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3 von 3 Kunden fanden die folgende Rezension hilfreich:
3.0 von 5 Sternen
Seminal Ideas Written With Modest Skill, 14. August 1999
Von Ein Kunde
This book is the first in a new and ongoing omnibus publication of Michael Moorcook's fantasy fiction, centering around his seminal presentation of the "Eternal Champion" and the alternating realities of the "Multiverse." These concepts have continued to influence fantasy writers to the present, including, most recently, Robert Jordan's adoption of a comparitive framework for his "Wheel of Time" series. A major figure in the 60's and 70's, especially in the UK, Moorcook is noted for his innovative exploration and incorporation of metaphysics as well as ideas more commonly associated with science fiction than fantasy. The stories contained herein were all originally published between 1962 and 1970, and while some have since undergone revision, the quality of writing typifies much of the work produced during that period, both in fantasy and in science fiction. Conceptually pregnant, the narrative devotes much of its energy to the expression and exploration of ideas, or the description of imaginary landscapes and populations that could be accused as flights of fancy for invention's sake. The work is weak when in comes to characterization, sense of place, or providing background for the development of the narrative. The style of writing seems almost undeveloped and dated when compared to the narrative and descriptive powers present in some of the better contemporary work available. Or perhaps it is simply that Moorcock is more interested in the expression of the abstract than in the grounding of his notions in good storytelling. I am somewhat unclear as to the inclusion of "The Sundered Worlds" in this volume. Not only is it the weakest story by far of the four, with a plot that is disjointed and moves from one event to the next with little supporting logic, but it is clearly a tale of science fiction set in the future amid more traditional tales of sword and sworcery, and only tenously linked to the latter by reference to the multiverse. Further, it indulges in some of the worst excesses of science fiction fancy, replete with creatures that could inhabit the worst of Harryhausen's B-movie efforts. By itself this confused adrift in space rates only a single star. The three other tales - "The Eternal Champion," "Phoenix in Obsidian," and "To Rescue Tanelorn" - are all traditional sword and sorcery fare notable for their exploration of the notions of an often reluctant hero doomed to repeat his life forever in various incarnations within the alternate realities of Moorcock's multiverse. And though he wears the mantle of a champion, the causes he fights for are not always of his choosing. All three tales - the last a short story - in varying degrees exhibit the lack of strong narrative skills noted above, but remain, nonetheless, intriguing in their conceptual content. The strength of these ideas ameliorates somewhat the lack of prose skills in their rendering. I would have to say, as far as this book, that for historical interest it is worth a look. However, in terms of narrative power the stories are never fully realised and remain, unfortunately for all the promise of their ideas, largely stillborn.
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