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am 31. Dezember 1998
It cannot be doubted that Stanislavki's Trilogy is a must for any aspiring actor. Stanislavki was the pioneer in creating a coherent system of practices and concepts to aid in strengthening the art of acting. I would, however, advise anyone who has not yet read the book to be cautious. It is important to understand that Hapgood's translation is sketchy in places, and tends to run around in cirlcles. As a supplement to this book, I would recommend reading Sonia Moore's The Stanislavski System. She worked directly with Stanislavski and understands his system much better than E. Hapgood. Not that the books vagueness is all her fault. It seems that Stanislavki goes to great lengths to explain things that are, nowadays, common sense. He certainly wasn't the first to ever think of these concepts; he was merely the first to organize them and give them names. Much of what is contained in this book is merely a modernized translation of Hamlet's "Speak the speech I pray you". The Magic If is simply a codefied means of make believe. That is fundamentally what it all boils down to. I relished the situation of the student and teacher realationship, and did find myself growing and evolving with him. It really makes you think of acting in a whole new perspective. But, as with any method, you must be cautious to use only what works for you. There is a common desire to make An Actor Prepares the bible of all actors. I won't argue that Stanislavski's system is the basis of almost all other methods that have risen in the last century, but there are other effective texts available. Respect of Acting and To the Actor, to name a couple. Don't just read Stanislavski; read several to help put it all in perspective. Acting books are so pompous, byenlarge, and you have to wade through a lot of self-hype and nonsense. That is one thing I really appreciated about his trilogy; they are without ego. Also, for anyone interested in a truly off the wall acting text, read The Inner Game of Tennis. It's literally found in the Sports section, but it's teachings are every bit as relevant to the art of acting as they are to sport psychology. Take my word for it. And the best thing about it is that you don't have to listen to any snooty actors talking about how great they are.
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am 14. August 1998
An Actor's Prepares is a teaching book that is written as a story. The theory is within the story. The "story" touches on things like relaxation, movement and concentration. You are one of the students, you learn the same method as the other students in the story. You will progress with them and in the end, you will have the sense on being "private in public". If you are an actor, or thinking of pursuing a career as an actor, this is a MUST READ! I still use this bokk as a guide to get me back on track when I feel that I am slipping in my craft. I love this book because of the way Stanislavski is preserved here. His teaching style shines through. This is the first book in a trilogy of the Stanislavski "Method" My advise for reading this book. Read it slow and digest every individual thought as if it were your last meal. You will learn not only about improving your ability to act, but also come away with a better feeling of who you are as a person, not just as an actor!
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am 6. Januar 2000
This book is definitely a must have for actors,and will help you in every aspect of acting.I have grown so much and become so much better by reading and studying from this book.
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am 22. September 1999
I am a student at the University of Indy. Being a theatre Ed major I must take acting 1. WE have to read all of staislavskis abc books. This one is a great book! It is a bit lsow at teh start but once you get into it you feel as if you too are sitting in the class. If you are an acting studet adn you dont ahve to read it Do so. If you have to you wont regreat the time you set aside to do so. =)
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am 19. Mai 2000
I have only a short comment for this incredible book: READ IT!
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am 29. April 1998
this book is quite exciting and an educational experience for the average shmo. i learned alot from this book cause i too am an average shmo. i highly recomend to every joe shmo like me there might be out there. stanislavski not only has an interesting name but also has an interesting way with words that puts words so the reader can understand them. i am done. p.s. two thumbs up! :)
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am 12. Juni 1997
Konstantin Stanislavski wrote this book in the early 20th century, and his System, the "Method," has become the standard for acting. This nook describes that method, along with his other books "Creating a Role" And "Building a Character." If you want to act, read this book now, man!

Juan Ceja
(Tucson, AZ)
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am 24. Januar 1999
An Actor Prepares is a must-read for anyone wanting to pursue theatre. The Stanislavski System is the root for all things theatre and An Actor Prepares is the root of the system. As we follow a Stanislavski student though the class, we acquire the basis skills needed to ferment the acting talent.
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am 3. Dezember 1998
I hated reading acting books, because most of them teach us how to conform to other actors. But I read this one at the recommendation of a verrry smart friend, and I learned so much more from it about characterization than I could have without it. A great book.
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am 14. Februar 1998
This book is considered to be "The Actors Bible." There are ways in this book to help portray some characters better. But following some of the steps for certian carachters can be deadly! Please use discretion when "Method Acting"
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