- Gebundene Ausgabe: 108 Seiten
- Verlag: Steidl; Auflage: Facsimile edition (August 2001)
- Sprache: Englisch
- ISBN-10: 3882433183
- ISBN-13: 978-3882433180
- Größe und/oder Gewicht: 28,2 x 28,9 x 1,8 cm
- Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen Alle Rezensionen anzeigen (1 Kundenrezension)
- Amazon Bestseller-Rang: Nr. 2.995.954 in Bücher (Siehe Top 100 in Bücher)
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Produktbeschreibungen
Synopsis
In the late 1960s and early 1970s Lewis Baltz became fascinated by the stark, repellent, manmade landscape that was rolling over California's then still-agrarian terrain. Baltz made a number of projects on this subject, the best known, The new Industrial Parks near Irvine, California, was published as a limited edition book by Leo Castelli in 1974. With this book Baltz took his place near the center of the New Topographic movement, a newly coined term emblematic of a cool, distanced, yet critical view of the emerging manaltered landscape. The Topographic position, detached and glacial, has influenced photographic practice in the United States, Germany and Japan for the past 25 years. Out of print since 1980, The new Industrial Parks near Irvine, California is once again available in a facsimile edition of the original publication.
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1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
The fifty-one black and white photos in this nicely designed book will not be to everybody's taste. The photos could not be more stark and minimalist, mostly eye level, straight on, images of almost plain walls of commercial premises in Irvine, Los Angeles. The only concession is (photo twenty-two) a close-up of an open two-switch electrical box, I bet Baltz only took this because the box cover was off and the inside looked interesting.
Looking through the photos at the shapes and rigid right angles of the walls, doors, guttering and windows suggest abstract paintings and I can well understand that the appearance of the book encouraged the significant 1975 photo exhibition, 'New Topographics'. Some of the ten photographers (including Baltz) in that show have gone on to exhibit and publish books about the man-altered landscape. I think this particular photographic genre is now well established, thanks to Baltz.
The book is as minimalist as the photos, apart from the simple captions there is no essay about Baltz, no page numbers, nothing on the inside flaps or back of the cover. I would have preferred this 2001 edition to have some reference to the influence these photos had over the last twenty-five years. An equally minimalist designed book I have enjoyed is 'Meadowland' by Ray Mortenson (ISBN 0912810408) here the photos are of an industrial area in New Jersey. The photos are not as rigid as those by Baltz and frequently show how the natural landscape has been changed by heavy industry.
Both books present a vibrant photographic style and I like them because they show how visually fascinating the man-made environment can be.
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Anonymous in Irvine.
21. Dezember 2003
Format:Gebundene Ausgabe
The fifty-one black and white photos in this nicely designed book will not be to everybody's taste. The photos could not be more stark and minimalist, mostly eye level, straight on, images of almost plain walls of commercial premises in Irvine, Los Angeles. The only concession is (photo twenty-two) a close-up of an open two-switch electrical box, I bet Baltz only took this because the box cover was off and the inside looked interesting.
Looking through the photos at the shapes and rigid right angles of the walls, doors, guttering and windows suggest abstract paintings and I can well understand that the appearance of the book encouraged the significant 1975 photo exhibition, 'New Topographics'. Some of the ten photographers (including Baltz) in that show have gone on to exhibit and publish books about the man-altered landscape. I think this particular photographic genre is now well established, thanks to Baltz. An excellent book: New Topographics, is a comprehensive look at this exhibition.
The book is as minimalist as the photos, apart from the simple captions there is no essay about Baltz (at least not in my German produced copy which does not have a photo on the cover) no page numbers, nothing on the inside flaps or back of the cover. I would have preferred this 2001 edition to have some reference to the influence these photos had over the last twenty-five years. An equally minimalist designed book I have enjoyed is Meadowlands by Ray Mortenson here the photos are of an industrial area in New Jersey. The photos are not as rigid as those by Baltz and frequently show how the natural landscape has been changed by heavy industry.
Both books present a vibrant photographic style and I like them because they show how visually fascinating the man-made environment can be.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
Looking through the photos at the shapes and rigid right angles of the walls, doors, guttering and windows suggest abstract paintings and I can well understand that the appearance of the book encouraged the significant 1975 photo exhibition, 'New Topographics'. Some of the ten photographers (including Baltz) in that show have gone on to exhibit and publish books about the man-altered landscape. I think this particular photographic genre is now well established, thanks to Baltz. An excellent book: New Topographics, is a comprehensive look at this exhibition.
The book is as minimalist as the photos, apart from the simple captions there is no essay about Baltz (at least not in my German produced copy which does not have a photo on the cover) no page numbers, nothing on the inside flaps or back of the cover. I would have preferred this 2001 edition to have some reference to the influence these photos had over the last twenty-five years. An equally minimalist designed book I have enjoyed is Meadowlands by Ray Mortenson here the photos are of an industrial area in New Jersey. The photos are not as rigid as those by Baltz and frequently show how the natural landscape has been changed by heavy industry.
Both books present a vibrant photographic style and I like them because they show how visually fascinating the man-made environment can be.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
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