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am 29. November 1999
As an optioned screenwriter, I've written several screenplays and read a ton of books on the subject. Most of the well-known publications offer a helpful tip or two, but this book is loaded with them.
I think it is especially helpful for those writers who are familiar with the screenplay format but may still have questions. And if you don't know the format, read some Hollywood screenplays, THEN read this book.
Definitely a must read for those of you looking to break in.
0Kommentar| 4 Personen fanden diese Informationen hilfreich. War diese Rezension für Sie hilfreich?JaNeinMissbrauch melden
am 14. April 2013
Das Buch ist voller nuetzlicher Impulse und Beispiele, kann ich nur empfehlen, besonders interessant sind Flinns Hinweise, wie man Profi-Leser von Drehbuechern nicht veraergert oder seinen Amateur-Status verraet
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am 12. Oktober 1999
Anyone who reads screenplays for a living knows that ninety-nine out of every 100 are absolutely horrible. And not just because the stories are weak, the characters are bland and the dialogue is inane. No, most scripts are painful to read because they're painful to read. Description is confusing, overwritten, or just plain obtuse. UPPERCASE words POP up OFTEN enough to cause MOTION SICKNESS, or the script is rydled with mispellings and grammaticle errs. Author, screenwriter and story analyst Denny Martin Flinn has written a masterful, must-read book for anyone hoping to get a spec screenplay past production company readers and into the Hollywood pipeline. Since no one can teach talent or originality, he instead tells readers the traps to avoid when assembling their cinematic opuses, ranging from formatting eroors to descriptive gaffs to thematic omissions. Illustrating his points with both horrid and well-written screen passages--all genuine-- Flinn has created a book that is smart, insightful and often painfully funny. Allen B. Ury, Fade In Magazine
0Kommentar| Eine Person fand diese Informationen hilfreich. War diese Rezension für Sie hilfreich?JaNeinMissbrauch melden
am 30. November 1999
Flinn knows his stuff. This is an exhaustive catalogue, if you will, of all danger signs and bear traps posted along the path of writing in the illusive art of screenplay. Presented in a slight tongue-in-cheek tone, Flinn is a able to reduce this complicated world into a fun-to-read and easy to understand format. By referencing well known works which have already made it to the big screen, this book makes those, sometimes vague, concepts all the more relevant and meaningful--a problem I find with many of these "how to write screenplay" books. Besides, Flinn has a writing credit on a movie already (Star Trek 6), something I find many of the authors to these books are lacking. It makes this read all the more authoritative.
0Kommentar| Eine Person fand diese Informationen hilfreich. War diese Rezension für Sie hilfreich?JaNeinMissbrauch melden
am 3. August 1999
"Rather than learn how to write the 'perfect' screenplay (as if there is such a thing), Flinn preaches how not to write the one that will make the agents, producers, and readers laugh at you."
"Flinn gives a no-nonsense, brutally honest look at what makes a screenplay terrible, and how to avoid the fate most screenplays - reaching the reject pile. For the sake of your screenplay and the paper wasted on poorly written screenplays, buy this book, analyze this book, and learn from this book." -Excerpts from Jason Antebi's review at Done Deal (Scriptsales.com)
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am 8. August 1999
This is an excellent book that provides a very able "checklist" of things to avoid or eliminate as you write your script. It's amazing how one little mistake can really doom all your hard work.
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am 24. September 1999
This is a terrific book. If only every beginning reader had this book, there wouldn't be so many bad screenplays. It tells you what not to do and, more important, why not.
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am 16. Oktober 1999
This book has a lot of useful information, but some of it I had to question, especially Mr. Flinn's advice about not using "beats". Take a look at the screenplay for The Sixth Sense... it has abundant use of the dreaded "beat" word. And this was probably one of the most sought after (and best written) screenplay's to hit Hollywood in the last few years. I'd be curious to hear if Mr. Flinn would care to modify his advice about "beats".
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