- Taschenbuch: 272 Seiten
- Verlag: Vintage (17. Januar 2013)
- Sprache: Englisch
- ISBN-10: 009958204X
- ISBN-13: 978-0099582045
- Größe und/oder Gewicht: 11 x 1,7 x 17,8 cm
- Durchschnittliche Kundenbewertung: 4 Kundenrezensionen
- Amazon Bestseller-Rang: Nr. 175.333 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
The Beginner's Goodbye (Englisch) Taschenbuch – 17. Januar 2013
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"A near flawless novel of love and loss ... exquisitely poignant but unsentimental" (Rosemary Goring Sunday Herald)
"This novel's great achievement is to capture the tensions and subtleties of a married life cut short… I read it virtually in one sitting, but that's a fairly common experience with Anne Tyler books… I didn't want it to end. Which is also a fairly common Tyler thing" (Viv Groskop Independent on Sunday)
"Richer and more alive than the best work almost any other writer is producing" (Cressida Connolly Daily Telegraph)
"This is what Tyler does better than almost any contemporary writer. She peers at the forgotten areas of the everyday, the bits that are hard to pinpoint... She looks at people -- at life -- from the inside out." (Lucy Atkins Sunday Times)
"She's a master storyteller and inventor of character" (Vanessa Berridge Daily Express)
The new bestseller from Anne Tyler: a story about two ordinary people so intertwined they cannot be separated - even by death ...Alle Produktbeschreibungen
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Aaron verliert durch einen tragischen Unfall seine Ehefrau und durchläuft einen schmerzhaften Prozess der Trauerarbeit, des "Goodbye". Während wir Aaron dabei als Leser begleiten, wird durch Rückblicke klar, dass die Ehe gar nicht so rosig war und die verstorbene Ehefrau, wie sicher auch Aaron selbst, eine nicht gerade einnehmend liebenswerte Person gewesen zu sein schien. Ein gelegenliches "Auftauchen" der Verstorbenen (was ich übrigens in keiner Weise als Versuch des Einbringens irgendeines parapsychologischen Phänomens verstanden habe) und die damit einhergehenden Dialoge mit der "Erschienenen" helfen Aaron langsam immer mehr Klarheit und Abstand zu gewinnen. Er kann endlich Abschied nehmen.
Auf der Rückseite des Buches befand sich ein Kommentar des Daily Mail zu diesem Roman, der meines Erachtens aufs Trefflichste ausdrückt, was für diese Geschichte gilt, aber eigentlich auch für alle anderen Tyler-Werke:
"Out of this everyday material she spins gold".
Sie braucht keine raffinierten Handlungen, das Alltägliche ist ihr bedeutsam genug und sie schafft es hervorragend, diese scheinbaren Banalitäten des Lebens absolut lesenswert und fesselnd zu erzählen.
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The plot synopsis is simple: Aaron's wife Dorothy dies, and as he works through his grief, he thinks he sees her now and then. That's really all there is to it. The charm of the book lies in its ability to mine the richness of everyday life for moments of pain, humor and illumination.
Aaron, a man with physical handicaps, has been fending off the care of others for most of his life. As a result he's had a mostly regular life. When he meets Dorothy, a stolid, socially clueless doctor eight or nine years his senior, he falls in immediate, dumbstruck love. I just couldn't get enough of how Aaron loved his wife, I adored his descriptions of her every little detail, the way he cherished up her looks, her plain wardrobe, her untidy ways and her blunt manner of expression. It made his pain so very real.
Aaron's life is full of whimsical, endearing people. He really is beloved, even though he prefers to push people away rather than admit to his pain. Having watched a widower work through the loss of a wife, I recognized Aaron's avoidance, his business for business's sake, the way he worked much harder at denying his grief than processing it. This is realistic, I think.
But of course, since this is an Anne Tyler book, he's going to work through it, because Tyler always gives her characters the room to change, learn, grow and find happiness. This is one of the reasons I love to read her. This is a spare little book, but it is fully realized and completely satisfying.
Very highly recommended.
Aaron struggles to absorb this crushing loss, sometimes regaining a measure of equanimity, sometimes brought to his knees with the sheer force of his grief and despair. Then, one day, Dorothy comes to visit, bringing comfort, but, also, an additional raft of worries. Is she real? Is he losing it? If she is real, why did she come back?
This is a gentle, sweet, realistic look at the grieving process, including both the stabbing, unbearable pain and the small-but-important things that can sneak up and hit unexpectedly. Aaron is a quirky and engaging, but also somewhat prickly and exasperating, especially in his interactions with those closest to him.
A few things I noticed that jarred slightly - Aaron does not seem thirty-five to me, more like fifty. Also, although the story is set in Baltimore, as another reviewer noted, it has a decidedly small-town feel. Some of the characters, like Peggy, seemed to be a bit "old-school" for their (presumed) age brackets. For instance, secretaries these days tend to do much more coordination and administration than caretaking. I was also mildly surprised at a small press that appeared to be doing well, without a mention of the recession. It felt like I was visiting a modern version of Brigadoon, with timeless characters and ageless problems. This is not necessarily a drawback, just something I noticed.
This is a refreshing, readable take on one of life's most important issues, one that I plan to keep and reread for many years to come. Recommended.
As Aaron struggles to cope and to adjust to his new life, he suddenly begins to see his dead wife Dorothy appearing. There is no pattern to her visits, making Aaron long to have her with him all the more. During these times, the two talk and discuss their life together. All the while, Aaron wonders what others see, and what they must think.
Having read all of Tyler's books to date, I feel qualified to compare this latest with its predecessors. Overall, while the characters are richly written and the premise holds promise, the story itself just didn't feel all that intriguing to me. There have been numerous works of fiction about people who lose their spouses, and this one just didn't stand out too keenly in my mind.
Aaron Woolcott and his spinster sister, Nandina, run Woolcott Publishing, a company with two basic sources of revenue: what, before the advent of self-published e-books, was called "vanity publishing" and a long series of books for "beginners" that are even more dumbed-down than the real-world "for dummies" series that is so popular. Aaron has recently lost his wife in a tragic, fluke accident and is struggling to say goodbye. He badly needs to feel a sense of closure but, because Dorothy died almost immediately after an argument with him, Aaron is too filled with regrets to let her go. Thus, the title of the book.
The novel's self-description emphasizes how Aaron begins to see Dorothy at random intervals and places. Sometimes she speaks to him, sometimes she does not. Strangely, others often see Dorothy by Aaron's side, but they instinctively focus on Aaron and never acknowledge Dorothy's presence - even, it seems, to themselves. Surprisingly enough, despite the book blurb's emphasis on it, Dorothy's return plays a much smaller role in the story than one might expect.
The Beginner's Goodbye is about how one man comes to terms with his grief. I suspect that all of us handle grief somewhat differently and that we do not truly know ourselves until we are tested this way. Aaron prefers to handle it internally despite the number of sympathetic and loving co-workers and friends with which he is surrounded. It is easier for him to deny that he is suffering than to explain to his friends the level of grief he is feeling.
But, as he will learn, the world continues to evolve, people change, and new relationships are formed. I find that the first and last sentences of The Beginner's Goodbye perfectly encapsulate Aaron's story:
"The strangest thing about my wife's return from the dead was how other people reacted."
"We go around and around in the world, and here we go again."
This deceptively simple little novel has a lot to say about life and love. Anne Tyler fans will jump all over it. I hope that others less familiar with Tyler's work will not miss out.
Mildly disabled and surrounded by a mother, a sister, and a female coworker who wanted to take care of him, Aaron was attracted to Dorothy in large part because she showed no interest in nurturing or coddling him. Their marriage is, if not brimming over with happiness, at least stable, until a tree falls into their house and kills her. Grief-stricken and barely able to function, Aaron moves back in with his sister at the old family home, and goes numbly through the business of putting his life back in order... until he begins to see Dorothy again. Will her appearances, whatever their source, give him a chance to move on and face the rest of his life?
Although Dorothy's return is the most striking element of the novel and is duly emphasized in the cover copy, it doesn't occur until about two-thirds of the way through; like much of Tyler's work, the book is defined not by the supernatural but by the natural, ordinary human foibles made more compelling by their tragic context. In theory, at least. The drawback of The Beginner's Goodbye is that Aaron's grief never feels as powerful as the novel wants it to seem; his reserved narration never conveys anguish, and nothing happens to make one feel he's having the particular trouble adjusting that the reader has been led to expect. It's not that grief has to be dramatic to be real, but that the basic process is not inherently as interesting as its significance and universality might lead one to believe, and that in the absence of deep emotional insight, descriptions of the familiar rituals of grief (the awkwardness of well-meaning friends, endless casseroles brought over by neighbors) often feel hollow. The reader still sympathizes with Aaron, but not thoroughly enough to make the novel unforgettable.
Nevertheless there is much to enjoy in The Beginner's Goodbye. The characterization is typically deft: traits and quirks recognizable from our everyday lives are combined in ways that make the protagonists resemble real human beings rather than quaint comic types, and Tyler's deep, wide-ranging sympathy is reserved enough that it feels genuinely humanistic, not cloying. Her eye for the type of mild comedy that emerges from quotidian social interactions enlivens the already brisk pace; Aaron and Dorothy's mutual oddness as revealed in flashbacks is endearing. And the quietly moving resolution reflects thoughtful consideration of the needs and uncertainties that run beneath an unconventional marriage like that of Aaron and Dorothy, the hard truths hidden by the amusing facade. It is those darknesses within lightness that make Anne Tyler's finest work powerful despite its sentimental qualities and its limitations in scope, and while The Beginner's Goodbye doesn't match her best fiction, it comes close enough to be more than worth the time it takes to read it.