- Taschenbuch: 560 Seiten
- Verlag: DAW; Auflage: Reprint (1. August 2006)
- Sprache: Englisch
- ISBN-10: 075640388X
- ISBN-13: 978-0756403881
- Vom Hersteller empfohlenes Alter: Ab 18 Jahren
- Größe und/oder Gewicht: 10,6 x 3,8 x 17,1 cm
- Durchschnittliche Kundenbewertung: 2 Kundenrezensionen
- Amazon Bestseller-Rang: Nr. 278.574 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
The Blood Books, Volume II (Englisch) Taschenbuch – 1. August 2006
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Über den Autor und weitere Mitwirkende
Tanya Huff may have left Nova Scotia at three, and has lived most of her life since in Ontario, but she still considers herself a Maritimer. On the way to the idyllic rural existence she shares with her partner Fiona Patton, six cats, and a chihuahua, she acquired a degree in Radio and Television Arts from Ryerson Polytechnic—an education she was happy to finally use while writing her recent Smoke novels. Of her previous twenty-three books, the five—Blood Price, Blood Trail, Blood Lines, Blood Pact, Blood Debt—featuring Henry Fitzroy, bastard son of Henry VIII, romance writer, and vampire are among the most popular.
Leseprobe. Abdruck erfolgt mit freundlicher Genehmigung der Rechteinhaber. Alle Rechte vorbehalten.
He had been almost aware for some time. Nothingness had shattered when they removed him from the chamber long concealed behind the centuries empty tomb of a forgotten priest. The final layer of the binding spell had been written on the rock wall smashed to gain access and, with that gone, the spell itself had begun to fray.
Every movement frayed it further. The surrounding ka, more souls than had been near him in millennia, called him to feed. Slowly, he reached for memory.
Then, just as he brushed against self and had only to reach out and grasp it and draw home the key to his freedom, the movement stopped and the lives went away. But the nothingness didn’t quite return.
And that was the worst of all.
Sixteenth Dynasty, thought Dr. Rax running his finger lightly along the upper surface of the plain, unadorned rectangle of black basalt. Strange, when the rest of the collection was Eighteenth. He could now, however, understand why the British were willing to let the artifact go; although it was a splendid example of its type, it was neither going to bring new visitors flocking to the galleries nor was it likely to shed much light on the past.
Besides, thanks to the acquisitiveness of aristocracy with more money than brains, Great Britain has all the Egyptian antiquities it can hope to use. Dr. Rax was careful not to let that thought show on his face, as a member of said aristocracy, albeit of a more recent vintage, fidgeted at his shoulder.
Too well bred to actually ask, the fourteenth Baron Montclair leaned forward, hands shoved into the pockets of his crested blazer.
Dr. Rax, unsure if the younger man was looking worried or merely vacant, attempted to ignore him. And I thought Monty Python created the concept of the upper-class twit, he mused as he continued his inspection. How foolish of me.
Unlike most sarcophagi, the artifact Dr. Rax examined had no lid but rather a sliding stone panel in one narrow end. Briefly, he wondered why that feature alone hadn’t been enough to interest the British museums. As far as he knew the design survived on only one other sarcophagus, an alabaster beauty found by Zakaria Goneim in the unfinished step pyramid of Sekhem-khet.
Behind him, the fourteenth baron cleared his throat.
Dr. Rax continued to ignore him.
Although one corner had been chipped, the sarcophagus was in very good condition. Tucked away in one of the lower cellars of the Monclairs’ ancestral home for almost a hundred years, it seemed to have been ignored by everything including time.
And excluding spiders. He brushed aside a dusty curtain of webbing, frowned, and with fingers that wanted to tremble, pulled a penlight out of his suit pocket.
“I say, is something wrong?” The fourteenth baron had an excuse for sounding a little frantic. The very exclusive remodeling firm would be arriving in a little under a month to turn the ancestral pile into a very exclusive health club and that great bloody stone box was sitting right where he’d planned to put the women’s sauna.
The thudding of Dr. Rax’s heart almost drowned out the question. He managed to mutter, “Nothing.” Then he knelt and very carefully played the narrow beam of light over the lower edge of the sliding plate. Centered on the mortared seam, six inches above the base of the sarcophagus, was an oval of clay—a nearly perfect intact clay seal stamped with, as far as Dr. Rax could tell through the dust and the spiderwebs, the cartouche of Thoth, the ancient Egyptian god of wisdom.
Just for a moment, he forgot to breathe.
An intact seal could mean only one thing.
The sarcophagus wasn’t—as everyone had assumed—empty.
For a dozen heartbeats, he stared at the seal and struggled with his conscience. The Brits had already said they didn’t want the artifact. He was under no obligation to let them know what they were giving away. On the other hand...
He sighed, switched off the penlight, and stood. “I need to make a call,” he told the anxious peer. “If you could show me to a phone.”
“Dr. Rax, what a pleasant surprise. Still out at Haversted Hall are you? Get a look at his lordship’s ‘bloody-great-black-stone-box’?”
“As a matter of fact, yes. And that’s why I’ve called.” He took a deep breath; best to get it over with quickly, the loss might hurt less. “Dr. Davis, did you actually send one of your people out here to look at the sarcophagus.”
“Why?” The British Egyptologist snorted. “Need some help identifying it?”
Abruptly, Dr. Rax remembered why, and how much, he disliked the other man. “I think I can manage to classify it, thank you. I was just wondering if any of your people had seen the artifact.”
“No need. We saw the rest of the junk Montclair dragged out of his nooks and crannies. You’d think that with all the precious bits and pieces leaving Egypt at the time, his Lordship’s ancestor could have brought home something worthwhile, even by accident, wouldn’t you?”
Professional ethics warred with desire. Ethics won. “About the sarcophagus . . .”
“Look, Dr. Rax . . .” On the other end of the line, Dr. Davis sighed explosively. “.
. . this sarcophagus might be a big thing for you, but trust me, we’ve got all we need. We have storerooms of important, historically significant artifacts we may never have time to study.” And you don’t, was the not too subtly implied message. “I think we can allow one unadorned hunk of basalt to go to the colonies.”
“So I can send for my preparators and start packing it up?” Dr. Rax asked quietly, his tone in severe contrast to the white-knuckled grip that twisted the phone cord.
“If you’re sure you don’t want to use a couple of my people . . .”
Not if my only other option was to carry the sarcophagus on my lap all the way home. “No, thank you. I’m sure all your people have plenty of historically significant things to do.”
“Well, if that’s the way you want it, be my guest. I’ll have the paperwork done up and sent down to you at the Hall. You’ll be able to get your artifact out of the country as easily as if it were a plaster statue of Big Ben.” Which, his tone said clearly, is about its equivalent value.
“Thank you, Dr. Davis.” You pompous, egocentric asshole, Dr. Rax added silently as he hung up. Oh, well, he soothed his lacerated conscience, no one can say I didn’t try.
He straightened his jacket and turned to face the hovering baron, smiling reassuringly. “I believe you said that 50,000 pounds was your asking price . . . ?”
The movement had begun again and the memories strengthened. Sand and sun. Heat. Light. He had no need to remember darkness; darkness had been his companion for too long.
As the weight of the sarcophagus made flying out of the question, a leisurely trip back across the Atlantic on the grand old lady of luxury ocean liners, the QE II, would have been nice. Unfortunately, the acquisitions budget had been stretched almost to the breaking point with the purchase and the packing and the insurance and the best the museum could afford was a Danish freighter heading out of Liverpool for Halifax. The ship left England on October 2nd. God and the North Atlantic willing, she’d reach Canada in ten days.
Dr. Rax sent the two preparators back by plane and he himself traveled with the artifact. It was foolish, he knew, but he didn’t want to be parted from it. Although the ship occasionally carried passengers, the accommodations were spartan and the meals, while...
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Im vierten Band ist dann Frankenstein/Mad Scientist das Thema, und Vickis Mutter ist das Opfer: Überraschend erhält Vicki die Nachricht, daß ihre Mutter verstorben ist. Als wäre das noch nicht schlimm genug, ist bei der Beerdigung der Sarg leer und Marjorie Nelson verschwunden. Über der Suche nach der Leiche verliert Vicki, gequält von Schuldgefühlen aller Art, fast den Verstand. Daß Henry und Mike wie die Ritter in strahlender Rüstung anrauschen um zu helfen, ist nicht wirklich eine Hilfe. Die Spannungen zwischen den dreien nehmen spürbar zu.
Für mich ist der vierte Band bis jetzt der beste in der Serie, aber ich warte auch noch auf den abschließenden "Doppeldecker".
I didn't enjoy this one as much as the first 2 books but this 3rd part was good enough to keep me reading and the whole eygptian aspect was nice. This series is really good and I can't wait to read the others! I am also looking forward to watching the TV series 'Blood Ties'.
I hope I remember to add my views on the 4th book inside this double pack, Blood Pact, at a later date.
Edit - 22/04/07
Just finished reading 'Blood Pact'
This was book 4 in the Blood series and much better than book 3! However I feel really bad for Vicki because she had to go through alot in this book! Although on saying that it should make the next 2 books in the series very interesting!
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On the other hand, Vicki acts pretty much the way you'd want to see a detective act under bizarre circumstances. Mike and Henry are supportive, and combative, and manage to cooperate without turning into best friends. Henry is a vampire who has to deal with his weaknesses, and has a life grounded in reality. The detective work looks like actual work and helps drive the plot. The story kept me turning the pages and it will do the same for you.
Just finished book 3 and i was very good but left me with the erie feeling. The baby was so sad and scared me. Will remember it and the way it made me feel for a long time.