaring errors. Its text is muchmore readable than other books I have used, though.
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Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)

Amazon.com: 3.6 von 5 Sternen 14 Rezensionen
27 von 29 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Conceptually solid, but many printing mistakes 20. Oktober 1999
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format: Gebundene Ausgabe
The fifth edition of Elementary Harmony is a still a good text that stresses fluency in theoretical fundamentals. It moves more slowly than some competing texts, which I consider a plus. It is a text that teaches mastery of theory, not merely a survey of theory. It is much more readable (less pedantic) than old editions of Ottman. This edition is riddled with printing errors. The publisher is aware of this, and I know from personal experience that they are taking more care in the new fifth edition of Advanced Harmony. Elementary Harmony is in need of a new printing, but the publisher is seeking input to improve the accuracy of any reprint. To summarize, the concepts and sequence of the text presentation are very good, especially for students needing thorough grounding in fundamentals. The excessive errors will confuse students, but a reprint of the edition can easily correct the errors.
11 von 11 Kunden fanden die folgende Rezension hilfreich
3.0 von 5 Sternen Be VERY Careful before ordering this book 5. Januar 1999
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format: Gebundene Ausgabe
My class used this book for the first time this year. It was a Music Theory class, and everyday, in almost every assignment, we found mistakes. The book itself is great, but the publisher's should have spent more time working out the mistakes. If you know what you're doing and you can easily catch the mistakes, then this book is great. But, if you are at the point where you KNOW if it's a mistake or not, you don't need this book to begin with.
20 von 23 Kunden fanden die folgende Rezension hilfreich
1.0 von 5 Sternen the most horrible theory book in the world 24. Dezember 2000
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format: Gebundene Ausgabe
this was the text book that was used in my college intro to harmony and tonal counterpoint. it was full of mistakes and was very difficult to follow. my professor even expressed his hatred of this horrible, horrible book, but yet my university feels inclined to continue using it. if you really want to learn voice leading and harmony, find another book.
12 von 15 Kunden fanden die folgende Rezension hilfreich
3.0 von 5 Sternen Yeah 21. März 2000
Von Tim - Veröffentlicht auf Amazon.com
Format: Gebundene Ausgabe
A good book, better than many others I have used, but as otherreviews describe, it contains many blaring errors. Its text is muchmore readable than other books I have used, though.
2 von 2 Kunden fanden die folgende Rezension hilfreich
2.0 von 5 Sternen Full of Flaws 2. Juli 2008
Von J. Soules - Veröffentlicht auf Amazon.com
Format: Gebundene Ausgabe
My first complaint is that there is no reason why this book should cost as much as it does. It has flimsy paperback binding (I owned it two months before the cover fell off, and my only use of it was during class and carrying it on the 2-minute walk from the music building to my dorm - in my hands!) and cheap paper. The only "pictures" are some black-and-white staves. My psychology book cost as much as this book and was physically made far superior. The only thing I like about the pages is that they accept pencil, which is nice for taking notes and jotting down answers to questions that can be erased later.

The set-up of the book itself makes sense and was fairly easy to skim when preparing for a test. I appreciated that. Yet I think all the good I can say about this book has now been stated.

As other reviewers have indicated, it has lots of errors. My theory teacher had to correct several factual errors in class, which made me worry about the rest of the book! Also, most of the "review" questions in the book don't have answers - which make them completely useless. I saw no point in practising skills if I didn't even know whether or not I was doing it correctly.

Also, I used the book to study so I could test out of Theory I, and was aggravated to no avail that the book does not really explain figured bass - the foundation of all theory! It mentions figured bass, assumes the reader knows what it is, and proceeds to teach new concepts. I had find websites to show me figured bass, thanks to the lack of explanation in my theory book!

Chances are, you don't have a choice whether or not you use this book, since, like I, you are coerced into using it because of your professor. In that case, be forewarned about the problems with it. However, if you do have a choice, only use this book if you can find it for $20 - that's about how much it's worth. And get supplements; you'll need them.
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