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The brilliant Italian writer Italo Calvino (1923-1985) compiled
Fantastic Tales: Visionary and Everyday, a historical overview of great fantastic literature of the 19th century. Many of his 26 selections are from well-known authors (Sir Walter Scott, Honoré de Balzac, Nathaniel Hawthorne, Edgar Allan Poe, Charles Dickens, Ivan Turgenev, Guy de Maupassant, Robert Louis Stevenson, Henry James, Rudyard Kipling, and H.G. Wells), but Calvino largely avoided their best-known stories; the only inclusions likely to be familiar to many Americans are Hawthorne's "Young Goodman Brown," Poe's "The Tell-Tale Heart," and H.G. Wells's "The Country of the Blind." The remaining contributors range from moderately well-known to obscure. So the reader who purchases
Fantastic Tales gains not only an intelligently annotated anthology of superb fiction, but, in one pleasant sense, a collection of mostly new stories.
Interestingly, some of the finest stories are by authors least known in America. Théophile Gautier's beautifully written, wrenchingly ironic "The Beautiful Vampire" establishes the traditions for romantic vampire fiction. Mérimée's "The Venus of Ille," a tale of culture clashes (Parisian and rural, ancient classical, and contemporary Christian), is sharp, well-written, and uncommonly horrific. With the gorgeous "A Lasting Love," the sole woman contributor, Vernon Lee, paints the most vivid portrait of obsessive, transcendent, destructive love.
Caveat: Calvino's introductions sometimes reveal more of the plot than readers will like. --Cynthia Ward
From Kirkus Reviews
An attractive compendium of 26 American and European 19th- century tales that was originally published in Italy in 1983, shortly before Calvino's death. Altogether, it's a curious mix, prefaced by a charmingly learned Introduction that elucidates the distinction the subtitle proclaims, and enhanced by disarmingly personal headnotes to each story. English-language readers will note overfamiliar contributions from several masters, including Scott, Hawthorne, Gogol, Stevenson, and Poe, among others. But there are also several fortuitous, little-known choices, including PhilacrŠte Chasles's strange blend of folklore and surrealism, ``The Eye with No Lid''; Henry James's underrated ``The Friends of the Friends'' (a partial precursor of his masterly ``The Turn of the Screw''); and the pseudonymous Vernon Lee's magnificent tale (``A Lasting Love'') about a dead beauty who reaches from beyond the grave to destroy men seduced by her painted image. Several flourishing literary traditions are un- or under-represented: For example, the sole Scandinavian choice is Hans Christian Andersen's wispy ``The Shadow'' (one wonders if Calvino knew the infinitely superior storytelling of Selma Lagerl”f and Jonas Lie). Other omissions are equally puzzling, making this an entertaining selection, though hardly a comprehensive or authoritative one. --
Copyright ©1997, Kirkus Associates, LP. All rights reserved.
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