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Eric Schaefer's readable history of exploitation movies begins with a description of what the genre ain't--the rabid "nudie pics" of Russ Meyer (
Faster, Pussycat, Kill! Kill!) and the drecky, knowing arthouse flicks made by Andy Warhol and Paul Morrissey (
Andy Warhol's Dracula). Though these camp movies are sometimes labeled "exploitation," they do not exactly fit Schaefer's definition. For him, exploitation is the brand of movie that puts nudity and antisocial behavior up on the screen in the name of civic-mindedness and healthy social conscience--and with a wink. Between 1919 and 1959, sexual hygiene and antidrug movies with kicky, lascivious titles such as
No Greater Sin (1939),
Call Girls (1959),
Nudist Land (1937), and
Paroled from the Big House (1938) traveled through the country outside regular theater chains, advertising themselves as "shocking" yet educational. The posters didn't slouch either.
No Greater Sin promised viewers, "You'll gasp, you'll wince, you'll shudder... so powerful, many will faint!" Schaefer argues that studying the films tells us cartloads about the way Puritanical America grappled with complex issues like premarital sex, drugs, infidelity, and alternative lifestyles. And he may be right: by 1959, audiences had begun turning to European films like
And God Created Woman, films that treated exploitation movie subjects legitimately. The story of a lost culture,
Bold! Daring! Shocking! True! is finally an archaeology of the immediate past that throws our present incoherence about sex, public-mindedness, virtue, and immediate gratification into high and sometimes hilarious relief. With priceless historical black-and-white photographs.
--Lyall Bush
Matthew Bernstein, author of 'Walter Wanger, Hollywood Independent'
"An astonishing scholarly achievement, one of the most impressive books I've read in a decade. Schaefer's research is broad and profound. This is not only the reference work on the subject; it is a model of elegant argument."
