From Publishers Weekly
De Groot, a professor of modern history at the University of St. Andrews (
The Bomb: A Life), argues that our conventional view of the '60s as a time of ripe and productive counterculturalism and social revolution is a sham. He further argues that contemporary nostalgia for the hopefulness (which proved futile) and idealism (which proved fraudulent) of that turbulent decade led to virtually no positive advances. In DeGroot's view, not much was achieved for civil rights, women's liberation and environmental awareness, not to mention advances and great work in the visual, film and musical arts. The commonly accepted history of the decade, DeGroot insists, is a collection of beliefs zealously guarded by those keen to protect something sacred. In the end, DeGroot envisions the '60s as a trivial period of self-indulgence on the part of the West and a bitterly tragic 10 years as they played out in other theaters (especially the Middle East and Southeast Asia). DeGroot deconstructs virtually all key icons of the era—Woodstock (a festival, yes; a nation, no), the Beatles, Dylan, student radicals, Haight-Ashbury, the sexual revolution and even Muhammad Ali—finding that their legends loom far larger than their realities. One might disagree, but DeGroot's book comprises a fascinating revisionist polemic.
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Kurzbeschreibung
In this compelling book, Gerard DeGroot overturns the generally held belief that the sixties was a time of peace, love and understanding, of power to the people, freedom and new dawns. In fact, as he reveals, the decade was as much marked by mindless mayhem, shallow commercialism and unbridled cruelty as it was by wearing flowers in your hair and embracing your fellow man. How many of us, reflecting on those times, think about Sharpeville, the Gaza Strip, Vatican II, Biafra, Jakarta or the Cultural Revolution? Far from being a decade of opening doors, DeGroot argues convincingly that it was, rather, a decade in which they were slammed firmly shut, in which revolution was never on the cards, a time where chauvinism and cynicism got the better of hope and tolerance. Thought-provoking, persuasive and never less than entertaining, De Groot offers readers the Sixties unplugged, free of the amplifiers and filters that blur our memories and muddy our ability to see the past clearly.
