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Sin-A-Rama: Sleaze Sex Paperbacks of the Sixties
 
 

Sin-A-Rama: Sleaze Sex Paperbacks of the Sixties (Gebundene Ausgabe)

von Lydia Lunch (Herausgeber), Adam Parfrey (Herausgeber), Brittany A. Daley (Herausgeber)
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Produktinformation

  • Gebundene Ausgabe: 268 Seiten
  • Verlag: Feral House (1. Dezember 2004)
  • Sprache: Englisch
  • ISBN-10: 1932595058
  • ISBN-13: 978-1932595055
  • Größe und/oder Gewicht: 26,7 x 17,3 x 2,8 cm
  • Durchschnittliche Kundenbewertung: 4.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon.de Verkaufsrang: Nr. 288.524 in Englische Bücher (Die Bestseller Englische Bücher)

Produktbeschreibungen

From Publishers Weekly

Older readers may remember the lurid soft-X-rated paperbacks-titles like Topless Waitress, Lake of Lust, Casting Couch and so on-that crowded the shelves of newsstands and candy stores but more often adult bookstores in the 1960s. What most distinguished these paperbacks wasn't their narratives but their frequently amazing covers, swashes of erotic eye-candy that, as surely as a Warhol soupcan, now define an era. And so the emphasis in this first-rate celebration of these paperbacks is on the covers, with hundreds reproduced in what looks like accurate (i.e., soul-shocking) color. Most of these reproductions appear in the editors' grouping of sex paperbacks into various themes (Asphalt Jungle, Sex at Play, Butch Swish, etc.) but more show up in the startling essays and profiles that precede these groupings-startling for the several well-known authors profiled (Donald Westlake, Ed Wood, Lawrence Block) and for the praise-going by the illustrations, well justified-for a handful of the star cover artists. The book opens with overviews of the history of softcore paperback publishing by Jay A. Gertzman and Stephen J. Gertz and, most notably, by acclaimed SF author Robert Silverberg, who in "My Life as a Pornographer" recounts how by 1962 he was "turning out three Nightstand books a month" and earning enough money to buy "an enormous mansion in the finest residential neighborhood of New York City." A catalogue of "sleaze publishers" and a list of author pseudonyms (Miriam Gardner: Marion Zimmer Bradley; Paul Merchant: Harlan Ellison, etc.) close this informative and giddily entertaining book.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Synopsis

Uncovering a racy repository of American fantasies and fears from more than 40 years ago, Sin-A-Rama ravishes readers with the splendidly spicy cover art of the period's top illustrators as well as entertaining excerpts from the best and worst of the genre. Cultural commentary is featured as well.

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4.0 von 5 Sternen Sleaze by the million, 15. Mai 2005
It soon becomes apparent when reading the first few chapters of this interesting book that in this tiny part of the publishing industry were an equally small number of people (mostly males, obviously) yet they were responsible for producing millions of trash paperbacks that sold in the Fifties, Sixties and early Seventies. This book is a celebration of their endeavours.

Because of the very competitive arena in which these publishers worked, with twenty or more new titles each month the covers were the main selling point and the three hundred plus reproduced in this book show that you don't mess with a successful formulae. They had to show a female (unless it was for the gay market) as provocatively posed as possible with a two or three word title to complete the package. It has to be said though that the quality of these illustrations is pretty poor which only makes the work of one or two artists really stand out. Robert Bonfils, in particular, consistently turned out quality art and sleaze artists like Stanton, Bilbrew and Bill Ward were made for this market. No cover design could be too tacky for this publishing genre.

The bulk of the book are the cover reproductions (each with date, publisher, author and artist credits) with several short essays in the front. The two about soft core publishing on the East and West coasts were interesting because they actually explain the background to the publishers and more importantly how the books were distributed through the network of adult book stores in most cities and towns. The back has a useful list of publishers and authors pseudonyms. I was slightly disappointed with the books production though, there is no real page design, paragraphs are excessively long and columns just fall short because no one bothered to make adjustments to the picture sizes to compensate. Despite this 'Sin-a-rama' will probably be the only book to comprehensively cover the publishing world of paperback sleaze.

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