- Gebundene Ausgabe: 416 Seiten
- Verlag: Berkley Hardcover; Auflage: First Edition First Printing (2. September 2008)
- Sprache: Englisch
- ISBN-10: 0425223434
- ISBN-13: 978-0425223437
- Vom Hersteller empfohlenes Alter: Ab 17 Jahren
- Größe und/oder Gewicht: 23,6 x 15,3 x 2,6 cm
- Durchschnittliche Kundenbewertung: 4 Kundenrezensionen
- Amazon Bestseller-Rang: Nr. 1.428.846 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Dark Curse (Carpathian, Band 19) (Englisch) Gebundene Ausgabe – 2. September 2008
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'Feehan has a knack for bringing vampiric Carpathians to vivid, virile life in her Dark Carpathian novels...' Publishers Weekly 'satisfying action adventure romance ... Love and danger are a winning combination in Feehan's latest' Booklist 'The exciting and multifaceted world that impressive author Christine Feehan has created continues to improve with age' Romantic Times -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Lara Calladine is haunted by childhood memories of being held prisoner in an ice cave and kept sane by the whispered stories told to her by her imprisoned aunts. They instilled Carpathian magic deep within her and then helped her escape. She has spent years searching for the cave in hope of finding the answers to the riddle of her past, as well as finding her aunts who may have given their lives saving her. Nicolas De La Cruz has returned to the Carpathian Mountains - his homeland - on orders from his eldest brother, Zacarias, to bring news of a conspiracy to the prince of their people. He is weary of his long existence and plans to end it away from his brothers, where they will be unable to stop him once he has fulfilled his duty. Lara and Nicolas paths collide in an explosive adventure that rocks the Carpathian world. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.Alle Produktbeschreibungen
Nicolas De La Cruz ist am Ende seiner Kräfte angelangt. Um der stetig in ihm wachsenden Dunkelheit Einhalt zu gebieten, beschließt er seinem Leben ein Ende zu setzen. Nur ein einziges Mal will er vorher noch fühlen. Sein dazu auserkorenes Opfer ist Lara, doch als er sich ihr nähert, ist der Wunsch, sie vor der Gefahr, die er darstellt, zu schützen, genauso mächtig, wie der, ihr Blut zu trinken. Doch die Dunkelheit in ihm droht zu gewinnen und Lara kann ihn nur dadurch stoppen, dass sie ihm ein Messer in die Rippen stößt.
Ähnlich stürmisch geht die Beziehung der beiden weiter. Lara weigert sich zwar, Nicolas sterben zu lassen, doch genauso wenig will sie seine Lebenspartnerin sein und sich auf einen Mann einlassen, der sie so sehr an die Peiniger ihrer Kindheit erinnert. Nicolas weiß, dass Lara ihn gerettet hat, doch als seine Lebenspartnerin hat sie sich seinen Wünschen zu fügen, die er notfalls auch mit Gewalt durchsetzt.Lesen Sie weiter... ›
Wie gehts mit den 2 weiter, wird Lara endlich verwandelt? Was ist mit den Tanten, mit Xavier, mit der Eishöhle und den ganzen Mikroben?
Die ganze Gefühlsdusselei geht einem echt auf den Keks, genauso wie die ständigen Wiederholungen, die sich Frau Feehan genauso sparen hätte können, wie den eselslangen Anhang zur karpatischen Sprache. Besonders wenn man bedenkt, dass der in den letzen 2 oder gar 3 (?) Büchern auch immer dabei war. Das mag für einen Sprachwissenschaftler interessant sein, aber nicht für den Otto-Normalverbraucher, speziell wenn er ein Buch in einer Fremdsprache liest!
Tipp Frau Feehan: veröffentlichen Sie ein Buch zur karpatischen Kultur und Sprache und verwenden Sie die, damit geleerten Seiten in Ihren Büchern dazu eine Handlung abzuschliessen!!
Überhaupt hab ich das Gefühl, dass mit jedem neuen Band der Serie der Preis und die Schriftgröße steigen, die Seitenanzahl (auch mit überflüssigem Anhang) und der Inhalt sinkt und auch weniger drin steht!
This time the story is about Lara who grew up in an Ice cave, held Prissoner by Xavier. She is able to escape and has nightmares about the Cave she was held in. Years later as an Adult she returns to the Caves trying to find her aunts, who helped her escape. She meets Nicolas De La Cruz who wants to end his life. During their first encounter Lara stabs Nicolas, but in the end, chooses life for the both of them, sounds all more dramatic then it was but the scene was well written!
Both main caracters are very complex and this adds positivly to the whole story. More and more we get Information about the issue, why the Carpathian women can not give birth or only have male children etc. This is the main storyline in the book: the secret to the birth problem and Razvan and Xaviers part in it all.
The previous book Dark Demon already started out with the story line that is followed in Dark Curse. I feel it would be best to buy Dark Curse and Dark Slayer together. It is true that Dark Curse does not give all the anwers and leave a few things open, but it is a powerfull build up before the grand finally :-) in Dark Slayer. And although it is true that the Carpathian Language has come a bit more to the front in the books it is not bothering me. And for those who do not wish to know more about it well it is not like you have to read the Appendix.....I had a look at it but did not go into it to deep and like I already said it is put at the back of the book so not really bothering the reader who not wishes to read it.Lesen Sie weiter... ›
In recent volumes, the surviving Carpathians found out that an ancient mage, Xavier, is responsible for the fact that their women have almost no children anymore and that most of those are male. That's what 'Dark Curse' is about: Xavier's great-granddaughter Lara, who was abused and mistreated by him as a child before she could escape, returns to the Carpathian mountains to find out of her fellow-prisoners are still alive. There she meets her lifemate, dominant Nicolas de la Cruz. They mate, face some problems because of her nasty childhood and her resulting fear of drinking blood, then enter Xavier's lair in an ice cave to find the other prisoners and the laboratory where he experimented on diseases that lead to miscarriages. A few fights follow and Lara saves the day by saving several pregnant Carpathians...
The book has some nice scenes, but all in all I was rather disappointed:
- Nicolas is a stereotypical Carpathian with pretty much no depth or individuality.
- The plot was less than original or inventive. It's a mixture of elements we've all seen before.
- Several problems weren't resolved convincingly (it just sort of happened).
- The rather silly spells (badly rhymed, too) went on my nerves.Lesen Sie weiter... ›
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
First off, Nicolas De La Cruz was a very refreshing South American hero. I really really liked him, and thought, darn! Lara is one lucky lady. :) In the previous books that featured De La Cruz brothers, I thought they were obnoxious with their overly-chauvinistic attitudes (even for Carpathian males, they were way too chauvinistic - except for Riordan). Nicolas isn't really like that. He kind of starts off that way for about two minutes, but he catches on pretty quickly that his attitude just won't work with a partner in his life. He quickly evolves into a really nice, supportive (and hot!) lifemate for Lara, and you can see the evolution occuring in his mind. He's very aware of himself, his attitude, what Lara needs, and how he needs to adapt himself to meet her needs, etc... I thought that was very refreshing.
Secondly, what I really really loved about this book is that so many characters are in it. Mikhail and Raven (and her pregnancy), Gregori and Savannah (and her pregnancy), Francesca, Virkirnoff and Natalya, Lucien and Jaxon, Jacques and Shea and their baby son, Destiny and Nicolae, Skyler, Syndil, Dominic, and Dmitri are all in the book to varying degrees. And a couple of new Carpathian men and unmated women were introduced, and they are sure to show up in future books! But Mikhail and Raven, Gregori and Savannah are in it quite a lot, as their endangered pregnancies are the key crisis in this book. I don't want to give too much away, but Lara is the key to the Carpathians understanding why their women miscarry so often, as well as why their babies often perish in their first year of life. I found this plot line absolutely wonderful, and I loved how these secondary characters played such an important role in this book. I also found the very heated debate that is going on in the Carpathian world about the role of women in their society to be very intriguing, and can't wait to see how it gets resolved in future books (good luck with that one, Mikhail. :) My favorite scene in the book is between Lucien and his little brother Gregori; after reading Dark Curse, I had to immediately reread Lucien and Jaxon's book (I think I'm in love with Lucien again!!)
Lara herself starts off pretty strong, but we quickly see that she's carrying a huge amount of emotional baggage with her because of her very twisted and tortured childhood. She turns out to be a pretty "flawed" individual, but I think that adds to her charm. It doesn't take much to set her off, and Nicolas does a good job of trying to take care of her. Ironically, she turns out to be the key to the survival of the Carpathians, so that just adds a lot more interest to the plot, as well as complications to her relationship with Nicolas.
The downsides of this book are that it ended way too quickly. I turned the last page, fully expecting a new chapter, and found that there were no more chapters. It had ended on the previous page and I hadn't even realized it. I was like, huh? It should have been a longer book. Several key scenes are summarized in a couple of paragraphs, when you know it should have taken several pages to get through those scenes. As I was reading it, I felt like the editors told Feehan to cut out X number of words, and so those scenes got dropped. Either that, or she was just tired of writing. Some less important scenes went on for pages, and could have been edited down significantly, and some key scenes were simply glossed over. That was really odd and confusing. Also, there was too much "Carpathian" language in this book. It's a weird language, and doesn't add anything to the book. And definitely lose the glossary and dictionary at the end of the book; that just took away from pages that could have contained story in them. Another problem was trying to keep track of the relationships of the Dragonseeker people. Trying to keep track of who is whose brother/sister/aunt/great-aunt/mother/father made my head hurt. Even though these are flaws in the book, they're minor problems in comparison to all the many things I loved about the book.
I think if you're a Carpathian fan, you'll enjoy this book a lot. I felt that it was a turn in a better direction for Feehan, and I'm looking forward to the next book. This book reminded me a lot of the Christmas book, and I really like that one. I like seeing a lot of characters interacting with each other, and finding out what previous couples are up to. In this book, you find out that several couples have moved back to the mountains to be closer to their people, and I really liked that.
Positive - A truly excellent hero. Even when Nicholas is doing things the reader doesn't approve of, Feehan still manages to create sympathy and empathy for her tortured hero. By the end of the book, Nicholas is a terrific lifemate and one you won't soon forget.
The mystery surrounding the Carpathian women's low birth rate is becoming clearer and clearer and the answers are intriguing and complex.
As Lara is a Dragonseeker mage, she uses various "rhyming" spells to work her magic. Some of them in the book are very descriptive, touching and very well done.
Negatives - Lara is a heroine that is too hard to like or to figure out. She is by turns insecure, confident, weak, strong, indulgent, selfless - the reader has a hard time figuring out her true nature. I realize that Feehan was trying to show that Lara was damaged emotionally as a child and is growing as the book goes along. However, the mixtures of emotions don't seem to ring true. At one point in the book, Lara tries to commit suicide. This was such a departure from the heroine's character that I was like, WTH? This is the same woman who escaped from a mage, became an adult, practiced her magic and went all over the world trying to find one ice cave. Someone that determined decides to throw it all in? I don't think so.
Feehan once again used the new Carpathian language which she introduced in Dark Demon. Her hero uses it constantly and the reader is forced to skim it, looking for the next English word to understand what he really said. It jars the reader from the story and makes it very frustrating to get a flow going - especially when you realize that it isn't really a true foreign language, but rather an imaginary one.
Feehan spent 32 pages at the end of the book on this so-called language to give translations to various words and phrases. I felt cheated and ripped off. Those 32 pages could have been used to write more to the story. At the end, I briefly considered taking the book back to the bookstore and asking for a return on my money.
So definitely mixed feelings about this book. I would recommend it to other fans of the Dark Series, but just be aware that along with a really good story are some serious flaws.
I thought it would be so interesting to find out why they were losing children but instead it was just boring. So many parts of the book were boring. I read steadily through the first third of the book and then just started skimming and skipping pages. I never do that!
I know people complained that the early books were too much alike so she had to add some new elements but I find the early books much more interesting. When I need a Feehan and Carpathian fix I'll just stick with the first eight or ten books. I still love re-reading those books. The books after Destiny I'll never open again. Once was more than enough for such forgettable and boring reads. But Oh, Gregori, Julian, Darius, Jacques, Lucian, and Gabriel? Now those were the days.
Once caught up, I began the fan's burden of waiting impatiently for new books to come out one by one as the year progressed. I tried getting into her other series as a means of distraction, but as enjoyable as some of them are, they don't really compare to the mythos she's created here in the Dark series.
Well, when Dark Possession came out, I had a really hard time. Feehan's blatant theft of White Wolf's World of Darkness games has always been a bit bothersome, especially when she pulled the mages in (mages who get corrupted into vampires by way of greed is the storyline for house Tremere in Vampire, the Masquerade), but injecting "eco-protectors" that are nature magic using Werewolves got a bit much, even for me.
On top of the plagiarism of ideas, Dark Possession was not very well written. The dialog and flow of events would get jumpy and confusing at times - like she didn't have as good of an editorial staff telling her where to go back and check flow in certain passages. Also, her heavy handedness with Solange and her obvious lifemate status with Zacarias was a bit harsh going down.
I thought maybe that I was imagining the drop in quality, so I went back and re-read the series from the beginning - nope, I wasn't imagining it. Books like Dark Desire and Dark Challenge are just much better framed, with better development, more seamless transitions and dialog, and more character development. They're also a bit longer - and the pages used for development show the benefit of the work.
So, it was with a bit of trepidation that I picked up Dark Curse. I wanted to know about the De La Cruz brothers and I had high hopes for their lifemates.
Unfortunately, I was disappointed. I didn't have the problems that some other reviewers had with Lara as a character - having a flawed heroine is not a problem and I agree that her fractured nature seems like a deliberate attempt to illustrate her mental scars. Unfortunately, Feehan has done the same kind of damage better in characters like Destiny, Jaxon, and Skyler.
Using language is not a bother - I've gotten used to it in my plethora of fantasy novels, and she was very good about giving us an approximate translation immediately after for those of us that didn't want to break pace to look up crap in the back of the book.
My biggest problem was the book itself. Again, jumpy imagery and flow, again, confusing switches between character focus, description, and dialog. Again, poor plot diagram and obvious places that needed better fleshing out - again, it looked like she isn't using or listening to editors of the same honesty and caliber as her previous work.
The book ends abruptly, with no resolution on Lara's status in the Carpathian society. The inclusion of extremophiles feels well researched but not well communicated and not embraced enough to connect the reader well with what Feehan is trying to convey.
I feel she needs to go back to her roots, spend time in the heads of her characters and spend the pages making us love them as opposed to trying to come up with the next weird gimmick to toss into the story line.
Most of us are here to find out what happens to our favorite characters, not to have to filter more incidental facts into an already convoluted storyline. Finish what you started with the mages, let us fall in love with your characters, stop adding more layers to a stack of problems that you haven't finished developing yet.
I'd rather read a sweet story about Skyler falling in love with Dimitri - focused on character development , a strait forward plot and no more weirdness piled on top - then another book like the last two.