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8 von 8 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Tired of Gibson (not Debbie) Clones? Check out Snow Crash!
I thought that I'd used up the cyberpunk genre. Every bookI've picked up in the past year is about a strung out so-and-solooking for one last fix, or one last cybernetic implant, or looking to pull off that one great cyber-heist. I thought that we'd become a mass of Gibson clones.

Then I read Snow Crash.

From Cosa Nostra Pizza to personal nuclear...
Am 9. April 1997 veröffentlicht

versus
2 von 2 Kunden fanden die folgende Rezension hilfreich
3.0 von 5 Sternen Breathtaking action + erratic pacing = disappointment
While reading Snow Crash, I wasn't sure whether I was reading a satirical view of the near-future, where mafia-run pizza franchises and New Hong Kong burbclaves take the place of government, or a serious cyber-historical thriller about an ancient Sumerian linguistic virus being used to conquer the planet. Stephenson's pacing swings wildly and disconcertingly, from...
Veröffentlicht am 6. Juli 1999 von Aaron R. Teitlebaum


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8 von 8 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Tired of Gibson (not Debbie) Clones? Check out Snow Crash!, 9. April 1997
Von Ein Kunde
Rezension bezieht sich auf: Snow Crash (Taschenbuch)
I thought that I'd used up the cyberpunk genre. Every bookI've picked up in the past year is about a strung out so-and-solooking for one last fix, or one last cybernetic implant, or looking to pull off that one great cyber-heist. I thought that we'd become a mass of Gibson clones.

Then I read Snow Crash.

From Cosa Nostra Pizza to personal nuclear devices to *ahem* "butt pirates," Stephenson creates his world out of the throw-away jokes and put-downs of our own. The result is that Stephenson's isn't a far-flung future...it's what's right around the corner, it's what we're going to be calling home.

Snow Crash is a brilliant blend of tounge-in-cheek humor, authorial self-awareness (never mind that the main character is called Hiro Protagonist!), and hard edge science fiction. Stephenson's characters, while starting out as cultural cliche's--the skate punk, the godfather--turn out to be people that you care about and, in some way, can identify with.

Granted, for Stephenson fans (or those of you that have read at least one other of his novels), the plot and shape of Snow Crash will be quite predictable, the names have only been changed to protect the innocent. But, that can't change the fact that Stephenson delivers a top notch performance with more car chases, online intriuge, random violence, freaky antagonists, Sumerian myth, "nice doggies," and punk humor than you can shake a katana at.

For those of you looking for the next leve of cyberpunk, put down that applesauce...you've got it right here.
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7 von 8 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Sehr spannender Cyberpunk-Klassiker, 21. Oktober 2003
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Oliver Klee (Bonn, Germany) - Alle meine Rezensionen ansehen
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Rezension bezieht sich auf: Snow Crash (Taschenbuch)
Hiro Protagonist, laut seiner Visitenkarte "der weltbeste Schwertkämpfer", wohnt zusammen mit einem Trash-Metal-Gitarristen in einem Lagercontainer. Er arbeitet als Turbo-Pizza-Ausfahrer und eine Art Informationssammler. Außerdem hat er das "Metaverse" mit erschaffen - die VR-Welt, in der sich alles und jeder tummelt.
Doch dann geschehen böse Dinge: Eine Droge mit dem Namen "Snow Crash" taucht auf - und treibt einen der Metaverse-Mitgründer in den Wahnsinn. Snow Crash scheint mehr als eine Droge zu sein - sie ist auch Religion, Computervirus und biologischer Virus ... Hiro hat es auf einmal mit ganz anderen Gefahren als nur halb kalten Pizzen zu tun.
Neal Stephenson hat mit "Snow Crash" einen der Cyberpunk-Klassiker erschaffen, der von der ersten bis zur letzten Seite spannend ist. Viele auch für den IT-Bereich wegweisende Ideen sind in das Buch mit eingeflossen - unter anderem hat sich die im VR-Bereich tätige Firma "Black Sun" nach der "Blaxxun" aus dem Roman benannt. Nur die für Stephenson-Romane übliche viele Gewalt wäre nicht wirklich nötig gewesen. Trotzdem sehr sehr lesenswert!
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2 von 2 Kunden fanden die folgende Rezension hilfreich
3.0 von 5 Sternen Breathtaking action + erratic pacing = disappointment, 6. Juli 1999
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Aaron R. Teitlebaum (Toledo, OH) - Alle meine Rezensionen ansehen
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Rezension bezieht sich auf: Snow Crash (Taschenbuch)
While reading Snow Crash, I wasn't sure whether I was reading a satirical view of the near-future, where mafia-run pizza franchises and New Hong Kong burbclaves take the place of government, or a serious cyber-historical thriller about an ancient Sumerian linguistic virus being used to conquer the planet. Stephenson's pacing swings wildly and disconcertingly, from breakneck speed during chase scenes, to inexplicable lulls while characters float in life rafts for days at a time, to painfully tedious passages (entire chapters) devoted to a computerized librarian's history lectures. None of the characters are well-realized, their relationships are arbitrary and trivial, and the technology varies from very-near-future (slow, unrealistic, unreliable, shared VR universes) to far-future (nuclear-powered cybernetic guard dogs that run at 700 kph). The first third of the book is exciting, fun, and gripping; the middle third is overwhelmingly dull and tedious; and the final third is confusing and rushed, with a sudden and unsatisfying conclusion. I would not recommend this book, particularly not to someone new to the cyberpunk genre, lest they get the wrong impression and shun talented authors like William Gibson.
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2 von 2 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen High octane Rambunctiousness!, 28. Juni 1998
Rezension bezieht sich auf: Snow Crash (Taschenbuch)
It's been a while since I read this book, but I now feel compelled to add my .02 (so I slack a bit). Stephenson's vision is compelling - so much so that this book has memed itself into the tech-culture that ultimately will be our everything <Smack> (end of seriousness)
Bam! Wakes you up by throwing a red hot pizza into your unit and slapping you silly. Deliver that pizza or it's your a**! Today this work reads like a dictionary of all that is cool: #Mafia-pizza #Babylonian memes #Motorcycle tac-nuke #Floating city-state #Katana neckslices #Hypervelocity pitbull #Brainfry cyberdrug #Smartwheel skateboard #Monomolecular bumpersticker - Put those in your book.
Snowcrash isn't a novel, its a hyperguide to better living. The Dick and Jane for our times. See Dick write code and wear a deck. I'm still reeling from this mind bomb. Dang, i've been memed.
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2 von 2 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Great book, extremely funny, technologically sophisticated, 22. Januar 1998
Rezension bezieht sich auf: Snow Crash (Taschenbuch)
One of the problems I often have when reading a book with central themes like "cyberspace" and Artifical Intelligence is that very often the writer's lack of a core understanding of present technology doesn't allow him to plausibly predict it's probable evolution. In disagreement with a recent posting that stated that he "gets most of the technology wrong," I'd like to state that as a programmer and network engineer I was more impressed by this book in terms of technological realism than by any book of its type that I can recall. I have no idea what Neal Stephenson did for a living before he wrote, but if it wasn't programming, networking or computer engineering, he's studied it well or has friends who've coached him well. He never once used a plot deviced that seemed impossible or illogical, which is very rare indeed. This is in stark contrast to Gibson's Neuromancer, which although it entertained me, did not show in it's writing style that the writer had any underlying understanding of the functioning of a computer. In fact, Gibson can be forgiven for his lack of technological sophistication only because of the fact that his work was so ground-breaking for the time at which it was written. (Gibson has admitted he never even owned a PC or worked with a computer until after that book was written). This book has great satiric wit, and lies within the definition of "hard sf". A great combination in my book. It was so enjoyable and memorable I have to give it a 10.
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1 von 1 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Neal Stephenson 'condenses fact from the vapor of nuance'..., 9. August 1996
Von Ein Kunde
Rezension bezieht sich auf: Snow Crash (Taschenbuch)
This often tongue in cheek sci-fi adventure takes place in a
future that is a wonderfully cogent statement on our current
societal influences. While a youthful heart and humor are
prerequisites for this glimpse into the 'metaverse', it is a
ride that only those who can find no humor in themselves need
avoid.

Mr. Stephenson has woven an exquisitely visual narrative that
blends with the natural dialogue and self talk of his characters
so well, it left this reader wondering if I should research some
history and buy some stock in VR technology.

If you surf the net, work in telecommunications, are involved
in any religion, have ever delivered a pizza, know what it means
to "code", ever rode a skateboard, or just plain want the best
sci-fi read of the decade, read the only novel ever honest
enough to feature as the lead character --"Hiro Protagonist".
Read Neal Stephensons SNOW CRASH.
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5.0 von 5 Sternen Dystopic, fast-paced world, cool ideas: sure to be classic, 21. Januar 1997
Von Ein Kunde
Rezension bezieht sich auf: Snow Crash (Taschenbuch)
Neal Stephenson takes his anger at society and extrapolates every sinsiter trend today into a hilarious, gripping future where The United States of America competes for space with Pizza Hut.

A ROTFL but fast-paced, glitzy world where corporate law is the only is the only law is the setting allowing for a slick post-anti-cyberpunksomething-type story. The idea is a drug called Snow Crash is being past around cyberspace that "snows"(reduces display to fuzzy static) user's computers and "snows" hackers' minds.

The logic for that is actual fact: as someone becomes skilled in an area, their neurons rearrange into patterns to make easier the task. Whether it is finger dexterity for piano players or the ability to read binary for programmers, the brain gradually gets wired to it. And Snow Crash, supposedly, shows hackers a field of specially orchastrated snow designed to shatter through their delciately-wired-to-hacking minds, leaving them insane.

The story takes that cool idea even further, creating a villain seeking to destroy the ability to read computers and destroying computers ability to communicate: Infocalypse. Stephenson supposes even further that another catastophic event like this occurred in the past, the origin of the fact that human languages tend to diverge, no come together. Weaving Sumerian myth and glossalia and cyberspace altogehter in one mind-bending meta-theory, it staggers the reader. Anybodyt who reads this book will "Wander slack-jawed for days, and emerge with a profoundly redifned sense of reality"-Bruce Sterling.

All of this is set to cool characters who you really grow to care about, and some quotes sure to become classic: "Need a loan? Money tight? Call the Mafia! Now you have a friend in The Family!" Hiro Protagonist, Y.T., Raven, and Uncle Enzo, all products of Snow Crash's completely corporatized world, will linger in memory for ever. This book will stick in your brain like glue
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4 von 5 Kunden fanden die folgende Rezension hilfreich
3.0 von 5 Sternen Good ideas, but surpassed by time, 5. Januar 2002
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A. Ritterath (Berlin, Germany) - Alle meine Rezensionen ansehen
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The author sets the novel "Snow Crash" into a future scenario, where the governmental system has crashed and people live in franchises that have the same look all over the country. Protection is given not by the police, but by the Mafia or any other employer. Unfortunately, there is no explanation what led to this scenario and once again, an American author forgets to think about the rest of the world outside North America.
The first 200 pages of the book are pretty slowly paced. It didn't quite catch my attention until the second half of the book, where the story gets more action-oriented and something actually happens. I found this set-up for the story being too lengthy. One star off for this.
The second star off comes from the fact that the author has taken some technological and political developments, extrapolated them into the future and exaggerated them. He forgot about plausibility and working out the details. The novel is a product of its time. Many of the things described in the book were probably science-fictiony in the early ninetys, but they look outdated today. Wearable computers, all-accesible information, computer viruses, the Internet - it's common technology today. Therefore, I didn't get many new ideas reading this book in December 2001.
On the other hand, the author has collected a lot of historical information about the Sumerian and other cultures. Around these archeological findings, he builds the center of the story, which is about neuro-linguistic programming and a virus that can contaminate the operating system of the human brain. Great idea and very well done right into the tiniest detail. I liked that.
Overall, it was not sensational, but nevertheless an entertaining read.
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1 von 1 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Great book, 6. Februar 2013
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Rezension bezieht sich auf: Snow Crash (Kindle Edition)
A really nice book by Neal Stephenson. [why do I need to write 13 more words? I don't understand it]
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1 von 1 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen An imaginative book sure to entertain., 27. Juli 2000
Von 
Neal Stephenson has written an entertaining novel whose thought-provoking ideas are matched only by its eclectic cast of characters. Focusing on the idea of knowledge and the dissemination of knowledge through computer technology, the basic premise of Snow Crash is that of the protagonist (named Hiro Protagonist, no less) and his young partner, Y.T. (Yours Truly, which she wouldn't bother to tell you unless it was in the form of a sarcastic remark), thwarting an intended infocalypse with a little help from the Mafia and some other unusual allies. Along the way, the reader is given a good look at a future that may not be so far away: one dominated by computer technology and paralleled by a virtual reality that might question exactly what constitutes reality, and private franchises which rule in the place of governments. Stephenson has a flair for vivid description of a world just strange enough to be innovative and intriguing, yet familiar enough that we can see its basis very firmly rooted in our own. Despite the outlandish nature of both Snow Crash's characters and setting, basic principles are the same: there is the rich and the poor, the powerful and the weak, those who survive and those who do not; the difference between the two is that of information.
However, despite all these assets, Snow Crash is little more than light entertainment. The lofty ideas which Stephenson explores in his book seem to be beyond his firm comprehension, and discussions of Babel, Sumerian myth and other archaeological finds are dry and arcane, detracting from an otherwise vibrant and fast-paced plot. Almost all relevant information about the technical aspects of Snow Crash is revealed in the form of cryptic dialogue between Hiro and a computer-generated librarian, discussions that sound more like encyclopedia recitations than believable (or understandable) dialogue. I found myself glossing over these portions of the book without any real effect on my understanding of the plot; in the end it still comes out to the same thing: the bad guys have a dangerous weapon, and the good guys have to stop them. The details about Sumer and the fall of man are interesting, but not portrayed in a form that lends itself to any quick grasp of ideas that can be retained after the book is done. However, for those willing to take the time to read and reread a fourth time, Stephenson poses some interesting ideas to ponder.
The characters in Snow Crash never leave the reader a moment to rest from the excitement they provide. Outrageous events happen one after another, and the calm manner in which they face everything from kidnapping and murder to the possibility of destruction of society and the world as they know it provides a great deal of amusement and curiosity about what they might do next. However, despite a plot that hurtles itself ever forward and drags the reader along, forced to either keep up or drop along the way, I found the ending both disappointing and deflating. Hiro and Y.T. save the world, of course, but then Hiro just drops out of the story altogether and Y.T. appears to transform from a rebellious and wild Kourier into mommy's little girl for little other reason than to provide some kind of ending. I would have liked at least for some kind of epilogue, if not a totally different ending altogether. In reading the last few pages, it seemed that Stephenson rushes to tie up all the loose ends of the story in any way possible - any way possible often equating to dull, bland, and unsuitable when compared to other parts of the book. After such a well-written novel containing such interesting characters and a world whose details must be read to be believed, I was hugely disappointed by the conclusion to say the least. However, Stephenson does tell an interesting tale and has great potential; his best work is yet to come.
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