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Mountains and Rivers Without End
 
 

Mountains and Rivers Without End (Taschenbuch)

von Gary Snyder (Autor) "Clearing the mind and sliding in to that created space, a web of waters streaming over rocks, air misty but not raining, seeing this land..." (mehr)
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Produktinformation

  • Taschenbuch: 184 Seiten
  • Verlag: Counterpoint,U.S.; Auflage: Reprint (31. Oktober 1997)
  • Sprache: Englisch
  • ISBN-10: 1887178570
  • ISBN-13: 978-1887178570
  • Größe und/oder Gewicht: 19,8 x 12,2 x 1,3 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (3 Kundenrezensionen)
  • Amazon.de Verkaufsrang: Nr. 463.880 in Englische Bücher (Die Bestseller Englische Bücher)

Produktbeschreibungen

From Publishers Weekly

A magnificent achievement, this epic poem belies the common take that Snyder's poetic career is notable mainly in the past tense and is refracted by the works of others. Without doubt, Snyder's exploration of nature, Zen Buddhism and his travels through unexplored corners of American society influenced the Beat writers of the 1950s and early 1960s, and some of his early works (Riprap and Cold Mountain Poems, 1965, and Turtle Island, which won the Pulitzer Prize in 1975) are masterpieces. This new, vital work sums up stylistic and thematic concerns by uniting 39 poems written between 1956 and 1996 (many published here for the first time) into a seamless whole that, like a modern Leaves of Grass, combines fascination with the varied particulars of the way people live with awe at the majesty of nature. Each of four sections is organized around a familiar Snyder focus: the demands made on people by nature and time ("The road that's followed goes forever;/ in half a minute crossed and left behind"); observation of the terrain he occupies ("Slash of calligraphy of freeways of cars") and various American landscapes ("trucks on the freeways,/ Kenworth, Peterbilt, Mack,/ rumble diesel depths,/ like boulders bumping in an outwash glacial river"); and subtle tributes to those who have survived the last 40 years ("At the end of the ice age/ we are the bears, we are the ravens,/ We are the salmon/ in the gravel/ At the end of an ice age"). A concluding essay, "The Making of Mountain and Rivers Without End," serves as an intellectual mini-autobiography and a gloss on some of the Eastern influences on the poem. This is a major work by a venerable master of post-WWII American poetry.
Copyright 1996 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.


Synopsis

When this landmark work was first published, Gary Snyder was honored with the Bollingen Poetry Prize, the Robert Kirsch Lifetime Achievement Award, and the Orion Societys John Hay Award. Publishers Weekly named Mountains and Rivers Without End one of the best books of 1996. On April 8, 1956, Gary Snyder began work on a long poem entitled Mountains and Rives Without End. Initially inspired by East Asian landscape painting and his own experience within a chaotic universe where everything is in place, Snyders vision was further stimulated by Asian art and drama, Gaia history, Native American performance and storytelling, the practice of Zen Buddhism, and the varied landscapes of Japan, California, Alaska, Australia, China, and Taiwan.While a few individual sections of the poem have been published in literary magazines and a small bound collection, Snyders ardent fans have waited patiently through the past forty years for the completion of Mountains and Rivers Without End. The entire work appears for the first time in this volume.Traveling beyond its origins in the Western tradition of Whitman, Pound, and Williams, Mountains and Rivers is an epic of geology, prehistory, and planetary mythologies.

It is a poem about land and its processes, a book about wisdom, compassion, and myth, and a narrative work that is not quite like anything else. It will stand as a masterpiece of the long poem in American English.


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In diesem Buch (Mehr dazu)
Einleitungssatz
Clearing the mind and sliding in to that created space, a web of waters streaming over rocks, air misty but not raining, seeing this land from a boat on a lake or a broad slow river, coasting by. Lesen Sie die erste Seite
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5.0 von 5 Sternen Golden nugget, 9. Mai 2000
Golden nugget from Sierra streams. Gold never rusts.
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5.0 von 5 Sternen A man's world-vision made true through communion with Nature, 1. Mai 2000
Von Ein Kunde
In this work of poetry, Snyder has presented a perception of the world that has taken four decades of experience to put into words. But, this is more than a simple philosophical oratory, because Snyder came to write this due to the influence of Nature. This is a powerful description of Man's relationship with the planet.
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5.0 von 5 Sternen Words of a Living Master, 6. Juni 1997
Von Ein Kunde

It's not often one gets the chance to hold in hand the words of a living master.

At a Library of Congress reading on October 24, 1996, Gary Snyder sounded out the Buddha-nature of his work by reading from "Mountains and Rivers Without End." I was familiar with him as one of the Dharma bums of the fifties, and later -- in the late seventies and early eighties -- as a "deep ecologist." I had read some of his poems and essays, and thought I had "got it." But I hadn't, really. Not until I heard him read.

That night I bought "Mountains and Rivers Without End" mainly because of the perennial philosophy Snyder paints in "The Blue Sky." In truth, I also felt a sense of longing: longing for the names of old friends he calls upon, names that I (as a Buddhist) miss hearing in my busy monkey-life (Shakyamuni Buddha, Kama, Ramana Maharshi); longing for the sounds of Pali words in Sanskrit chants; longing for the promise of the Blue Land, the Pure Land, the Land of Healing.

I realized later that I bought "Mountains and Rivers Without End" to try and take home some of the intense emotional involvement that the reading invoked. But this work, years in the making, can be appreciated on levels from the purely cerebral to the blatantly emotional. So even though the immediacy of hearing the words has faded, I continue to peel the verses like onions, discovering layers upon layers of truthful artistry that impart new immediacies with every reading.

Dan Everman

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