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From Publishers Weekly
In a wonderfully readable study aimed at not just the Tolkien fan but any literate person curious about this fantasy author's extraordinary popularity, British scholar Shippey (The Road to Middle-earth) makes an impressive, low-key case for why the creator of Middle-earth is deserving of acclaim. (Recent polls in Britain have consistently put The Lord of the Rings at the top of greatest books of the century lists.) Having taught the same Old English syllabus at Oxford that his subject once did, Shippey is especially well qualified to discuss Tolkien's Anglo-Saxon sources, notably Beowulf, for the elvish languages and names used in the fiction. The author's theory on the origin of the word hobbit, for example, is as learned as it is free of academic jargon. Even his analyses of the abstruse Silmarillion, Tolkien's equivalent of Joyce's Finnegans Wake, avoid getting too technical. In addition, Shippey shows that Tolkien as a storyteller often improved on his ancient sources, while The Lord of the Rings is unmistakably a work of its time. (The Shire chapters, like Orwell's 1984, evoke the bleakness of late-'40s Britain.) In treating such topics as the nature of evil, religion, allegory, style and genre, the author nimbly answers the objections of Tolkien's more rabid critics. By the end, he has convincingly demonstrated why the much imitated Tolkien remains inimitable and continues to appeal. (May 16)Forecast: With the long-awaited part one of the Lord of the Rings, The Fellowship of the Ring, due for movie release later this year, this, like all Tolkien-related titles, will benefit from hobbit fever.
Copyright 2001 Cahners Business Information, Inc.
-- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .From Booklist
*Starred Review*
Like J. R. R. Tolkien, Shippey is a philologist who believes that language and literature are inextricably related. Names, especially, carry meaning, and, proceeding from Tolkien's assertion that his fantasy fiction was "fundamentally linguistic in inspiration," Shippey demonstrates how Tolkien used names to generate the plots, moral concepts, and cultural resonance of his works, especially The Lord of the Rings. He argues that Tolkien's larger project was to re-create the prehistory of the Anglo-Saxons by writing the literature suggested by the relationships among old names. The Hobbit and The Lord of the Rings were set near the end of the prehistory he constructed. Shippey maintains that, despite their backward glancing, Tolkien's Middle-Earth stories are essentially modern in their concern with the nature of evil, the hollowness of victory, and--though Tolkien characterized The Lord of the Rings as a Catholic book--deep religious skepticism. However academic such a proceeding may seem, it is keenly interesting because of Shippey's clear, if not uncomplicated, writing and because it substantiates "common" readers' great esteem for Tolkien. In several recent polls, British readers declared that The Lord of the Rings is the greatest book of the twentieth century, to the great dismay, the press noted, of the literati. Similar results of and reactions to polls in America are highly likely, which only makes this magisterial book more intriguing. Ray Olson
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
Like J. R. R. Tolkien, Shippey is a philologist who believes that language and literature are inextricably related. Names, especially, carry meaning, and, proceeding from Tolkien's assertion that his fantasy fiction was "fundamentally linguistic in inspiration," Shippey demonstrates how Tolkien used names to generate the plots, moral concepts, and cultural resonance of his works, especially The Lord of the Rings. He argues that Tolkien's larger project was to re-create the prehistory of the Anglo-Saxons by writing the literature suggested by the relationships among old names. The Hobbit and The Lord of the Rings were set near the end of the prehistory he constructed. Shippey maintains that, despite their backward glancing, Tolkien's Middle-Earth stories are essentially modern in their concern with the nature of evil, the hollowness of victory, and--though Tolkien characterized The Lord of the Rings as a Catholic book--deep religious skepticism. However academic such a proceeding may seem, it is keenly interesting because of Shippey's clear, if not uncomplicated, writing and because it substantiates "common" readers' great esteem for Tolkien. In several recent polls, British readers declared that The Lord of the Rings is the greatest book of the twentieth century, to the great dismay, the press noted, of the literati. Similar results of and reactions to polls in America are highly likely, which only makes this magisterial book more intriguing. Ray Olson
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
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