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Dialogue Editing for Motion Pictures: A Guide to the Invisible Art (Englisch) Taschenbuch – 15. Juni 2007

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"The premise of the book is true: it is a necessary but usually overlooked part of film sound." - Larry Blake, supervising sound editor/re-recording mixer: films include "Traffic", "Erin Brockovich", "Ocean's Eleven", etc. "John Purcell's excellent book is a concise and detailed text on the aesthetic and techniques of dialogue editing in the digital age. He brings a wealth of knowledge of the entire production sound arc and how dialogue editing significantly contributes to the process. Any filmmaker who follows Mr. Purcell's methods will have gone a long way to producing a very polished and professional sound track for their film." - Bill Dannevik, Professor of Digital Media, USC Cinema-TV/Savannah College of Art & Design and Technical Manager of World Wide Dubbing, Disney Character Voices International "John Purcell's book is a comprehensive and detailed guide to the arcane craft of dialogue editing. Both instructors and students will benefit from his thoughtful examination of each stage of the post production sound process as it relates to this crucial component of the soundtrack." - Harry M. Cheney MPSE - Supervising Sound Editor - Associate Professor; Chapman University Dodge College of Film and Media Arts "This is a great subject matter and I and my colleagues would have loved to have had a book like this 10 years ago...there is very little information on the specifics of dialogue editing available." - Todd Hooker, film editor "I am very happy to endorse this book. I have not previously seen a book that has realistically dealt with the professional responsibilities of a dialog editor. Dialog is the focus of a successful soundtrack. It not only contains the majority of the intellectual arch of the film but the timbers and tempos of the actor's voices are instrumental in establishing the critical relationship between the audience and the viewer. Without the Dialog editor's well-prepared session it is difficult and costly, (in terms of time spent in the dub) if not impossible, for the mixer to do what is necessary to establish or enhance that relationship. I look forward to being able to use this book as a required reading for my students." -Professor John Sisti, Savannah College of Arts and Design/Department of Sound Design. Formerly with Columbia Pictures/Sony Entertainment Supervising Sound Editor and Dialog Editor "Mad About You" "Purcell has written this book for people who need to edit production sound for narrative films but were 'never taught how to do it.' Unlike music and effects editing, dialogue editing operates under a different set of rules. There are certain fundamental procedures that are absolutely essential to know and, unless one has been fortunate enough to work with an experienced editor in different situations, the information is not available. Purcell's book will fill in the gaps." - Editor's Guild Magazine


Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition. Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproduction - film, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management. A veteran sound editor shows you how to produce a flawless dialogue track.

It covers organization and time management so you can work efficiently and contains must-have information for sound editors, dialogue editors, and assistant editors. It comes with a foreword by Dominick Tavella, who mixes films in New York (some of his films include: "Chocolat", "Far and Away", "Vanity Fair", and "Chicago").

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Format: Taschenbuch Verifizierter Kauf
Das Buch versucht, alle Bereiche des Original-Tonschnitts für Fim/TV abzudecken. Amerikanisch-hemdsärmelig, bescheiden im Auftreten, fundiert im Wissen, direkt aus der Praxis, kommt zum Punkt. Wäre der Wissenstand von 2012 oder später, wäre das heute (2015) ein selten praxisnahes Buch. Aber da sich der Workflow im Film-Ton Postproduktionsbereich laufend ändert, ist einiges schon wieder anachronistisch. Dieses Buch entstand in der Ära, wo auf Zelluloid gedreht, das Bildmaterial abgetastet und in nochmals reduzierter SD Qualität offline geschnitten wurde. Bearbeitung von Multitrack Originalton ist zwar beschrieben, war aber zur Zeit der Konzeption des Buchs noch ein bisschen exotisch. Trotzdem viele interessante Einblicke in die Arbeit des (amerikanischen) Sound Editors.
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Die hilfreichsten Kundenrezensionen auf Amazon.com (beta) (Kann Kundenrezensionen aus dem "Early Reviewer Rewards"-Programm beinhalten)

Amazon.com: 4.6 von 5 Sternen 16 Rezensionen
5.0 von 5 Sternen Thoughtful and comprehensive look at the process 30. Mai 2016
Von Bretacious - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
After finishing my own training for dialog editing, I found Purcell's book spot on with what was taught. He clearly explains the industry standards and conventions while showing how one has to think on their own to solve unique issues, communicate with the rest of the sound department, the director, actors and realize the film's vision.

There is a lot to learn here, even if you've edited dialog before. The topic of room tone alone is often misunderstood but he helps clear up confusion about when/how to use it.
2 von 2 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Sound Designer - Yaniv Bitran 5. Februar 2008
Von Yaniv Bitran - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
Hey there,

I read the amazing book of John Purcell all night and I couldnt stop.
This book contains everything that sound editor & sound desginer need for Dialogue editing.

The book doesnt patronizing or try to goes a round by his language. Its talking straight to you as an editor. step by step building you as Dialogue editor and construct John famous and modest System.

I was student of John Purcell, and I am using his methods from college time, because of his system I get compliment & awards.

Director that I used to work with John system got compliments for the Sound Editing & Design on her movie from Mike Leigh - The famous Director. that close the case. The book is must in every sound desginer or Dialogue editor who take himself seriously...

Yours With truthful respect
5.0 von 5 Sternen The absolute best book on dialogue editing available 23. Juni 2010
Von Boris Chang - Veröffentlicht auf Amazon.com
Format: Kindle Edition Verifizierter Kauf
Very readable and yet very comprehensive, this book covers just about everything a budding dialogue editor needs to know. After that, it's just about logging hours doing it. Most books on sound for video and film just touch upon simplistic aspects such as cross fading room tone across cuts or normalizing clips. If you want to really get into the fine art (and science) of dialogue editing, there is no other book at this time like this one.

My only gripe with the author and Amazon is that since I already own the hard copy version, they should give me a deep discount on the Kindle version so I can add it to my growing portable library of books on my iPad.
5.0 von 5 Sternen A++ 4. Dezember 2014
Von Olukunle - Veröffentlicht auf Amazon.com
Format: Kindle Edition Verifizierter Kauf
Very good book for newbies and professionals alike. Its easy to take dialogue in motion picture for granted, but I work professionally with Audio Post and understand what it takes to give you that quality dialogue most people take for granted in every movie, its the most important aspect of motion picture sound
5.0 von 5 Sternen SoundsForFilm.com the source for quality sounds edits, and mixes. 7. Februar 2017
Von Anthony Olivares - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
Learn some basic to advanced skills in the industry. Quality you can trust soundsforfilm.com
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