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Revolution in the Air: The Songs of Bob Dylan, 1957-1973 (Cappella Books)
 
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Revolution in the Air: The Songs of Bob Dylan, 1957-1973 (Cappella Books) (Gebundene Ausgabe)

von Clinton Heylin (Autor)
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Preis: EUR 23,99 kostenlose Lieferung. Siehe Details.
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Revolution in the Air: The Songs of Bob Dylan, 1957-1973 (Cappella Books) + The Songs He Didn't Write: Bob Dylan Under the Influence + The Cambridge Companion to Bob Dylan (Cambridge Companions to American Studies)
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Produktinformation

  • Gebundene Ausgabe: 496 Seiten
  • Verlag: Chicago Review Pr (April 2009)
  • Sprache: Englisch
  • ISBN-10: 1556528434
  • ISBN-13: 978-1556528439
  • Größe und/oder Gewicht: 23,1 x 16,8 x 3,6 cm
  • Durchschnittliche Kundenbewertung: 2.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon.de Verkaufsrang: Nr. 160.845 in Englische Bücher (Die Bestseller Englische Bücher)

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Produktbeschreibungen

Pressestimmen

"Documents the nuts and bolts."  —Rolling Stone


"One of the most important volumes in the already groaning Bookshelf of Bob"  —Houston Press



True to form, Heylin digs deep—way deep—into the songs, mixing cold hard facts with illuminating anecdotes."  —Mark Smith, managing editor, Acoustic Guitar


"A magnum opus that anyone curious about, fascinated by, and devoted to His Master's Voice will want to read and ponder."  —Jonathan Cott, author, Dylan, and editor, Bob Dylan: The Essential Interviews



"An exhaustive look at one of the 20th century's best and prolific songwriters…uncovers tons of info about these timeless tracks."  —Cleveland Scene



"An excellent supplement to a good Dylan biography . . . including Heylin's highly empirical Behind the Shades."  —Arkansas Democrat-Gazette



"Comprehensive . . . obviously written very lovingly."  —PopMatters.com



"Revolution in the Air, like its precursor, Ian McDonald’s Revolution in the Head about the Beatles' recordings, is an invaluable guide to have by your side as you traverse this monstrous body of work."  —NUVO

Kurzbeschreibung

The first of two volumes, this companion to every song that Bob Dylan ever wrote is by far the most comprehensive book on the words of America’s greatest songwriter. Here you’ll find not just opinionated commentary or literary interpretation, but facts, first and foremost. Clinton Heylin is the world’s leading Dylan biographer and expert, and he has arranged the songs--including a number that have never been performed--in a continually surprising chronology of when they were actually written rather than when they appeared on albums. Using newly discovered manuscripts, anecdotal evidence, and a seemingly limitless knowledge of every Bob Dylan live performance, he has uncovered a wealth of information about the songs, leaving no stone unturned in his research.

            Here we learn that the middle verse of “Blowin’ in the Wind” was written much later than the first and third verses; that “The Lonesome Death of Hattie Carroll” was based on a complete distortion of the facts of the case; that “Mixed Up Confusion,” despite being Dylan’s first single, was composed later than many of his early masterpieces; that “Fourth Time Around” was a direct response to John Lennon’s “Norwegian Wood”; and much more.

            Reading this volume will fundamentally change how you hear Dylan’s songs and will make you want to revisit the man’s lesser-known masterpieces. This is an essential purchase for every true Bob Dylan fan--and perhaps your most essential purchase, for, as a guide to the man’s work, it will never be surpassed.

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Revolution in the Air: The Songs of Bob Dylan, 1957-1973 (Cappella Books)
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8 von 10 Kunden fanden die folgende Rezension hilfreich:
2.0 von 5 Sternen Sadly disappointing, 7. April 2009
Just received this today (from amazon.de) - and I'm sadly disappointed by the pretentious and rather sloppy research.

Nothing really new here - no really new insights, but mostly a repetition of material found elsewhere already and treated in a more reliable and considerably more scholarly way in books like Michael Gray's The Bob Dylan Encyclopedia or Oliver Trager's Keys to the Rain.

Add to this Heylin's rather condescending tone, everybody else's research (in his eyes) seems to be faulty and cannot be trusted - just savor this rather pompous statement:

"Needless to say, the Internet has also provided endless opportunities for the unpublishable, self-appointed "expert" to pontificate on the man and his art, but I have felt little inclination to fuel their self-importance, with a citation here." (p. 451)

As condescending (or outright arrogant) Heylin is in (several) statements like these throughout the book whenever other people's research/work is concerned, he obviously has no scruples whatsoever to exploit the websites of these "unpublishable" peons (in his eyes) rather extensively, presenting their findings in a way that suggests that these are his own without crediting his sources appropriately, thus rendering his book as academically rather useless, even bordering on plagiarism.

A particularly blatant example is to be found on p. 136. Heylin writes that "Judy Collins, in a 1996 email regarding the two songs, confirms that 'the Seven Curses are related to Anathea'" and extensively quotes from this email, creating the impression that he had been the recipient of it, whereas he "lifted" this email (without credit to his source and proper attribution) verbatim from bobdylanroots.com whose webmaster (and not Heylin) had received it from Judy Collins back in 1996.

It is this obvious lack of scholarly ethics (not crediting sources that one considers "below par" while at the same time using and exploiting them for one's own gain and "glory") which exposes Clinton Heylin as what he claims others to be: a basically "unpublishable" (his book is rather boring to boot), mostly self-appointed "expert".

Do yourselves a favor and do not fuel Heylin's self-importance by buying this hyped and pretentious product (except for a comparison to those by Michael Gray, Oliver Trager, or Derek Barker's Bob Dylan: The Songs He Didn't Write and Todd Harvey's The Formative Dylan -- all of those present an unbiased scholarly approach devoid of the obvious hybris found throughout Heylin's book, a clear distinction between these authors' own research with properly attributed and credited citations from sources and websites consulted and not merely "exploited" without proper credit as in Heylin's case).

To sum it up: Pretentious and hyped in advance but found to be scholarly totally unreliable (sources not credited properly in academic fashion). Sadly disappointing....
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