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Classical and Romantic Performing Practice 1750-1900 (Englisch) Taschenbuch – 20. Mai 2004


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  • Classical and Romantic Performing Practice 1750-1900
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  • Handbuch historische Orchesterpraxis: Barock - Klassik - Romantik. Mit Notenbeispielen und Abbildungen vom 17. bis in das frühe 19. Jahrhundert ; ... Wissenschaftler und interessierte Laien
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  • Basiswissen Barockmusik: Band 1: Zur Instrumentalmusik des Hoch- und Spätbarock
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Produktinformation

Produktbeschreibungen

Pressestimmen

"This book will revolutionize the study of music...The book weaves strong patterns from the conflicting habits of different places, people and periods. It doesn't tell you exactly what to do, but inspires a confidence that your own decisions, thus informed, will work."

"This book will revolutionize the study of music...The book weaves strong patterns from the conflicting habits of different places, people and periods. It doesn't tell you exactly what to do, but inspires a confidence that your own decisions, thus informed, will work."--BBC Music Magazine
"Brown has produced a work of the greatest scholarship and utility....Recommended--required!--for all libraries with music collections serving upper-division undergraduates and above."--Choice
"His substantial book presents many new findings and demonstrates new approaches. Brown has contributed greatly to our understanding of period technique, especially for string instruments" --Notes
"His book offers a wealth of advice and ideas, ideas which should be thought of as creative and enabling, not restrictive."--Early Music Review
"Brown's grasp of primary sources is wide-ranging and scholarly, lavishly illustrated with musical examples, often of unfamiliar repertory. He uncovers many questions and possible answers, which can hardly fail to stimulate the thinking performer."--Gramophone Early Music
"The fact that the book focuses on notation will make it permanently useful, something to consult."--The Musical Times



"This book will revolutionize the study of music...The book weaves strong patterns from the conflicting habits of different places, people and periods. It doesn't tell you exactly what to do, but inspires a confidence that your own decisions, thus informed, will work."--BBC Music Magazine
"Brown has produced a work of the greatest scholarship and utility....Recommended--required!--for all libraries with music collections serving upper-division undergraduates and above."--Choice
"His substantial book presents many new findings and demonstrates new approaches. Brown has contributed greatly to our understanding of period technique, especially for string instruments" --Notes
"His book offers a wealth of advice and ideas, ideas which should be thought of as creative and enabling, not restrictive."--Early Music Review
"Brown's grasp of primary sources is wide-ranging and scholarly, lavishly illustrated with musical examples, often of unfamiliar repertory. He uncovers many questions and possible answers, which can hardly fail to stimulate the thinking performer."--Gramophone Early Music
"The fact that the book focuses on notation will make it permanently useful, something to consult."--The Musical Times


"This book will revolutionize the study of music...The book weaves strong patterns from the conflicting habits of different places, people and periods. It doesn't tell you exactly what to do, but inspires a confidence that your own decisions, thus informed, will work."--BBC Music Magazine
"Brown has produced a work of the greatest scholarship and utility....Recommended--required!--for all libraries with music collections serving upper-division undergraduates and above."--Choice
"His substantial book presents many new findings and demonstrates new approaches. Brown has contributed greatly to our understanding of period technique, especially for string instruments" --Notes
"His book offers a wealth of advice and ideas, ideas which should be thought of as creative and enabling, not restrictive."--Early Music Review
"Brown's grasp of primary sources is wide-ranging and scholarly, lavishly illustrated with musical examples, often of unfamiliar repertory. He uncovers many questions and possible answers, which can hardly fail to stimulate the thinking performer."--Gramophone Early Music
"The fact that the book focuses on notation will make it permanently useful, something to consult."--The Musical Times



"This book will revolutionize the study of music...The book weaves strong patterns from the conflicting habits of different places, people and periods. It doesn't tell you exactly what to do, but inspires a confidence that your own decisions, thus informed, will work."--BBC Music Magazine


"Brown has produced a work of the greatest scholarship and utility....Recommended--required!--for all libraries with music collections serving upper-division undergraduates and above."--Choice


"His substantial book presents many new findings and demonstrates new approaches. Brown has contributed greatly to our understanding of period technique, especially for string instruments" --Notes


"His book offers a wealth of advice and ideas, ideas which should be thought of as creative and enabling, not restrictive."--Early Music Review


"Brown's grasp of primary sources is wide-ranging and scholarly, lavishly illustrated with musical examples, often of unfamiliar repertory. He uncovers many questions and possible answers, which can hardly fail to stimulate the thinking performer."--Gramophone Early Music


"The fact that the book focuses on notation will make it permanently useful, something to consult."--The Musical Times


Synopsis

The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.

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Amazon.com: HASH(0x8bfc0960) von 5 Sternen 7 Rezensionen
HASH(0x8cb4836c) von 5 Sternen Clive's Bible 11. Oktober 2011
Von ... - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
This is the single most important work on this topic for any musicians serious about informing themselves of the practices of musicians and composers of European music in the 18th and 19th centuries. Almost everything you need to know is right here. Clive Brown has collated all the data, done all the research and distilled it into this single tome of brilliance. Every musician who plays this repertoire should own this book and heed its contents.
HASH(0x8cb485b8) von 5 Sternen Rare resource 20. Januar 2014
Von P. Power - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
There is great depth of musical examples to back up assertions on just about every topic.But I find it strange that where he is in direct contradiction of the Salzburg Mozarteum and the editors of the Neue Mozart Ausgabe
on the issue of Appoggiaturas in Mozart, there is not any depth of evidence to support his position.
HASH(0x8cb4857c) von 5 Sternen Professional and interesting 26. Januar 2014
Von Karen Yagubyan - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
Very useful for professionals. My cello teacher at conservatory (Germany) suggested it to read, few of the students have it read. I looked at it through and can tell it is for everybody who studies/ plays music and wants to understand it.
HASH(0x8cb48870) von 5 Sternen One of a kind! 4. Mai 2012
Von Susan Bennett - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
Leader in the field of performance practice, Clive Brown makes historically accurate musical performance understandable.
I highly recommend this book!
Susan Bennett
HASH(0x8cb488d0) von 5 Sternen Four Stars 7. März 2016
Von Stefano Torchio - Veröffentlicht auf Amazon.com
Format: Taschenbuch Verifizierter Kauf
Perhaps it's more focused on sources and manuscripts than on praxis but it is very interesting.
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