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Elizabeth Berg (
Talk Before Sleep) is a can-do kid. Forget the common wisdom--that writing is difficult and getting published nearly impossible without contacts or an agent. "What you need most," she says, "is a fierce desire to put things down on paper." And if a gentle nudge will help you on your way, well, Berg wishes to provide just that, cheerfully, with
Escaping into the Open. For Berg, writing--and success--comes easily. In fact, she says, "What I like doing best is writing.... I feel like a drug addict with an exceptionally wise drug of choice."
It is refreshing to come across a book so positive and friendly--even if a there is a little too much emphasis on the author's own experience (did she really have to include a five-page essay by an envious friend and three pages of topics about which she herself has successfully written?). Still, how could one not appreciate a writing guide that espouses napping, eating chocolate-covered cherries, and standing by your "man(uscript)," and that likens passionate, risky writing--the only kind that's worth anything--to great sex? Berg encourages her reader to look (and listen and feel) deeply, to learn from children, and not to let life interfere with writing any more than it has to. She addresses--sometimes with help from her friends--writing classes, writing groups, and the writing life. In a chapter called "If you're a man, be a woman," she offers up 30 pages of writing exercises. Berg is personable, whimsical, amazed by her good fortune, and direct. "There's only one person who can stop you," she says gravely at book's end, "and we both know who that is." --Jane Steinberg
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This is a really good book about how to write. Berg is completely charming and no-nonsense; she believes you can do it, and at the end, you do, too. She tells how to get started and what to do when stuck; she offers exercises in writing so beguiling that you want to sit right down and try them; she talks about fiction and nonfiction, writing classes, and writing groups. She lets writing teachers, editors, and agents say their part in their own voices, with the same limpid clarity she employs throughout. Berg is speaking directly to people who need to write, and she hands them the tools to do so as simply as handing a pot of tea across the table. Above all, she describes with perfect precision just how it feels when the writing is right: "like sitting in the lap of God." Anyone who ever needs to write anything will find bright shards of useful stuff here, like the box of many textured scraps a friend gave Berg labeled "touch."
GraceAnne A. DeCandido
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