- Taschenbuch: 104 Seiten
- Verlag: Wildside Press (23. Dezember 2005)
- Sprache: Englisch
- ISBN-10: 1557425035
- ISBN-13: 978-1557425034
- Größe und/oder Gewicht: 15,2 x 0,7 x 22,9 cm
- Durchschnittliche Kundenbewertung: Schreiben Sie die erste Bewertung
- Amazon Bestseller-Rang: Nr. 3.467.937 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
The Celtic Twilight (Englisch) Taschenbuch – 23. Dezember 2005
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William Butler Yeats (1865-1939) was an Irish poet and dramatist, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and together with Lady Gregory and Edward Martyn founded the Abbey Theatre, and served as its chief during its early years. In 1923, he was awarded a Nobel Prize in Literature for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation". He is generally considered one of the few writers whose greatest works were completed after being awarded the Nobel Prize; such works include The Tower (1928) and The Winding Stair and Other Poems (1929). His earliest volume of verse was published in 1889. From 1900, Yeats' poetry grew more physical and realistic. His other works include: The Countess Kathleen (1892), The Celtic Twilight (1893), The Land of Heart's Desire (1894), The Secret Rose (1897), The Hour Glass (1903), Stories of Red Hanrahan (1904), Synge and the Ireland of His Time (1912), and Four Years (1921). -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch.
Über den Autor und weitere Mitwirkende
William Butler Yeats was an Irish poet and playwright, and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an Irish Senator for two terms. Yeats was a driving force behind the Irish Literary Revival and, along with Lady Gregory, Edward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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Heardst thou not sweet words among That Heaven-resounding minstrelsy? Heardst thou not that those who die Awake in a world of ecstacy? That love, when limbs are interwoven, And sleep when the night of life is cloven, And thought, to the world's dim boudaries clinging, And music, when one beloved is singing, Is death?
These sorts of things, as well as Yeats' poetry, are worth deep consideration in this present world where medicine is deemed omnipotent...and yet, nevertheless, we all die.
Yeats associates poetry with religious ideas and sentiment. And, I believe that he saw himself as writing for Ireland, but a shadowy Ireland of Celtic mysteries and legends, not the Ireland of the modern day. By modern day, of course, I relate this to the modern day of Yeats in the late 1890s and early 1900s.
In the introduction to Celtic Twilight Yeats states; "I have therefore written down accurately and candidly much that I have heard and seen, and, except by way of commentary, nothing that I have merely imagined. I have, however, been at no pains to separate my own beliefs from those of the peasantry, but have rather let my men and women, dhouls and faeries, go their way unoffended or defended by any argument of mine."
I got the strong impression from reading Celtic Twilight that Yeats actually believed in the existence of the faeries. Not just as some myth or legend, but as actual beings that exist in this world, though perhaps unseen by the common man. He wrote each story as if it was something that actually happened, having been related to him by the storyteller, or perhaps that which he had seen for himself in some past time, now recalled as he set pen to paper.
There is a depth to Yeats' writing that lies just below the surface, something that's perceived more than seen. The idea that perhaps magic and the faerie folk are alive in the world of today, but unseen, or perhaps only seen from time to time as a fleeting shadow until one knows just where to look.
It is interesting to note that Yeats was heavily involved in occult studies and practices as part of the Madame Helene Blavatsky's,Theosophical Society and later, the Hermetic Order of the Golden Dawn, and finally in 1912 the Ordo Templi Orientis.
This would have certainly influenced his outlook on life and his belief in, and dare we say ability to see the unseen things of this world.
I too ask myself from time to time; just what unseen things exist in this world. Perhaps Yeats has seen that which other men can only hope for, or that which they turn away from in dread given the course of their spirits.
Yeats also makes a profound observation: "The things a man has heard and seen are threads of life, and if he pull them carefully from the confused distaff of memory, any who will can weave them into whatever garments of belief please them best."
I found Yeats' observation of particular interest, especially when it comes to theological or philosophical thought. If it is those things that we hear and see in life that forms the fabric of our beliefs, then surely we must take care that that which we see and hear forms strong enough threads so that the fabric we weave is not shoddy.
Yeats' works help us build those strong threads in our lives. For, he certainly influenced the world at large with his writings. In 1923 Yeats was awarded the Nobel Prize for Literature, and in 1934 he shared the Gothenburg Prize for Poetry with Rudyard Kipling.