- Gebundene Ausgabe: 512 Seiten
- Verlag: Knopf; Auflage: 1 (4. Dezember 2001)
- Sprache: Englisch
- ISBN-10: 0394570626
- ISBN-13: 978-0394570624
- Größe und/oder Gewicht: 21 x 3,6 x 26 cm
- Durchschnittliche Kundenbewertung: Schreiben Sie die erste Bewertung
- Amazon Bestseller-Rang: Nr. 595.911 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Celluloid Skyline: New York and the Movies (Englisch) Gebundene Ausgabe – 4. Dezember 2001
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"Wonderfully informed and informative . . . Celluloid Skyline is virtually without precedent in this lackluster field, given its depth of research, the richly detailed elegance of its critical argument and, most important, its ability to expand and redirect the way we think about movies . . . [Sanders] is brilliantly acute. He performs this analytical work with unflagging energy and attention to detail on literally hundreds of movies . . . As [Sanders] observes, New York is . . . the single greatest locus not just of California dreaming, but of American dreaming. Sanders is the Freud of that dream, its hugely informed and gracefully civilized interpreter. And his great work causes us finally to think afresh not just about his particular subject, but also about the whole vast movie enterprise."
--Richard Schickel, Los Angeles Times Book Review
"To his great credit, [James Sanders] sees the dream city not as a myth in need of deconstruction but as a commentary in need of explication-a kind of parallel universe, neither more nor less fantastic than the subject it mimics and enlarges . . . He is subtle . . . and, to judge by the movies he praises . . . he is also sound."
--The New Yorker
"Fascinating . . . Ambitious . . . A magnificent book, a searching and intelligent account of how the city shaped the movies . . . [Sanders's] knowledge of movies and filmmaking is profound, and his approach to the movies through his professional discipline is unique and revelatory."
--Charles Matthews, New London Day
"Mr. Sanders's book [is] an invaluable tour guide to several cities, each going under the name New York."
--Tom Shone, New York Observer
"The perfect Valentine to . . . two of our greatest loves, the City of New York and the movies . . . Celluloid Skyline chronicles New York as seen in the movies and doesn't miss a single iconic beat."
"An opulent tribute to Hollywood's Big Apple . . . Sanders's valentine to New York provides a tonic reminder of the power of its mythic images to outlast their own roots in reality."
"Entertaining and educational . . . A delight throughout."
This is a tale of two cities, both called 'New York'. The first is a real city, an urban agglomeration of millions. The second is a mythic city, so rich in memory and association and sense of place that to people everywhere it has come to seem real: the New York of films such as "42nd Street", "Rear Window", "King Kong", "Dead End", "The Naked City", "Ghostbusters", "Annie Hall", "Taxi Driver", and "Do the Right Thing". The dream city of the movies - created by more than a century of films, since the very dawn of the medium itself - may hold the secret to the glamour of its real counterpart. Here are the cocktail parties and power lunches, the subway chases and opening nights, the playground rumbles and observation-deck romances. Here is an invented Gotham, a place designed specifically for action, drama, and adventure, a city of bright avenues and mysterious sidestreets, of soaring towers and intimate corners, where remarkable people do exciting, amusing, romantic, scary things.Sanders takes the reader from the tenement to the penthouse, from New York to Hollywood and back again, from 1896 to the present, all the while showing how the real and mythic cities reflected, changed, and taught each other. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels. Alle Produktbeschreibungen
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Among its most fascinating parts are information on the techniques used to create believable NYC settings by the studios (e.g., the most detail I've ever seen on Hitchcock's enormous Rear Window set), examples of the vast amount of architectural and local-color detail contained in the studio's art department photographic files (more than in some of NYC's museums!), and its general architectural analysis of NYC's major iconic structures: skyscrapers, rowhouses, tenements, train stations, nightclubs, etc.
But of even greater interest are the detailed treatments of how NYC was SHOWN in films (both well-known classics and obscure titles) of different genres and eras, and how the IDEA of NYC affected the world audience, and eventually changed the city itself as new generations flocked to their city of dreams... A flip through the photographs alone is a total pleasure.
This is a great book for film buffs, fans of NYC, architecture students, and those interested in 20th century social history. (I'm all of those things, and I LOVED it!)
James Sanders said that he spent 15 years writing and researching this book and it shows. His points are well written and quite informative.
I would strongly suggest the hardcover edition for its slightly larger size and the quality of the Knopf binding.
First editions can be purchased used at a very attractive price. Like I said, no-brainer.
Each section offers specific insights into the cinematic image of New York: its icons, its myths, its realities. What is also intriguing is how Hollywood's directors manipulated actual city locations to make it look "more like New York". One of my favorite essays has to do with the "domestic" look of New York: its mansions, row houses, and tenements. Also fascinating is the section called "Nighttown"--Hollywood loves the dangerous flavor of New York's streetlife.
This is a marvelous book with a marvelous look. Take one of the other reviewers' advice, however, and get the hardcover. The size makes a big difference.