von Geoff Nicholson
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von Anton Volkov
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von Frannie Adams
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von Richard Kern
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von Dwayne Bell
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Richard Kern is smarter than the average pornographer. What other shutterbug for Penthouse and Juggs also makes videos for Sonic Youth and Marilyn Manson and exhibits his shots of naked friends in high-toned galleries? But these artfully artless photos mark a new breakthrough for Kern. Best known for very hard-edged pictures and films--his DVD retrospective is entitled The Hard Core Collection--he now shows us a far softer side, which turns out to be even more unsettlingly transgressive than his violent stuff. The Soft photos are like a collaboration between himself and his punky young subjects, flirtily flaunting themselves in various states of come-hither undress. It's an art that conceals art: his skill in lighting, framing and staging his scenes coyly hides behind an unretouched do-it-yourself look, making the steamy scenes resemble what might happen if the amateur goth exhibitionists of the Suicidegirls website had all gone to art school. The girls loll and puff bong smoke into the ripe O of each others' mouths, blankly display nosebleeds, "accidentally" flash their panties, mockingly parody archetypes from Cindy Sherman, soft-core porn, and notorious candid tabloid "gotcha" snaps of celebrities: Catherine Zeta-Jones pregnant and smoking, Uma Thurman caught topless emerging from the surf. They play their parts with gleeful aplomb, in a fun, smutty (but not too smutty) conversation with the photographer. Institute of Contemporary Art curator Matthew Higgs supplies Artforum-style insights in his scholarly essay, but this is one book most folks won't read for the articles. --Tim Appelo
Synopsis
Richard Kern offers an unusually intimate look at women. His inspired, unique, and "real" approach is as daring as ever in this volume. Beyond traditional portraiture, his photographs manifest a strong eroticism while incorporating the cinematic power of his earlier "Transgression" works. Richard Kern offers an unusually intimate look at women. His inspired, unique, and "real" approach is as daring as ever in this volume. Beyond traditional portraiture, his photographs manifest a strong eroticism while incorporating the cinematic power of his earlier "Transgression" works.
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